Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other -- the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice -- ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.

The 21st Century Edition of Spielmann’s Classic Work Austrian Grandmaster Rudolf Spielmann’s The Art of Sacrifice in Chess first appeared in the mid-1930s. It was immediately recognized as a classic, a masterpiece that examined the nature of chess sacrifices. In this modernized, 21st century edition, all of Spielmann’s original work has been preserved. The antiquated English Descriptive Notation has been replaced with modern Figurine Algebraic, and German grandmaster Karsten Müller has added his own notes to Spielmann’s original text. But the German grandmaster has gone far beyond simply inserting clarifying commentary. Müller has virtually doubled the size of the original work by adding eleven new chapters, including: The Greek Gift Sacrifice Bxh2/7+; Disaster on g7; The Achilles’ Heel f7; Strike at the Edge; Destroying the King’s Shelter; Sacrifices on f6; Sacrifices on e6; The Magic of Mikhail Tal; Shirov’s Sacrifices; and The Fine Art of Defense. There are exercises at the end of each new chapter to help you hone your skill of sacrificing. “Grandmaster Karsten Müller’s notes to the original text, along with the new material, brilliantly complements Spielmann’s classic work. A welcome addition to any chessplayer’s library...” – Garry Kasparov

An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.

The Trojan War begins and ends with the sacrifice of a virgin princess. The gruesome killing of a woman must have captivated ancient people because the myth of the sacrificial virgin resonates powerfully in the arts of ancient Greece and Rome. Most scholars agree that the Greeks and Romans did not practice human sacrifice, so why then do the myths of virgin sacrifice appear persistently in art and literature for over a millennium? Virgin Sacrifice in Classical Art: Women, Agency, and the Trojan War seeks to answer this question. This book tells the stories of the sacrificial maidens in order to help the reader discover the meanings bound up in these myths for historical people. In exploring the representations of Iphigeneia and Polyxena in Greek, Etruscan, and Roman art, this book offers a broader cultural history that reveals what people in the ancient world were seeking in these stories. The result is an interdisciplinary study that offers new interpretations on the meaning of the sacrificial virgin as a cultural and ideological construction. This is the first book-length study of virgin sacrifice in ancient art and the first to provide an interpretive framework within which to understand its imagery.

lThe sacrifice is one of the most beautiful, rewarding and complex aspects of chess. During a game the decision to give up material in order to get an advantage is probably the most difficult one a player has to take. Often, you have to burn your bridges without being able to fully calculate the consequences. Risks and rewards are racing through your mind, fighting for precedence while the clock keeps ticking. Now is the moment, because after the next move the window for this opportunity may be closed. In this book Ivan Sokolov presents a set of practical tools that will help you to master the art of sacrifice. By concentrating on the aim you are trying to achieve, rather than on the opening you are playing or the piece you might be going to sack, he teaches you how to come to a reasonable risk assessment and how to trust your intuition. There is a separate part on seizing the initiative without actually giving up material. Ivan Sokolov has written an entertaining and instructive guide, packed with useful advice and lots of practical examples.

Join Sister Wendy on a journey through Lent, and discover the timeless wisdom to be found in some of the world’s greatest paintings. Illustrated in full colour with over forty famous and lesser-known masterpieces of Western art, this beautiful book will lead you into a deeply prayerful response to all that these paintings convey to the discerning eye. ‘For those who want to appreciate the spirituality behind some of the world’s greatest works of art, this book will be hugely inspiring – not only during Lent but at any time of the year.’ Dr Janina Ramirez, art historian and broadcaster

The term "sacrifice" belies what is a complex and varied transhistorical and transcultural phenomenon. Bringing together scholars from such diverse fields as anthropology, archaeology, epigraphy, literature, and theology, Diversity of Sacrifice explores sacrificial practices across a range of contexts from prehistory to the present. Incorporating theory, material culture, and textual evidence, the volume seeks to consider new and divergent data related to contexts of sacrifice that can help broaden our field of vision while raising new questions. The essays contributed here move beyond reductive and simple explanations to explore complex areas of social interaction. Sacrifice plays a key role in the overlapping sacred and secular spheres for a number of societies in the past and present. How religious beliefs and practices can be integral parts of life on individual and community levels is of fundamental importance to understanding the past and present. In addition to aiding scholarly research, Diversity of Sacrifice enables students to explore this rich theme across Europe and the Mediterranean with clear discussions of theory and data.

