Setting out to celebrate, document and discuss the work and role of Dovecote Studios, an international tapestry workshop founded in Edinburgh in 1912, this ground-breaking publication uniquely explores the artistic value, nature and identity of tapestry through images, essays and the commentaries of weavers, artists and patrons.

"In association with Arizona State Museum, The University of Arizona, Tucson."

"I have been weaving tapestries for more than half a century. It is as much a part of my everyday as eating, sleeping - or dreaming. It is an utterly ordinary activity for me." One of the world's most influential tapestry weavers, renowned for bringing "pop" into the ancient art of tapestry, Archie Brennan (1931-2019) had an exceptionally long career. Beginning in the mid-1940s and continuing into the first two decades of the 21st century, he pushed the boundaries of the medium, he developed a unique approach to weaving and tapestry design, and he impacted many people with his teaching style and outsize personality. This memoir, compiled with the assistance of weaver and former Wednesday Group member Brenda Osborn, provides the opportunity to pass his insights and his creative voice to a new generation of weavers. Let his incomparable voice explain why weaving is worth dedicating your energies to, even though, as Brennan says, "In the first quarter of the 21st century, tapestry may be regarded as a very minor art form, even an archaic, redundant activity in a high speed, electronic age."

Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.

An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II

Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.

Tapestries were among the most prestigious of art forms, created for the mightiest in the land and valued for centuries. Despite its illustrious history, tapestry weaving is actually a simple technique that requires little equipment or expenditure, and can be done anywhere. Written by a prominent tapestry weaver, this lavishly illustrated book gently leads you through the whole process with detailed diagrams and exciting work by contemporary weavers. It will be useful to the absolute beginner, but experienced weavers will also find new ideas and techniques to tempt and inspire them. The book includes a step-by-step guide to setting up a small frame loom and starting to weave; basic and more advanced techniques, and how to create shapes and textures; advice on taking your work into the third dimension, whether bas relief or fully sculptural; information on the qualities of different materials and how they can be used to create the effects you want; and design ideas for tapestry and how to follow supplied designs. This will be an essential source book for experienced and novice weavers, and is beautifully illustrated with 190 colour illustrations and diagrams.

At the end of World War II, the art of tapestry experienced anews boom and throughout Europe national workshops and factories were renewed. By organizing the International Tapestry Biennials in 1962, the city of Lausanne came to be recognised as the capital of contemporary textile art and centre of New Tapestry movement.00Illustrated with more than 100 works and views of rooms, most of them unpublished, the book testifies to the impact and vitality of these exhibitions and their impact abroad. The historical research carried out by Toms Pauli Foundation, heir to the International Center for Ancient and Modern Tapestry, is enriched by the essays of specialists from four countries with a textile tradition: France, Poland, USA and Japan.

Weaving is back! Create beautiful wall hangings and accessories on a loom, with clear charts and step-by-step instructions. Laura Strutt has designed 25 contemporary weavings in a range of stylish colourways, from bright neons to pastels, Navajo-inspired earth tones, monochrome and neutrals, as well as suggesting alternate colours so you can match your makes to your home and your accessories to your mood. With a comprehensive techniques section that covers everything from how to make your own loom, warping (preparing) a loom, basics such as tabby weave, bubbling, Egyptian knots, Soumak weave, basket weave and many more, you will develop the skills you need to make a wide range of exciting projects, such as a stunning gold and cream wall hanging with extra-long Rya knots, a pastel-coloured hanging with ribbons and strips of lace to create a tactile texture, or a pretty phone cover with Aztec-inspired triangles – the only difficult part is choosing what to make first!