From the time that pages of The Saint John's Bible began touring in major exhibitions nearly a decade ago, people have been moved, captivated, and inspired by this stunning work of modern sacred art. But they often have questions about the illuminations that are scattered throughout the Bible, especially as they first become familiar with it. Why was a certain Scripture passage chosen for illumination rather than another? What materials and source imagery are behind the illuminations? The Art of The Saint John's Bible provides answers to these important questions and many others. Initially published in a series of three volumes, each book has now been revised by the author and included together in this helpful single volume. SinceThe Saint John's Bible is now complete, Susan Sink makes connections between recurring images and motifs throughout the work and reflects on the images with a view to the whole. Her book promises to intensify and expand the experience of all who come in contact with The Saint John's Bible.

In an age of e-books and screens, it may seem antiquated to create a handwritten, illuminated Bible. The Benedictine monks at Saint John's Abbey and University, however, determined to produce such a Bible for the twenty-first century, a Bible that would use traditional methods and materials while engaging contemporary questions and concerns. In an age that largely overlooks the physical form of books, The Saint John's Bible foregrounds the importance of a book's tactile and visual qualities. This collection considers how The Saint John's Bible fits within the history of the Bible as a book, and how its haptic qualities may be particularly important in a digital age. Contributors: David Lyle Jeffrey Matthew Moser Jonathan Juilfs Sue Sorensen Paul Anderson Gretchen Batcheller Jane Kelley Rodeheffer

Illuminating Justice explores the call to social ethics in The Saint John’s Bible, the first major handwritten and hand-illuminated Christian Bible since the invention of the printing press. Situating his close analysis of The Saint John’s Bible’s illuminations in the context of contemporary biblical exegesis and Catholic teaching, Homrighausen shows how this project stimulates the ethical imagination of its readers and viewers on matters of justice for women, care for creation, and dialogue between Jews and Christians. Written for scholars, pastors, teachers, and any fan of The Saint John’s Bible, this book shows how beauty and justice intertwine in this wondrous illuminated Bible for the new millennium.

The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

Meeting House Essays in a series of papers reflecting on the mystery, beauty and practicalities of the place of worship. This popular series was begun in 1991, and each resource focuses on a particular aspect of space, design or materials and how they relate to the liturgy.

The time has come to tell the entire story of the creation of The Saint Johns Bible. This completely revised and updated edition of Illuminating the Word devotes a separate chapter to each of the Bibles seven volumes. Readers get a behind-the-scenes tour of the creation of each volume, with a fascinating window into the activities, challenges, and struggles at Donald Jacksons Scriptorium in Wales. We can practically watch, through the eyes of every artist and calligrapher who participated in the project, the Bibles stunning illuminations move from conception to completion. This edition includes a completely new chapter, on the scripts used in The Saint Johns Bible that will fascinate calligraphers and lovers of the art. Still another new chapter details the production of the Heritage Edition, a high-quality, fine art facsimile of the original that makes The Saint Johns Bible available to a wider audience than the singular manuscript.

Mastering Hebrew Calligraphy is a comprehensive and beautiful guide to the art of Hebrew letter-making. Developed and designed by the leading Jerusalem calligrapher, Izzy Pludwinski, it teaches the how-to¿s of writing Hebrew scripts and principles of design and layout to enable you to create your own, beautiful Hebrew texts. Mastering Hebrew Calligraphy is the essential guidebook that addresses every nuance of the art of Hebrew calligraphic writing, from needed tools ¿ pens to computers ¿ to correct posture and effective letter spacing. It is also a celebration of the Hebrew letter, with dozens of images of calligraphic works of art that will inspire you to develop your artistic imagination through the Aleph Bet. A magnificent and informative book to own whether you plan on becoming a professional calligrapher or simply find joy in Hebrew letters. With 200 illustrations.