The book is a comprehensive survey of medieval and early modern Arthurian literature in the Scandinavian countries The book analyses the transmission of a foreign courtly literature in the non-courtly culture of Iceland The book surveys the acculturation of foreign narrative and style to indigenous literary forms in the North

The most comprehensive full-color guide to the beetles of eastern North America Beetles of Eastern North America is a landmark book—the most comprehensive full-color guide to the remarkably diverse and beautiful beetles of the United States and Canada east of the Mississippi River. It is the first color-illustrated guide to cover 1,406 species in all 115 families that occur in the region—and the first new in-depth guide to the region in more than forty years. Lavishly illustrated with over 1,500 stunning color images by some of the best insect photographers in North America, the book features an engaging and authoritative text by noted beetle expert Arthur Evans. Extensive introductory sections provide essential information on beetle anatomy, reproduction, development, natural history, behavior, and conservation. Also included are tips on where and when to find beetles; how to photograph, collect, and rear beetles; and how to contribute to research. Each family and species account presents concise and easy-to-understand information on identification, natural history, collecting, and geographic range. Organized by family, the book also includes an illustrated key to the most common beetle families, with 31 drawings that aid identification, and features current information on distribution, biology, and taxonomy not found in other guides. An unmatched guide to the rich variety of eastern North American beetles, this is an essential book for amateur naturalists, nature photographers, insect enthusiasts, students, and professional entomologists and other biologists. Provides the only comprehensive, authoritative, and accessible full-color treatment of the region's beetles Covers 1,406 species in all 115 families east of the Mississippi River Features more than 1,500 stunning color images from top photographers Presents concise information on identification, natural history, collecting, and geographic range for each species and family Includes an illustrated key to the most common beetle families

Arthur in Northern Translations is a compilation of some of the articles presented at two conferences organized by the Nordic Branch of the Arthurian Society. The volume aims to showcase the richness and broad appeal of the contemporary research on Nordic translations of courtly literature, featuring articles on the Arthurian tradition in Medieval Scandinavia. As such, the articles compiled here will be of interest not only to specialists of the Medieval North, but to all interested in courtly literature and Arthurian material in general.

This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.

King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.

While working on his book The Life of Arthur Ransome, Hugh Brogan chanced upon the unfinished script of a thirteenth 'Swallows and Amazons' story in Ransome's desk in the Abbot Hall Museum in Cumbria, where it had laid unknown except to a few. It had no title ('Coots in the North' is Brogan's invention) but there were a few preliminary drawings which Ransome might have included had this gem been brought to life in book form. Why he abandoned it is not known, for he left a clear outline of how he intended to go on once the young Coots u Joe, Bill and Pete u had completed their hair-raising journey as stowaways from Norfolk to the Lakes in the north. There, on a salvage mission, they encounter for the first time the intrepid Nancy Blackett. 'Coots in the North' is introduced by Brogan's lively account of how Arthur Ransome found fame and fortune through the Swallows and Amazons, and is accompanied in this collection by other delights which turned up among Ransome's papers in the Brotherton Library at Leeds University. An unfinished Victorian 'Bevis'-style novel yielded two superb stories, complete in themselves u 'The Cloudburst' and a fishing tale called 'The River Comes First'. The Baltic sailing mysteries originally published in Pall Mall magazine in 1929. 'Two Shorts and a Long' and 'The Unofficial Side'; the Breton ghost story 'Ankou', which first appeared in English Review in 1914; and an eerie tale of old Russia called 'The Shepherd's Pipe' complete this testament to Ransome's storytelling genius, which should not be missed by enthusiasts young or old.

As this classic series continues, adventuring children off the western coast of Scotland spot a strange bird and soon land themselves in danger. While on a sailing cruise with Cap. Flint exploring in the Outer Hebrides, the Swallows, Amazons, and the Ds spot a mysterious bird nesting on an island in a loch. Could it be a great northern diver, never known to nest in the British Isles? They tell their discovery to a local expert who secretly collects birds’ eggs and stuffed skins of birds. The collector sets off with a gun—and the children set off to stop him. Friendship and resourcefulness, dangers and excitement: Arthur Ransome’s Swallows and Amazons series has stood the test of time. More than just great stories, each one celebrates independence and initiative with a colorful, large cast of characters—and children are the heroes. Great Northern? (originally published in 1947) is the twelfth and final completed title in the Swallows and Amazons series, books for children or grownups, anyone captivated by a world of adventure, exploration, and imagination. “[Ransome] makes a tale of adventure a handbook to adventure.” —Observer (UK)

Foreword by Neil Gaiman The world’s leading Arthurian authority reimagines one of the most beloved and influential legends—the story of King Arthur and his Knights—for a new century in this gorgeous keepsake edition, illustrated with luminous full-color paintings and drawings by internationally acclaimed Tolkien artist John Howe. The stories of King Arthur and Merlin, Lancelot and Guinevere, Galahad, Gawain, Tristan and the rest of the Knights of the Roundtable, and the search for the Holy Grail have been beloved for centuries and are the inspiration of many modern fantasy novels, films, and shows. These legends began when an obscure Celtic hero named Arthur stepped on to the stage of history sometime in the sixth century, generating a host of oral tales that would be inscribed some 900 years later by Thomas Malory in his classic Morte D’Arthur (The Death of Arthur). The Great Book of King Arthur brings these legends into the modern age, using accessible prose for contemporary readers for the first time. In addition to the stories in Morte D’Arthur, John Matthews includes many tales of Arthur and his knights either unknown to Malory or written in other languages, such as the story of Avenable, the girl brought up as a boy who becomes a famous knight; Morien, whose adventures are as fantastic and exciting as any found in Malory’s work; and a retelling of the life of Round Table favorite Gawain, from his strange birth to his upbringing among the poor to his ascension to the highest position—Emperor of Rome. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. The epic hero is represented in such powerful stories as “The Adventures of Eagle-boy” and “The Coming of Merlin,” which is based on the early medieval text Vita Merlini and tells a completely new version of the great enchanter’s story. The Great Book of King Arthur includes 15 full-color paintings and 25 pencil drawings.