From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

The final volume in the acclaimed Foundations of Contemporary Interpretation series, this book deals with these crucial questions: Is the Bible a history book? What do we mean by 'history' anyway? In what sense is biblical historicity important for faith? Why is there so much scholarly disagreement over historical issues relating to the Bible?

In this much-anticipated textbook, three respected biblical scholars have written a history of ancient Israel that takes the biblical text seriously as an historical document. While also considering nonbiblical sources and being attentive to what disciplines like archaeology, anthropology, and sociology suggest about the past, the authors do so within the context and paradigm of the Old Testament canon, which is held as the primary document for reconstructing Israel's history. In Part One, the authors set the volume in context and review past and current scholarly debate about learning Israel's history, negating arguments against using the Bible as the central source. In Part Two, they seek to retell the history itself with an eye to all the factors explored in Part One.

A richly illustrated collection of essays on visual biblical interpretation For centuries Christians have engaged their sacred texts as much through the visual as through the written word. Yet until recent decades, the academic disciplines of biblical studies and art history largely worked independently. This volume bridges that gap with the interdisciplinary work of biblical scholars and art historians. Focusing on the visualization of biblical characters from both the Old and New Testaments, essays illustrate the potential of such collaboration for a deeper understanding of the Bible and its visual reception. Contributions from Ian Boxall, James Clifton, David B. Gowler, Jonathan Homrighausen, Heidi J. Hornik, Jeff Jay, Christine E. Joynes, Yohana A. Junker, Meredith Munson, and Ela Nuțu foreground diverse cultural contexts and chronological periods for scholars and students of the Bible and art.

This one-volume edidition of the Foundations of Contemporary Interpretation series explores current issues in the interpretation of the Bible from the perspective of specific academic disciplines: history, literary criticism, science and theology.

This book has been specially researched and designed to provide the ideal companion to Biblical studies. In the panels of this book there are thousands of new and interesting insights into the greatest stories ever told

The truth behind the biblical stories of the Old Testament.

Courageous Women, Stacy Mitch¿s newest Bible study, will help you see the women of the Bible as elder sisters in faith. As Stacy unfolds the stories of these heroic women through insightful reflections and questions, you will understand salvation history more deeply, be challenged to grow in godliness, and discover that the struggles these women faced are strikingly similar to those we face today. These courageous women will teach you timeless lessons of faithfulness to God and reliance on His help.

Volume 3 of History of Biblical Interpretation deals with an era—Renaissance, Reformation, and humanism—characterized by major changes, such as the rediscovery of the writings of antiquity and the newly invented art of printing. These developments created the context for one of the most important periods in the history of biblical interpretation, one that combined both philological insights made possible by the now-accessible ancient texts with new theological impulses and movements. As representative of this period, this volume examines the lives and teaching of Johann Reuchlin, Erasmus, Martin Luther, Philipp Melanchthon, John Calvin, Thomas Müntzer, Hugo Grotius, and a host of other influential exegetes.

Using an original approach informed by literary theory, Amit delivers a fascinating view of the book of Judges as a whole by concentrating on its editorial methods and artistry.