The Associated Shades This volume contains all the four humorous and witty novels by John Kendrick Bangs about ""The Associated Shades"" a group of famous dead people who become a sort of corporation or exclusive club in a house-boat on Styx. These stories created a new genre - Bangsian fiction - which is a story set almost or entirely in the afterlife. Members of The Associated Shades include: Confucius, Socrates, Sherlock Holmes, Baron Munchausen, William Shakespeare, Napoleon Bonaparte, Dr Samuel Johnson, Nero, James Boswell, Charles Darwin, George Washington, Walter Raleigh among others.

Fugitives Chasidah "Chaz" Bergren and her lover, ex-monk, mercenary, and telepath Gabriel Ross Sullivan, are forced out of hiding when Chaz's brother is arrested for treason.

Bold and beautiful, this volume presents hundreds of film stills from the Pixar archives in a glorious spectrum of color. Starting with bright white images and seamlessly flowing through the colors of the rainbow, it becomes crystal clear how each frame tells a story. Bound into a gorgeous volume, The Color of Pixar encapsulates everything there is to love about the studio: the attention to detail, the playful characters, and the sheer scope of their work in over 20 years of iconic feature films. Copyright ©2017 Disney Enterprises, Inc. and Pixar. All rights reserved.

Society for Ethnobotany Daniel F. Austin Award The important cultural role of an ancient, endangered plant Under the Shade of Thipaak is the first book to explore the cultural role of cycads, plants that evolved over 250 million years ago and are now critically endangered, in the ancient and modern Mesoamerican and Caribbean worlds. This volume demonstrates how these ancient plants have figured prominently in regional mythologies, rituals, art, and foodways from the Pleistocene-Holocene transition to the present. Contributors discuss the importance of cycads from a variety of disciplinary perspectives, including biology and population genetics, historical ecology, archaeology, art history, linguistics, and conservation and sustainability. Chapters pay special attention to the enduring conceptual relationships between cycads and maize. This book demonstrates how a close examination of cycad-human relationships can motivate conservation of these threatened plants in ways that engage local communities, as well as promote the significance of ancient and modern practices that unite nature and culture. Contributors: Francisco Barona-Gómez | Emanuel Bojorquez Quintal | Mark A. Bonta | Edder Daniel Bustos-Díaz | Dánae Cabrera-Toledo | Michael Calonje | Michael D. Carrasco | Angélica Cibrián-Jaramillo | Joshua D. Englehardt | Jorge González-Astorga | Naishla M. Gutiérrez-Arroyo | José Saíd Gutiérrez-Ortega | Thomas Hart | Jaime R. Pagán-Jiménez | Francisco Pérez-Zavala | Luis Rojas Abarca | Esteban Sánchez Rodríguez | Dennis William Stevenson | Amber M. VanDerwarker | Luis R. Velázquez Maldonado | Andrew P. Vovides

Cool Shades provides the first in-depth exploration of the enduring appeal of sunglasses in visual culture, both historically and today. Ubiquitous in fashion, advertising, film and graphic design, sunglasses are the ultimate signifier of 'cool' in mass culture; a powerful attribute pervading much fashion and pop cultural imagery which has received little scholarly attention until now. Accessible and highly engaging, this book offers an original history of how sunglasses became a fashion accessory in the early twentieth century, and addresses the complex variety of meanings they have the power to articulate, through associations with vision, light, glamour, darkness, fashion, speed and technology in the context of modernity. Cool Shades will be of great interest to students of fashion, design, visual and material culture, cultural studies and sociology, as well as general readers fascinated by this iconic fashion staple.

This “oral autobiography” of Jimmy Page, the intensely private mastermind behind Led Zeppelin—one of the most enduring bands in rock history—is the most complete and revelatory portrait of the legendary guitarist ever published. More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer. In Light & Shade, Jimmy Page, the band’s most reticent and inscrutable member, opens up to journalist Brad Tolinski, for the first time exploring his remarkable life and musical journey in great depth and intimate detail. Based on extensive interviews conducted with the guitarist/producer over the past 20 years, Light & Shade encompasses Page’s entire career, beginning with his early years as England’s top session guitarist when he worked with artists ranging from Tom Jones, Shirley Bassey, and Burt Bacharach to the Kinks, The Who, and Eric Clapton. Page speaks frankly about his decadent yet immensely creative years in Led Zeppelin, his synergistic relationships with band members Robert Plant, John Bonham, and John Paul Jones, and his notable post-Zeppelin pursuits. While examining every major track recorded by Zeppelin, including “Stairway to Heaven,” “Whole Lotta Love,” and “Kashmir,” Page reflects on the band’s sensational tours, the filming of the concert movie The Song Remains the Same, his fascination with the occult, meeting Elvis Presley, and the making of the rock masterpiece Led Zeppelin IV, about which he offers a complete behind-the-scenes account. Additionally, the book is peppered with “sidebar” chapters that include conversations between Page and other guitar greats, including his childhood friend Jeff Beck and hipster icon Jack White. Through Page’s own words, Light and Shade presents an unprecedented first-person view of one of the most important musicians of our era.

This book explores the politics of race, censuses, and citizenship, drawing on the complex history of questions about race in the U.S. and Brazilian censuses. It reconstructs the history of racial categorization in American and Brazilian censuses from each country’s first census in the eighteenth and nineteenth centuries up through the 2000 census. It sharply challenges certain presumptions that guide scholarly and popular studies, notably that census bureaus are (or are designed to be) innocent bystanders in the arena of politics, and that racial data are innocuous demographic data. Using previously overlooked historical sources, the book demonstrates that counting by race has always been a fundamentally political process, shaping in important ways the experiences and meanings of citizenship. This counting has also helped to create and to further ideas about race itself. The author argues that far from being mere producers of racial statistics, American and Brazilian censuses have been the ultimate insiders with respect to racial politics. For most of their histories, American and Brazilian censuses were tightly controlled by state officials, social scientists, and politicians. Over the past thirty years in the United States and the past twenty years in Brazil, however, certain groups within civil society have organized and lobbied to alter the methods of racial categorization. This book analyzes both the attempt of America’s multiracial movement to have a multiracial category added to the U.S. census and the attempt by Brazil’s black movement to include racial terminology in census forms. Because of these efforts, census bureau officials in the United States and Brazil today work within political and institutional constraints unknown to their predecessors. Categorization has become as much a "bottom-up” process as a "top-down” one.

Celebrating all the beautiful browns in one child’s colorful family Mama’s brown is chocolate, clear, dark, and sweet. Daddy’s brown is autumn leaf, or like a field of wheat. Granny’s brown is like honey, and Papa’s like caramel. In this loving and lovely ode to the color brown, a boy describes the many beautiful hues of his family, including his own—gingerbread.