Following a brief introduction to the Arts and Crafts Movement, this text chronicles the arrival of a succession of artists, architects, craftsmen and designers in the Cotswolds during the second half of the 19th century. Having come under the influence of William Morris, they sought to realize in the Cotswolds the ideals of the Arts and Crafts Movement, with its emphasis on the importance of creative manual work and the breakdown of the barrier between designer and maker, looking for inspiration to the English countryside.

Between 1890 and 1930, Arts and Crafts architecture proliferated within the Cotswolds. The range and quality of the buildings was exceptional as the region provided the perfect environment for the Movement's ideals and principles. Arts and Crafts architects relished the robust vernacular precedent as it channelled their ideas and stimulated their imaginations. Its rational basis and dependence on craft skills had lasting value, and it was no coincidence that the most influential aspect of their work was its emphasis on conservation. The Arts and Crafts Movement in the Cotswolds has attracted much interest in recent decades, the appeal of the simple life and of traditional values detached from the pressures of modern society having as much allure now as it did a century ago. Most of these studies have referred to the work of architects in the region, but the subject has not received the specialist attention it deserves. Until now. This book examines the impact of the Movement on the Cotswold landscape, on the survival of its building traditions and on modern attitudes to building conservation. After an introductory section which outlines the Movement's origins and beliefs and its architectural principles, the main part of the book provides a guide to the general characteristics associated with Arts and Crafts building in the Cotswolds. There are separate chapters on the various types of new commission that were undertaken, from small and large country houses and cottages to village halls and almshouses, not to mention the numerous repair and remodelling jobs on existing buildings that had become derelict following the social and economic upheavals of industrialisation. The final chapter looks at the late flowering of architectural work in the region during the interwar period and beyond, and the legacy of this important body of work at a local and national level.

Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.

Mary Greensted tells the story of the birth and development of the Arts and Craft movement in Britain with the help of numerous illustrations showing the buildings, furniture, metalwork, and the people who influenced it. The movement was concerned with the revival of traditional crafts, and a return to the vernacular, and it had socialist ideals at its heart. This movement, which flourished in the early twentieth century, has not only bequeathed us with a wealth of fine objects and buildings, but also a way of thinking about life and craft that continues to influence many today. Contains information on dozens of designers, artists, architects and thinkers, including: William Morris CFA Voysey Charles Rennie Mackintosh AH Mackmurdo CR Ashbee Ernest Gimson

This rich new volume brings to light the versatility and accomplishments of the English architect, designer, and maker Ernest Gimson, a central figure in the Arts and Crafts Movement.

These churches are visually arresting, with often quaint, at times far-fetched and capricious exteriors. Internally, they often contain beautiful works of art, including reredoses, pulpits, lecterns, pews, doors, lighting, stained glass and altars. They also tell a fascinating story about religion as Britain entered the age of modernity. While the architects were often religiously sceptical, they were still committed to making beauty, despite their ambivalence about its higher purpose. Beginning with an introductory section in which author Alec Hamilton sets out the social and political context in which these churches were designed and constructed; on the Arts & Crafts more generally; and on the architects' and clients' beliefs, this book is then divided into regional sections: West Country; the South of England; the South East; London; the Home Counties; the Marches; the West Midlands; the East Midlands; the East of England; the North West; Yorkshire; the North of England; Wales; Scotland. Each section is headed by a short essay highlighting key architects and descriptions of notable churches within each region.

“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

This book uncovers the work of sculptor William Simmonds, one of the forgotten originals of the Arts and Crafts movement. Inspired by his pastoral surroundings in the Cotswolds, he played a particularly vital role in the movement between the two world wars. After the First World War Simmonds emerged as a master of woodcarving, known for his exquisite oak, pine, ebony and ivory carvings of wild and domestic creatures. He earned his living by making puppets and became Europe's most renowned puppet master. His wife Eve, a well-known embroiderer in her own right, made the puppets' costumes and accompanied the puppet shows on the spinet, playing early music discovered by Dolmetsch and pieces by Cecil Sharp and Vaughan Williams. Simmonds's circle included the artists William Rothenstein, Edwin Abbey, John Singer Sargent and E.H. Shepard; architects Ernest Gimson, Detmar Blow, and the Barnsley brothers; potters and stained-glass artists Alfred and Louise Powell and Edward Pay≠ and textile printers Barron and Larcher. Poets Tagore, W.H. Davies, John Masefield and John Drinkwater; writers Max Beerbohm and D.H. Lawrence; and the musicians Lionel Tertis and Violet Gordon Woodhouse with her 'four husbands' all played their part. This book documents that lost world and adds another dimension to the story of the extraordinary Violet Gordon-Wodehouse, who lived at Nether Lypiatt Manor a mile from Simmonds's cottage.

Each chapter of this book examines a different facet of this aesthetic, beginning with its European origins and proceeding to American classics, including California's Mission style. The book highlights the work of such influential designers as Gustav Stickley, L & J.G. Stickley, Charles Voysey, Greene & Greene, George Ohr, Tiffany, Frank Lloyd Wright, and Charles Rohlfs, among others, and features Arts and Crafts standards, such as the Morris chair, the Stickley settle, the Tiffany lamp, and the Fulper bowl, all displayed in a variety of contemporary interiors.