With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.

This image-driven book provides a detailed view of the artwork, craftsmanship, and history of the traditional arts of Micronesia using a unique blend of contemporary and historic collections to showcase such items as carved statuary, storyboards, model canoes, woven mats, baskets and fans. Wavell s book is an excellent comprehensive view of the artistic and practical handiwork of the peoples of Micronesia.

For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding—and distinctly Micronesian—voice. With over two thousand islands spread across almost three million square miles of the Pacific Ocean, Micronesia and its peoples have too often been rendered invisible and insignificant both in and out of academia. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia’s historical and literary landscape. Presenting over seventy authors and one hundred pieces, Indigenous Literatures from Micronesia features nine of the thirteen basic language groups, including Palauan, Chamorro, Chuukese, I-Kiribati, Kosraean, Marshallese, Nauruan, Pohnpeian, and Yapese. The volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. They have reached back for historically groundbreaking work and scouted the present for some of the most cited and provocative of published pieces and for the most promising new authors. Richly diverse, the stories of Micronesia’s resilient peoples are as vast as the sea and as deep as the Mariana Trench. Challenging centuries-old reductive representations, writers passionately explore seven complex themes: “Origins” explores creation, foundational, and ancestral stories; “Resistance” responds to colonialism and militarism; “Remembering” captures diverse memories and experiences; “Identities” articulates the nuances of culture; “Voyages” maps migration and diaspora; “Family” delves into interpersonal and community relationships; and “New Micronesia” gathers experimental, liminal, and cutting-edge voices. This anthology reflects a worldview unique to the islands of Micronesia, yet it also connects to broader issues facing Pacific Islanders and indigenous peoples throughout the world. It is essential reading for anyone interested in Pacific, indigenous, diasporic, postcolonial, and environmental studies and literatures.

Nukuoro Atoll is a ring of tiny islands in the south Pacific that has a total area of only 1.7 square kilometers and is home to only three hundred residents. Yet the tiny aitu sculptures produced there are known worldwide, appreciated for their unusual forms and coveted for their rarity. This book features images of almost half the aitu sculptures known to exist, starting with the earliest ones that were purchased by trader Johann Stanislaus Kubary in 1873. These pieces are distributed throughout museums across the globe, and they are rarely seen as a group--let alone photographed in such stunning detail. The resulting book offers an unprecedented chance to assess the form and the achievement of the sculptors of Nukuoro Atoll.

Traditional Micronesian Societies explores the extraordinary successes of the ancient voyaging peoples who first settled the Central Pacific islands some two thousand years ago. They and their descendants devised social and cultural adaptations that have enabled them to survive—and thrive—under the most demanding environmental conditions. The dispersed matrilineal clans so typical of Micronesian societies ensure that every individual, every local family and lineage, and every community maintain close relations with the peoples of many other islands. When hurricanes and droughts or political struggles force a group to move, they are sure of being taken in by kin residing elsewhere. Out of this common theme, shared patterns of land tenure, political rule, philosophy, and even personal character have flowed. To describe and explain Micronesian societies, the author begins with an overview of the region, including a brief consideration of the scholarly debate about whether Micronesia actually exists as a genuine and meaningful region. This is followed by an account of how Micronesia was originally settled, how its peoples adapted to conditions there, and how several basic adaptations diffused throughout the islands. He then considers the fundamental matters of descent (ideas about how individuals and groups are bound together through ties of kinship) and descent groups and the closely interlinked subjects of households, families, land, and labor. Because women form the core of the clans, their roles are particularly respected and their contributions to social life honored. Socio-political life, art, religion, and values are discussed in detail. Finally, the author examines a number of exceptions to these common Micronesian patterns of social life. Traditional Micronesian Societies illustrates the idiosyncrasies of individual Micronesian communities and celebrates the Micronesians’ shared ability to adapt, survive, and thrive over millennia. At a time when global climate change has seized our imaginations, the Micronesians’ historical ability to cope with their watery environment is of the greatest relevance.

Drawing on the famous collections of the Musee Barbier-Mueller this unusual and beautifully illustrated book brings together these cultures to demonstrate the astonishing aesthetic similarities between civilizations located far apart in both space and time. While the arts of the Easter Islands and Maori civilizations have been well known for some years the creativity of the inhabitants of Borneo, Sulawei, and Sumatra is less familiar, and is scarcely represented in the major public collections. On the basis of the linguistic consonance between the thousand or more modern languages spoken in Oceania, anthropologists and archaeologists have begun to trace the cultural links throughout this area, in particular through the rituals and beliefs which are often the inspiration for the forms and functions of the artifacts. Masks in human or animal form, made of tortoiseshell, wood, dried leaves or clay; drums, shields, and batons; multicolored clothing for war and peace; intricate jewelry; as well as a wide variety of everyday containers and implements -- all the treasures in this collection display a sophistication of ornament and technical expertise which rival the products of ancient European civilizations. Scholarly essays by over thirty international experts focus on each island or civilization and form a fascinating study which will certainly become the standard work in this field, of interest to both students and the general reader.

Based on an exhibition organized by Rene d'Harnoncourt at the Museum of Modern Art.