The idea and practice of sacrifice play a profound role in religion, ethics, and politics. In this brief book, philosopher Moshe Halbertal explores the meaning and implications of sacrifice, developing a theory of sacrifice as an offering and examining the relationship between sacrifice, ritual, violence, and love. On Sacrifice also looks at the place of self-sacrifice within ethical life and at the complex role of sacrifice as both a noble and destructive political ideal. In the religious domain, Halbertal argues, sacrifice is an offering, a gift given in the context of a hierarchical relationship. As such it is vulnerable to rejection, a trauma at the root of both ritual and violence. An offering is also an ambiguous gesture torn between a genuine expression of gratitude and love and an instrument of exchange, a tension that haunts the practice of sacrifice. In the moral and political domains, sacrifice is tied to the idea of self-transcendence, in which an individual sacrifices his or her self-interest for the sake of higher values and commitments. While self-sacrifice has great potential moral value, it can also be used to justify the most brutal acts. Halbertal attempts to unravel the relationship between self-sacrifice and violence, arguing that misguided self-sacrifice is far more problematic than exaggerated self-love. In his exploration of the positive and negative dimensions of self-sacrifice, Halbertal also addresses the role of past sacrifice in obligating future generations and in creating a bond for political associations, and considers the function of the modern state as a sacrificial community.

"Roe Ethridge's practice is that of a restless maverick and his constantly evolving visual sensibility has spawned a myriad of copyists in what has become known as 'the new school of synthetic photography'. In this his latest artist book, Ethridge conflates a rich array of photographic tropes, combining personal documentary images made in western Palm Beach County, his mother's childhood home, with surreal collage works, and a series discarded from a Chanel fashion shoot. These are interwoven with what appears to be a carefully directed scene depicting a teeth-white Durango SUV sinking into and then being retrieved from a canal. The clash of visual styles, histories and meaning establish a flatline of dissonance underscored by the touchline admonition of the neon title - SACRIFICE YOUR BODY." --Publisher's description, from MACK Books website, http://www.mackbooks.co.uk/books/1019-Sacrifice-Your-Body.html, viewed on February 26, 2014.

The TROJAN WAR SONG OF PRINCES, Book One of the Homeric Chronicles Sing Muse. Sing of the shining citadel of Troy rising from the hot sands of Asia. Sing of the Greek palaces ascending from their rocky hilltops. Sing of one woman's dream heralding the madness of men and the murder of innocents. From bull dancing rings and wild meadows, the Forgotten Prince must choose between love and a golden crown. From seclusion and safety, the Golden Warrior must choose between his honor and his life. From behind the Great Wall, the Golden Prince must choose between his family and his city. And from a rugged realm on the far side of Greece, the Warrior King must choose between his son's life and certain exile. Here shepherds and princes, warriors and kings, and seers and lovers seek to conquer their passions, outwit destiny or surrender to it. PARIS, the FORGOTTEN PRINCE. ACHILLES, the GOLDEN WARRIOR. HEKTOR, the GOLDEN PRINCE. ODYSSEUS, the WARRIOR KING. Where did their legends begin before their lives converged at Troy in one of the most famous battles of all time? The HOMERIC CHRONICLES tell the stories of Paris, Achilles, Hektor, and Odysseus in one chronological tale, beginning before the ILIAD and ending long after the ODYSSEY. Blending both history and myth, the Homeric Chronicles will satisfy your love of Greek mythology, while paying homage to the original storyteller, Homer. SONGS OF PRINCES begins with the birth of Paris and Achilles, and introduces us to a young Hektor and Odysseus. The journey of the princes begins... Fall in love with Greek mythology for the first time or all over again. ...READ THEM ALL... #songofprinces #riseofprinces #returnofkings #homericchronicles THE BIRTH OF PARIS The labor began with the pull of the full moon. Hecuba's eyes opened. She recognized the familiar dull ache. The squeeze tightened down her lower back and wrapped itself around her lower hips and belly like a merciless snake. It begins, she thought. The child whose destiny she'd agonized over these many weeks pressed his entrance into a hostile world. She rolled onto her side to ease the progressing pains. She knew precious little time remained before she would be forced to call Tessa to fetch the midwife. Hecuba planned to endure as much pain as she could bear buying time with her unwelcomed son...unwelcomed by all, except for her. She loved the child despite the prophecy. Tears filled her eyes for the child pushing his way to the light. Hecuba wept into her pillow. His innocence would be her life's burden. She would never know the burn of the first milk passing to her breasts as his little mouth suckled for the first time. She would not know the smell of his baby skin. She would not feel the weight of him in her arms as she cradled him to sleep, or the weight of his little body as it grew to fill the circle of her arms, making them ache with his increasing size. She would not know him at all. He would be stolen away from her and lost forever. With each new tug on her body, she clenched her teeth and tried to breathe as quietly as possible. In between the pains, she shifted to the opposite side to keep the mounting pressure from making her cry out. As the moonlight shifted past the high window, the birthing process accelerated. A piercing pain below Hecuba's pelvis forced a shrill scream into the stillness shattering the silver calm. The warm sticky wetness washed down her thighs. Eleithyia wasted no time bringing the child along. Why goddess? Let him stay with me a while longer, I beg you. Her plea hung unheeded in that space between earth and sky.