The Ashmolean Museum wide ranging collection of the art of the Indian subcontinent includes important holdings of archaeological artefacts and a strong representation of early Indian sculpture in terracotta, stone and other materials dating from before AD 600. These works are fully discussed and illustrated in the present catalogue, with the exception of Buddhist sculpture of the Gandhara region.

This groundbreaking study examines how the East India Company founded an empire in India at the same time it started losing ground in business. For over 200 years, the Company’s vast business network had spanned Persia, India, China, Indonesia and North America. But in the late 1700s, its career took a dramatic turn, and it ended up being an empire builder. In this fascinating account, Tirthankar Roy reveals how the Company’s trade with India changed it—and how the Company changed Indian business. Fitting together many pieces of a vast jigsaw puzzle, the book explores how politics meshed so closely with the conduct of business then, and what that tells us about doing business now. ‘One of the first major attempts to tell the company’s story from an Indian business perspective’—Financial Express

"Waterlife features Mithila art, a vibrant delicate art form of folk painting from Bihar in eastern India. The artist Rambharos Jha grew up on the banks of the legendary river Ganga and developed a fascination for water and water life. In this book he creates an unusual artist's journal, adapting the motifs of the Mithila style to express his own vision. He frames his art with a playful text that evokes both childhood memory and folk legend."--Back cover.

Examines Indian sculptures in color photographs and detailed explanations.

This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.

The Study Focuses Mainly On The Art Of Bihar And Undivided Bengal From The Eighth To The Thirteenth Century A.D. It Aims At An Intensive Analysis And Perceptive Evaluation Of The Architectural Motifs Appearing In The Rich Art Repertory Of The Pala-Sena Period.

Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "scandal of empire" for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britain as a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations.

The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.

This book is a systematic overview of the temple architecturebuilt in eastern India between the ninth and sixteenth centuries.Spanning eight hundred years, it defines the tradition of TempleArchitecture of eastern India and examines the traits of continuityand of disruption in the tradition.In the absence of many extant examples of temples in the regionduring this whole period, the study uses the architectural fragmentsand votive shrines housed in various archives and museumsof the world. The study locates and identifies more than fortytemples of the period up to 1500 CE, and goes on to documentand analyse them in order to develop an understanding of a regionaltype of nagara temple. The study identified the presence ofall three modes called latina, phamsana and valabhi of the northIndian nagara tradition of temple architecture.Another significant feature of the study is the analysis of there-use of earlier Hindu-Buddhist architectural fragments in laterIslamic structures in order to develop an understanding of theearlier architecture and to show how the re-use of such fragmentsinfluenced the architecture of the Sultanate period in a major way,forming the basis of an architectural vocabulary.In the concluding part, the origin and development of the Mughalperiod temples characterized by the chala, bangla and ratna typesis explained, while emphasizing the continuities and elements ofdisruptions that had taken place since the beginning of the ninthcentury.The foreword of the book is written by Dr. George Michell whohave earlier edited two best known books on the architecture ofthe region: Brick Temples of Bengal (From the Archives of DavidMcCutchion) PUP, Princeton, New Jersey, 1983 and IslamicHeritage of Bengal UNESCO publications, Paris, 1984.