The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. This expanded paperback edition contains Green's incisive commentary, introduction, and glossary. Alternate spelling: Argonautica, Apollonius Rhodius

The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Jason, a young prince, is sent on a perilous expedition but comes through various ordeals with the aid of the king's daughter, Medeia, winning the golden fleece and carrying off Medeia herself. He is a very modern figure, not at all Achillean: almost an anti-hero. Along the way, the story incorporates vivid accounts of early exploration and colonizing ventures. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. Apollonios Rhodios (c. 305-235 B.C.), the author of the Argonautika, was appointed Chief Librarian in the legendary library at Alexandria around 265 B.C. His first draft of this poem, composed when he was a very young man, drew scornful reactions from the literati of the day, Kallimachos in particular, who thought epic passé and long poems vulgar. Apollonios withdrew to the maritime island of Rhodes (his work is notable for its nautical expertise), where he hammered out the text as we know it today, returning to eventual success in the city that had rejected him. The compromise that resulted is a fascinating combination of age-old myth and modern treatment that produces a gripping and unforgettable narrative. Peter Green has translated this renowned poem with skill and wit, offering a refreshing interpretation of a timeless story. Alternate spelling: Argonautica, Apollonius Rhodius

The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Jason, a young prince, is sent on a perilous expedition but comes through various ordeals with the aid of the king's daughter, Medeia, winning the golden fleece and carrying off Medeia herself. He is a very modern figure, not at all Achillean: almost an anti-hero. Along the way, the story incorporates vivid accounts of early exploration and colonizing ventures. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. Apollonios Rhodios (c. 305-235 B.C.), the author of the Argonautika, was appointed Chief Librarian in the legendary library at Alexandria around 265 B.C. His first draft of this poem, composed when he was a very young man, drew scornful reactions from the literati of the day, Kallimachos in particular, who thought epic passé and long poems vulgar. Apollonios withdrew to the maritime island of Rhodes (his work is notable for its nautical expertise), where he hammered out the text as we know it today, returning to eventual success in the city that had rejected him. The compromise that resulted is a fascinating combination of age-old myth and modern treatment that produces a gripping and unforgettable narrative. Peter Green has translated this renowned poem with skill and wit, offering a refreshing interpretation of a timeless story. The cloth edition of the Argonautika includes Peter Green's lively and incisive commentary, the first on all four books since Mooney's in 1912. While clarifying text and background, the commentary takes full advantage throughout of the recent upsurge of scholarly interest in Apollonios. Alternate spelling: Argonautica, Apollonius Rhodius

The first new Penguin Classics translation of the Argonautica since the 1950s Now in a riveting new verse translation, Jason and the Argonauts (also known as the Argonautica) is the only surviving full account of Jason’s voyage on the Argo in quest of the Golden Fleece aided by the sorceress princess Medea. Written in the third century B.C., this epic story of one of the most beloved heroes of Greek mythology, with its combination of the fantastical and the real, its engagement with traditions of science, astronomy and medicine, winged heroes, and a magical vessel that speaks, is truly without parallel in classical or contemporary Greek literature and is now available in an accessible and engaging translation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

As in her Tony Award–winning Metamorphoses, Mary Zimmerman transforms Greek mythology—here the story of Jason and the Argonauts—into a mesmerizing piece of theater. Encountering an array of daunting challenges in their “first voyage of the world,” Jason and his crew illustrate the essence of all such journeys to follow—their unpredictability, their inspiring and overwhelming breadth of emotion, their lessons in the inevitability of failure and loss. Bursts of humor and fantastical creatures enrich a story whose characters reveal remarkable complexity. Medea is profoundly sympathetic even as the seeds are sown for the monstrous life ahead of her, and the brute strength of Hercules leaves him no less vulnerable to the vicissitudes of love. Zimmerman brings to Argonautika her trademark ability to encompass the full range of human experience in a work as entertaining as it is enlightening.

This book analyses Apollonuis' epic poem about the quest for the Golden Fleece.

This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful. In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.

The Argonautica By Apollonius Rhodius (fl. 3rd Century B.C.) Originally written in Ancient Greek sometime in the 3rd Century B.C. by the Alexandrian poet Apollonius Rhodius ("Apollonius the Rhodian"). Translation by R.C. Seaton, 1912. The Argonautica is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. The only surviving Hellenistic epic, the Argonautica tells the myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from remote Colchis. Their heroic adventures and Jason's relationship with the dangerous Colchian princess/sorceress Medea were already well known to Hellenistic audiences, which enabled Apollonius to go beyond a simple narrative, giving it a scholarly emphasis suitable to the times. It was the age of the great Library of Alexandria, and his epic incorporates his researches in geography, ethnography, comparative religion, and Homeric literature. However, his main contribution to the epic tradition lies in his development of the love between hero and heroine - he seems to have been the first narrative poet to study "the pathology of love". His Argonautica had a profound impact on Latin poetry: it was translated by Varro Atacinus and imitated by Valerius Flaccus; it influenced Catullus and Ovid; and it provided Virgil with a model for his Roman epic, the Aeneid.

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