This book is based on a study of the archaeological evidence deriving from the Arjan tomb, an undisturbed elite burial found in 1982 near the town of Behbahan in south-western Iran. The fact that this burial can be confidently dated to ca. 600-550 BC presents an exceptional opportunity to reassess former views regarding the survival of Elamite traditions and the emergence of the Persian Empire. It is within this general framework that the fortuitous discovery of the Arjan tomb emerges as potentially one of the major archaeological discoveries of recent times. The present study offers a comprehensive analysis of the artistic and historical characteristics of the late Neo-Elamite period, and, by the same token, provides a new foundation for the genesis of the art of the Achaemenid Persian Empire.

Celebrating the 100th anniversary of the Albright Institute of Archaeological Research, this collection of erudite essays concentrates on the archaeology of ancient Israel, Canaan, and neighboring nations.

This volume is dedicated to the examination of a small corpus of bronze U-shaped burial receptacles from ancient Mesopotamia and Elam, dubbed 'bathtub' coffins for their characteristic apsidal shape, reminiscent of a style of 19th and early 20th century bathtub.

Amongst the civilizations to participate in the dynamic processes of contact and interchange that gave rise to complex societies in the ancient Near East, Elam has remained one of the most obscure, at times languishing in the background of scholarly inquiry. In recent years, however, an increasing body of academic publications have acknowledged its relevance and suggested that its legacy was more considerable and long-lasting than previously estimated. The Elamite World assembles a group of 40 international scholars to contribute their expertise to the production of a solid, lavishly illustrated, English language treatment of Elamite civilization. It covers topics such as its physical setting, historical development, languages and people, material culture, art, science, religion and society, as well as the legacy of Elam in the Persian empire and its presence in the modern world. This comprehensive and ambitious survey seeks for Elam, hardly a household name, a noteworthy place in our shared cultural heritage. It will be both a valuable introductory text for a general audience and a definitive reference source for students and academics.

The Art of Elam ca. 4200-525 BC offers a view of, and a critical reflection on, the art history of one of the world’s first and least-known civilizations, illuminating a significant chapter of our human past. Not unlike a gallery of historical paintings, this comprehensive treatment of the rich heritage of ancient Iran showcases a visual trail of the evolution of human society, with all its leaps and turns, from its origins in the earliest villages of southwest Iran at around 4200 BC to the rise of the Achaemenid Persian empire in ca. 525 BC. Richly illustrated in full colour with 1450 photographs, 190 line drawings, and digital reconstructions of hundreds of artefacts—some of which have never before been published—The Art of Elam goes beyond formal and thematic boundaries to emphasize the religious, political, and social contexts in which art was created and functioned. Such a magisterial study of Elamite art has never been written making The Art of Elam ca. 4200-525 BC a ground-breaking publication essential to all students of ancient art and to our current understanding of the civilizations of the ancient Near East.

The Archaeology of Iran from the Palaeolithic to the Archaemenid Empire is the first modern academic study to provide a synthetic, diachronic analysis of the archaeology and early history of all of Iran from the Palaeolithic period to the end of the Achaemenid Empire at 330 BC. Drawing on the authors’ deep experience and engagement in the world of Iranian archaeology, and in particular on Iran-based academic networks and collaborations, this book situates the archaeological evidence from Iran within a framework of issues and debates of relevance today. Such topics include human–environment interactions, climate change and societal fragility, the challenges of urban living, individual and social identity, gender roles and status, the development of technology and craft specialisation and the significance of early bureaucratic practices such as counting, writing and sealing within the context of evolving societal formations. Richly adorned with more than 500 illustrations, many of them in colour, and accompanied by a bibliography with more than 3000 entries, this book will be appreciated as a major research resource for anyone concerned to learn more about the role of ancient Iran in shaping the modern world.

The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between “Elamite” culture of the Neo-Elamite period and the emerging “Persian” culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.

This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.