In 1936, Dorothy L. Sayers abandoned the last Lord Peter Wimsey detective story. Sixty years later, a brown paper parcel containing a copy of the manuscript was discovered in her agent's safe in London, and award-winning novelist Jill Paton Walsh was commissioned to complete it. The result of the pairing of Dorothy L. Sayers with Walsh was the international bestseller Thrones, Dominations. Now, following A Presumption of Death, set during World War II, comes a new Sayers-inspired mystery featuring Lord Peter Wimsey, revisiting his very first case. . . . It was 1921 when Lord Peter Wimsey first encountered the Attenbury Emeralds. The recovery of the gems in Lord Attenbury's dazzling heirloom collection made headlines—and launched a shell-shocked young aristocrat on his career as a detective. Thirty years later, a happily married Lord Peter has just shared the secrets of that mystery with his wife, the detective novelist Harriet Vane. Suddenly, the new Lord Attenbury—grandson of Lord Peter's first client—seeks his help to prove who owns the emeralds. As Harriet and Peter contemplate the changes that the war has wrought on English society—and Peter, who always cherished the liberties of a younger son, faces the unwanted prospect of ending up the Duke of Denver after all—Jill Paton Walsh brings us a masterful new chapter in the annals of one of the greatest detectives of all time.

When a dispute among the Fellows of St. Severin's College, Oxford University, reaches a stalemate, Lord Peter Wimsey discovers that as the Duke of Denver he is "the Visitor"—charged with the task of resolving the issue. It is time for Lord Peter and his detective novelist wife, Harriet, to revisit their beloved Oxford, where their long and literate courtship finally culminated in their engagement and marriage. At first, the dispute seems a simple difference of opinion about a valuable manuscript that some of the Fellows regard as nothing but an insurance liability, which should be sold to finance a speculative purchase of land. The voting is evenly balanced. The Warden would normally cast the deciding vote, but he has disappeared. And when several of the Fellows unexpectedly die as well, Lord Peter and Harriet set off on an investigation to uncover what is really going on at St. Severin's. With this return in The Late Scholar to the Oxford of Gaudy Night, which many readers regard as their favorite of Sayers's original series, Jill Paton Walsh at once revives the wit and brilliant plotting of the Golden Age of detective fiction.

The long-awaited new Lord Peter Wimsey novel, telling the story of his first case and his last. Paton Walsh, takes over from Dorothy L Sayers to bring back Lord Wimsey.

'A delight.' - Irish Times 'A pitch-perfect Golden Age mystery . . . a gem of a period puzzle' - Financial Times Thirty years ago, Lord Peter Wimsey encountered the Attenbury emeralds. The recovery of Lord Attenbury's magnificent gem made headlines - and launched the shell-shocked young aristocrat on his career as a detective. Now it is 1951: a happily married Lord Peter has just shared the secrets of that mystery with his wife, the detective novelist Harriet Vane. Then the new Lord Attenbury - the grandson of Lord Peter's first client - seeks his help again, this time to prove who owns the gigantic emerald that Wimsey last saw in 1921. It will be the most intricate and challenging mystery he has ever faced . . .

It was 1921 when Lord Peter Wimsey encountered the Attenbury emeralds. Now it is 1951: a married Lord Peter has just shared the secrets of that mystery with his wife, the detective novelist Harriet Vane. Then the new young Lord Attenbury seeks his help again, this time to prove who owns the emerald that Wimsey last saw in 1921.

Sixty years after Dorothy L. Sayers began her unfinished Lord Peter Wimsey novel, Thrones Dominations, Booker Prize finalist Jill Paton Walsh took on the challenge of completing the manuscript---with extraordinary success. "The transition is seamless," said the San Francisco Chronicle; "you cannot tell where Sayers leaves off and Walsh begins." "Will Paton Walsh do it again?" wondered Ruth Rendell in London's Sunday Times. "We must hope so." Jill Paton Walsh fulfills those hopes in A Presumption of Death. Although Sayers never began another Wimsey novel, she did leave clues. Drawing on "The Wimsey Papers," in which Sayers showed various members of the family coping with wartime conditions, Walsh has devised an irresistible story set in 1940, at the start of the Blitz in London. Lord Peter is abroad on secret business for the Foreign Office, while Harriet Vane, now Lady Peter Wimsey, has taken their children to safety in the country. But war has followed them there---glamorous RAF pilots and even more glamorous land-girls scandalize the villagers, and the blackout makes the nighttime lanes as sinister as the back alleys of London. Daily life reminds them of the war so constantly that, when the village's first air-raid practice ends with a real body on the ground, it's almost a shock to hear the doctor declare that it was not enemy action, but plain, old-fashioned murder. Or was it? At the request of the overstretched local police, Harriet reluctantly agrees to investigate. The mystery that unfolds is every bit as literate, ingenious, and compelling as the best of original Lord Peter Wimsey novels.

Gentleman sleuth Lord Peter Wimsey and his bride Harriet Vane have settled into thier life together in 1930s London when an extra complication arises suddenly.

Bell strokes toll out the death of an unknown man, and summon Lord Wimsey to East Anglia to solve the mystery.

The appearance of two outsiders on a Mediterranean island - one a castaway and atheist, the other a child suckled by wolves and knowing nothing of God - find themselves the subjects of a bizarre experiment.