If you are interested in Public Speaking, then this is exactly the book you need. If you are a preacher, then you cannot avoid this book. If you are a Lecturer or student of Mass Communication, Law, English, Rhetoric, Speech, Ethics, International Relations, Philosophy, Theology and other courses that require you to address others, then this book is inevitable for you. Public Speaking is not just a gift, it is an Art. The book revives the ancient "Art of Oratory", and makes it relevant in the 21st Century. It digs the art of public speaking down to Aristotle, Cicero and back to Martin Luther King Jr., Hitler and even the modern day speakers. It highlighted the Ethics of Communication in order to moderate the art. It grooms you from Speech pronunciation to Speech writing, Speech Delivery and even how to Use a Microphone. You can also see samples of good speeches at the Appendix. Give this book a trial and you will know why it is different from other books on Communications and Public Speaking you already know.

Winner of the 2021 Sheikh Zayed Book Award (category: Arab Culture in Other Languages) Browse a preview of Arabic Oration: Art and Fuction. In Arabic Oration: Art and Function, a narrative richly infused with illustrative texts and original translations, Tahera Qutbuddin presents a comprehensive theory of this preeminent genre in its foundational oral period, 7th-8th centuries AD. With speeches and sermons attributed to the Prophet Muḥammad, ʿAlī, other political and military leaders, and a number of prominent women, she assesses types of orations and themes, preservation and provenance, structure and style, orator-audience authority dynamics, and, with the shift from an oral to a highly literate culture, oration’s influence on the medieval chancery epistle. Probing the genre’s echoes in the contemporary Muslim world, she offers sensitive tools with which to decode speeches by mosque-imams and political leaders today.

The speeches in this book changed history. Sometimes they did so straightforwardly, for instance by setting in train a change of mind among the audience, as Wilberforce began to do over the slave trade. But sometimes it was by changing the way posterity has viewed a decision already taken, as Socrates did at his trial, even though he was condemned to death. Every speech has been chosen on its merits. Such merits are of two kinds, however. A speech may be, and usually is, a highly readable essay in the art of immediate persuasion. But it is sometimes more the trigger by which a world historical personage has catapulted mankind into action afterwards. As such, it may have had a more long-term historical effect than an immediate impact. For that reason, the accompanying remarks explaining the context of every speech and giving an account of the speaker are as vital as the speech itself.

Dale Carnegie, author of the legendary How to Win Friends and Influence People, began his career as the premier "life coach" of the twentieth century by teaching the art of public speaking. Public speaking, as Carnegie saw it, is a vital skill that can be attained through basic and repeated steps. His classic volume on the subject appeared in 1926 and was revised twice-in shortened versions-in 1956 and 1962. This 2006 revision-edited by a longtime consultant to Dale Carnegie & Associates, Inc., and the editor in charge of updating How to Win Friends and Influence People-is the definitive one for our era. While up-to-date in its language and points of reference, Public Speaking for Success preserves the full range of ideas and methods that appeared in the original: including Carnegie's complete speech and diction exercises, which follow each chapter, as the author originally designated them. This edition restores Carnegie's original appendix of the three complete self-help classics: Acres of Diamonds by Russell H. Conwell, As a Man Thinketh by James Allen, and A Message to Garcia by Elbert Hubbard. Carnegie included these essays in his original edition because, although they do not directly relate to public speaking, he felt they would be of great value to the readers. Here is the definitive update of the best-loved public-speaking book of all time.

In one of his last published papers, Te Rangi Hiroa (Sir Peter Buck), the only Polynesian director of the Bernice Pauahi Bishop Museum, asked what happened to Hawaiian oratory and speech making. Oratory is renowned throughout the Pacific, especially in Polynesia. But who were, and are, the great Hawaiian orators? What are the most memorable of the traditional speeches, and why are they remembered and recited today? Malcolm Naea Chun takes up this Maori challenge, describing the historical roots of Hawaiian oratory, and its eventual decline. He adds to this his personal experience as a speech writer and as a speech maker to kings and queens, indigenous tribunals, conferences, and gatherings to recreate a formidable picture of Hawaiian oratory, finishing with a discussion of what can be done today to revive this forgotten art form. This book is one of eleven short volumes of the Ka Wana series, which is part of the Pihana Na Mamo Native Hawaiian Education Program.

Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.