Go behind the scenes of J. K. Rowling's magical universe of creatures and wizards in this exciting full-colour companion volume to Fantastic Beasts: The Crimes of Grindelwald. Newt, Tina, Queenie, and Jacob, the beloved heroes of Fantastic Beasts and Where to Find Them, are back! In this second adventure, they're joined by fan favourites from the Harry Potter universe, including Albus Dumbledore, Nicolas Flamel, and the villainous Gellert Grindelwald. Officially licensed by Warner Bros. Consumer Products and designed by MinaLima - the creative force behind the graphics and many of the props for the first Fantastic Beasts and Where to Find Them as well as the Harry Potter films - this authorised tie-in compendium delivers a rich and unique 'making of' experience for fans of all ages. This keepsake treasury offers an imaginative, close-up look at Newt Scamander and his colourful trove of cohorts - beasts and wizards alike - as they face off against the evil forces of Gellert Grindelwald, one of the world's most powerful dark wizards, in a story that travels from New York City to London and onto Paris. Brimming with film-making secrets, full-colour artwork, and stories from the cast and crew, this magnificent book is modelled after a special item from the movie, and features removable facsimile reproductions of props and other materials from the movie, along with some very special effects. A tribute to moviemaking magic, it is an essential for every Wizarding World fan, aspiring concept artists and designers, and cinema buffs.

Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40

A young citizen of Oz who learns an important magic word falls prey to the wickedness of the Nomes

Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts from the eagerly anticipated next chapter in the wizarding world.The Art of Fantastic Beasts: The Crimes of Grindelwald, curated by concept artist Dermot Power, and filled with unique insights from Stuart Craig and the artists themselves about the filmmaking adventure, takes you on a thrilling journey through a design process every bit as wonderful as that encountered by Newt, Tina, Queenie & Jacob in the Wizarding World. Beautifully designed, and bursting with hundreds of dazzling paintings and concept sketches, intricate card models of the sets, storyboards, and matte paintings, sumptuously printed and enhanced with a unique glow in the dark removable, this finely crafted book - officially licensed by Warner Bros. Consumer Products - presents a visual feast for readers, and a truly immersive experience for fans of Fantastic Beasts.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Pattern Magic is the cult pattern-cutting book from Japan. Taking inspiration from nature, from geometric shapes and from the street, this book harnesses the sheer joy of making and sculpting clothes. Pattern Magic takes a creative approach to pattern cutting, with step-by-step projects for fashion designers and dressmakers to enjoy. All the basic information you need to start pattern cutting is included, from the basic block to measurements and scaling. Each project is beautifully illustrated with clear diagrams and photographs showing the stages of construction, the toiles and the finished garments. These easy-to-follow illustrations and detailed instructions make it easy to create stunning, sculptural clothes with a couture look. Step-by-step projects for fashion designers and dressmakers - with clear diagrams and photographs. Gives all the basic information needed to start pattern cutting: from the basic block to measurements and scaling. Easy-to-follow, detailed instructions make it easy to create stunning, sculptural clothes with a couture look Reviews for Pattern Magic: 'The feeling of figuring the puzzle out makes this book series a joy to explore' House of Pinheiro 'If you've mastered the basics of pattern cutting, have caught the bug and are eager to experiment with complex 3d designs, you should definitely take a look at Pattern Magic' Tilly And The Buttons Blog 'I've had an explosion of inspiration, and I'm not even an expert in sewing!...I'm sure that many of you, fashion designers or not, can learn a lot from these tutorials' ImaginativeBloom.com CONTENTS: Part 1: Creating form through inspiration: Accents, Gathered hole, Crater, The drop hole, Lumps and bumps Part 2: Making patterns for haute couture garments: Draped design, The twist, Hide and seek, Interwoven design, Bamboo shoot, The knot, Two distinct expressions, An intriguing curve, Bunka-style sloper (block) for an adult woman, Bunka-style sloper (block) for an adult woman (Size M) (half-scale)

Foreword by Jude Law Newt, Tina, Queenie, and Jacob, the beloved heroes of Fantastic Beasts and Where to Find Them, are back! In The Archive of Magic, an exciting full-color companion volume to Fantastic Beasts: The Crimes of Grindelwald, readers are transported behind the scenes of J.K. Rowling's Wizarding World for an enchanting, close-up look at Newt Scamander and his colorful trove of cohorts—beasts and wizards alike—alongside familiar names from the Harry Potter universe, including Albus Dumbledore and Nicolas Flamel, as they face off against the evil forces of Gellert Grindelwald, one of the world's most powerful Dark wizards. Brimming with filmmaking secrets, behind-the-scenes photography, and stories from the cast and crew, this keepsake treasury features several removable facsimile reproductions of props and other materials from the movie, along with some very special effects, for a truly fantastic experience. Officially licensed by Warner Bros. Consumer Products and designed by MinaLima—the creative force behind the graphics and many of the props for the Fantastic Beasts and Harry Potter films—this authorized tie-in compendium is a magical must for Wizarding World fans and cinema buffs of all ages.