A sensitive and nuanced exploration of a seldom-discussed subject by an acclaimed novelist The fourteenth volume in the Art of series conjures an ethereal subject: the idea of mystery in fiction. Mystery is not often discussed—apart from the genre—because, as Maud Casey says, “It’s not easy to talk about something that is a whispered invitation, a siren song, a flickering light in the distance.” Casey, the author of several critically acclaimed novels, reaches beyond the usual tool kit of fictional elements to ask the question: Where does mystery reside in a work of fiction? She takes us into the Land of Un—a space of uncertainty and unknowing—to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey’s wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. The Art of Mystery is a striking and vibrant addition to the much-loved Art of series.

In Art, Mystery, a controversial former footballer, now export agent specializing in chrome, accepts an unusual commission from an odd source, the very man who brought him down, a former football referee turned art handler -- to find and export a pornographic work of Renaissance art. Art, Mystery utilizes the style of crime noir as a delivery system for its high-spirited satire of modern life, catching the gallery scene, footloose Euro-trash, art criticism, the very rich and middle-aged white ennui in its net while hardly pausing for breath. Tersely delivered, with a dry sense of the ridiculous, Art Mystery calmly regards the commodification of aesthetics and their subsequent price-tags as a necessary evil, a machine under which the bodies of his protagonists are rolled. The inclusion of Tile's Antonio Polliauolo files, quoting extensively from E.L. Gombritch's popular study, The Story of Art, provide the raw data of aesthetic value, while providing a framework with which to regard it whimsically. This, along with Tile's drunken deep-dive into scholarly discourse with Dr. Harmoni, give us a sense of the arcana driving the capitalist lust without breaking Thompson's headlong stride or his ability to send up human interplay and its twisted use of language. Perlat Tile, Pablo Pablon, Ms. Jasmine, Naj, Dr. Enver Harmoni and the rest of the characters of Art, Mystery are sketched definitively, but with an eye on their ambiguous, unknowable depths - the darkness of which only emerges once in a rare while. The rest of the time, Thompson's deft strokes tell us what we need to know as the stakes multiply. Art, Mystery is a strikingly breezy read and a delightful introduction to the literary voice of Mayo Thompson.

In a trance-like state, Albert walks-from Bordeaux to Poitiers, from Chaumont to Macon, and farther afield to Turkey, Austria, Russia-all over Europe. When he walks, he is called a vagrant, a mad man. He is chased out of towns and villages, ridiculed and imprisoned. When the reverie of his walking ends, he's left wondering where he is, with no memory of how he got there. His past exists only in fleeting images. Loosely based on the case history of Albert Dadas, a psychiatric patient in the hospital of St. André in Bordeaux in the nineteenth century, The Man Who Walked Away imagines Albert's wanderings and the anguish that caused him to seek treatment with a doctor who would create a diagnosis for him, a narrative for his pain. In a time when mental health diagnosis is still as much art as science, Maud Casey takes us back to its tentative beginnings and offers us an intimate relationship between one doctor and his patient as, together, they attempt to reassemble a lost life. Through Albert she gives us a portrait of a man untethered from place and time who, in spite of himself, kept setting out, again and again, in search of wonder and astonishment.

Sixteen famous paintings from collections around the world have been stolen and replaced with clever forgeries. Now these fake paintings, along with sixteen others, are going up for auction. After an anonymous tip, the reader has to come to the rescue! By comparing the paintings to the originals, the reader has all the clues to figure out which paintings are real and which are fakes. Including work by the world's most famous artists, this book is part mystery, part puzzle, part art reference book, and all-over fun!

At ten, painting a perfect Mona Lisa made Annie Kincaid a prodigy. A similar copy at seventeen made her a crook. Lesson learned: genuine art is priceless, and forgery gets you arrested. Now Annie puts her artistic talents to honest use as a faux finisher in San Francisco. But her past may not be painted over as well as she thought… Annie’s got bad news for her ex-boyfriend, curator Ernst Pettigrew: the snooty Brock Museum’s new fifteen-million-dollar Caravaggio painting is as fake as a three-dollar bill. And the same night Annie makes her shattering appraisal, the janitor on duty is killed—and Ernst disappears. To top it all off, a well-known art dealer has absconded with multiple Old Master drawings, leaving yet more forgeries in their places. Finding the originals—and pocketing the reward money—will get Annie’s new landlord off her back. But it could also draw her into the underworld of fakes and forgers she swore she’d left behind, starting with a close encounter with a changeable but charming art thief…

Since she went straight, Annie Kincaid’s been applying her genius for fine art forgery to her own faux finishing business in San Francisco. She hasn’t seen the inside of a jail cell since she was seventeen, although sometimes it takes all of her arts—fine or otherwise—to keep it that way… Annie knows that art security can be inadequate, but it’s crazy to think that an Old Master painting could be hanging unguarded in the local columbarium where she’s doing restoration work. Still, when she gets a tip that the chapel’s copy of Raphael’s exquisite La Fornarina might be the real thing, Annie has to take a look. And when she runs into a certain sexy art thief on the premises, alarm bells go off in her head as well as her heart. Tired of being an art world pariah, Annie hopes that if she can help return the masterpiece to Italy, she’ll finally be redeemed. But when murder enters the picture, Annie realizes that it won’t be so easy to put things at the cemetery to rest… INCLUDES ART TIPS!

Carter High is a typical high school. The students of Carter attend classes, participate in sports and drama, cram for exams, and go on field trips. Topics are involving and pertinent to young adult readers but with a twist of mystery. In just 48-pages, even your struggling readers can easily finish these eBooks! Just one day before the Carter High art show, Paige can't find her painting. She remembers putting it in room 19, or did she? Will Paige find her painting in time to enter it in the art show?

Explores the profound implications of human creativity in the image of God, along with the process of becoming an artist dedicated to practicing art from the context of a deep relationship with God. The true Christian artist is not necessarily one who treats religious themes, but one who creates through the Holy Spirit to the glory of God.

This pioneering study has been meticulously assembled through extensive fieldwork throughout Tennessee. Lifestyles of Tennesseans prior to 1850 ranged from mountain cabins to plantation mansions and the furnishings were designed to accommodate either setting. Here is a variety of desks, bookcases, and secretaries; sideboards, presses, cupboards, dressers, wardrobes, bureaus and bedsteads; sugar chests and cellarets; candlestands and shaving stands and washstands; cradles, bed steps, chairs, benches, sofas, and tables in dozens of sizes, uses, and names. Featuring many pieces from private collections never before documented, The Art and Mystery of Tennessee Furniture chronicles the originality of design and decoration, the choices of woods, and the simplicity and sophistication that signifies "made in Tennessee." The authors consider sources of labor, location of shops, volume of production, and marketing techniques. Just as important, the authors have conducted exhaustive research into the identities of Tennessee artisans and the furniture industry, and the book includes a checklist of 1,400 furniture makers working in Tennessee prior to 1850. This will be the definitive study for years to come.