Gibson's classic techniques taught in the first two volumes gave you the foundation to hone your recording skills. The third volume focuses on the latest technologies: digital hard disk recording, MIDI sequencing, mastering with computers, CD-R technology and much more! Learn about audio hardware for computers, software comparisons and recommendations, including important tricks and tips that will improve your workflow! You'll discover secrets of the current state of the art in audio recording and multimedia while learning how to prepare for the music industry of the future.

Author Bill Gibson has created The AudioPro Home Recording Course to familiarize musicians with the fundamentals of studio recording using explanations and examples that are easy to understand and enlightening for the beginning and intermediate student. The book is accompanied by two CDs full of information and audio examples, and the text is complemented by hundreds of illustrations to make learning as painless as possible. Chapters include: The Mixer; Signal Processing; Guitar/Sounds; Microphones; Acoustic Drums; Percussion; Synchronization/Drum Machines.

Provides advice on which audio software and hardware to purchase, which is most suitable for your latest project or how best to move between platforms mid-project. The guide offers authoritative information and comparison between the systems currently available to help inform your own decisions.

This essential complement to the first book in this series and required reading for anyone who is conscientious about recording the right way. This second volume also uses illustrations and audio examples to present all you need to know about impedance and balancing; recording bass guitar, vocals, pianos, and synths; panning and stereo imaging; and the recording session itself, down to the final mixdown. Let Bill Gibson give you the information you need to master your recording techniques and produce incredible recordings.

This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more.

From the pages of Electronic Musician magazine come these words of wisdom from Scott Wilkinson. He bridges the information gap between beginner and high-end user as he demystifies the decibel, explains SCSI secrets, and makes sense of MIDI. Other topics include the principles of digital audio, effects processors, microphones and more. You'll also get two glossaries: one general and the other packed with Internet terms.

(Book). Whether you've got a four-track cassette deck, digital recorder, or a computer you've turned into a recording studio, How to Do a Demo-Quality Recording in Your Bedroom jump starts your skills quickly. It's written in a simple do-this, do-that approach. Topics covered include: expectations for home recording * connectors and cables * signal flow * overview of Cubase, Emagic Logic and Samplitude 6.0 * connecting the computer's audio card to the mixing board * recording procedures * how to set levels * how to apply effects in the mix * and much more. Includes a 38-page gallery of microphone positions for grand piano, amp miking, acoustic guitars, drums, vocalists and choir based on Shure microphone techniques.

A comprehensive and colour-illustrated guide to the most popular music production package around.

Sound engineering is one of the fastest-growing branches of music production. The need for a broad-based discussion on the issues constituting the art of sound engineering persists and loses none of its relevance, revealing that sound engineering should not be investigated only in the mathematical and physical context (musical acoustics) or the engineering aspect (signal processing and modification). Publications targeted primarily at musicians are few and far between, which is why the mutual understanding for different priorities which effectively concern the same issues faced by the engineer, the acoustician and the musician, seems to be a complex problem and the main concept explored in this publication. This book is intended for musicians or sound directors, but also acousticians and sound engineers wishing to learn how the musicians think. The monograph is also addressed to musicians who intend to record their material in the studio in the near future, but do not possess knowledge on studio construction, studio workflow or the art of recording. It seems important to familiarize the musicians with the reality that awaits them on the other side of the glass, thus fostering their responsibility for the work jointly produced by them – entering the studio – and the sound director.

"The Handbook of Field Recording" is the essential book by author Frank Dorritie on the topic. Coming complete with an audio CD, this book will teach you how to make good field recordings in any situation. Getting a good recording in the field is still one of the most challenging tasks in the recording industry. From environmental factors and room acoustics to equipment problems, field recording can be filled with potential roadblocks. "The Handbook of Field Recording" provides you with the knowledge you need to solve these problems and excel at making the best recording possible of any subject at any location. In clear terms, the book explains how to record documentary audio, film sound, underwater sounds, and much more. Veteran music and recording educator Frank Dorritie, author of the popular MixBooks title "Essentials of Music for Audio Professionals," brings his formidable recording experience to light in "The Handbook of Field Recording." This is an exciting, authoritative title that will demystify the challenging process of recording subjects outside of the studio.