This richly illustrated volume--the result of nearly a century of scholarship--tells the story of Franklin County's change through the lens of its remarkable architectural heritage. The original houses were modest dwellings of frame, log, and occasionally stone construction; wealthier farmers ornamented their houses in the Georgian and Federal styles. Mills, churches, and country stores provided focal points for the largely rural population. Later generations built impressive residences in the Greek Revival and Italianate styles. Cotton and tobacco undergirded economic development well into the twentieth century, attracting railroads and industry that contributed to the growth of Louisburg, Bunn, Franklinton, Youngsville, and other communities. Churches provided important support to the African American community, as did educational institutions like the county's many Rosenwald schools. Craftsman bungalows, Ranch houses, and notable examples of Modernist design enlivened county architecture during the twentieth century.

The story of Franklin County is one of remarkable change and growth over the past 250 years. From its Native American roots, this corner of the eastern Piedmont has become a center for tobacco plantations, textile mills and cotton cultivation. It has seen seminal moments in the history of public education, Methodism and even capital punishment. One governor called Louisburg home, while several more have visited and even presidents have made brief stops. Local historian Eric Medlin narrates the history of one of the most exceptional parts of the great state of North Carolina.

Central North Carolina boasts a rich and varied architectural landscape. This richly illustrated guide offers a fascinating look at the Piedmont's historic architecture, covering more than 2,000 sites in 34 counties. 535 illustrations.

This award-winning, lavishly illustrated history displays the wide range of North Carolina's architectural heritage, from colonial times to the beginning of World War II. North Carolina Architecture addresses the state's grand public and private buildings that have become familiar landmarks, but it also focuses on the quieter beauty of more common structures: farmhouses, barns, urban dwellings, log houses, mills, factories, and churches. These buildings, like the people who created them and who have used them, are central to the character of North Carolina. Now in a convenient new format, this portable edition of North Carolina Architecture retains all of the text of the original edition as well as hundreds of halftones by master photographer Tim Buchman. Catherine Bishir's narrative analyzes construction and design techniques and locates the structures in their cultural, political, and historical contexts. This extraordinary history of North Carolina's built world presents a unique and valuable portrait of the state.

Exploring America's material culture, Common Places reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture. In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow, the small-town courthouse square, the shotgun house of the South, and the log buildings of the Midwest. Surveying the buildings of America's settlement, scholars including Henry Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H. M. Prudon trace European ethnic influences in the folk structures of Delaware and the houses of Rhode Island, in Virginia's Renish homes, and in the Dutch barn widely repeated in rural America. Ethnic, regional, and class differences have flavored the nation's vernacular architecture. Fraser D. Neiman reveals overt changes in houses and outbuildings indicative of the growing social separation and increasingly rigid relations between seventeenth-century Virginia planters and their servants. Fred B. Kniffen and Fred W. Peterson show how, following the westward expansion of the nineteenth century, the structures of the eastern elite were repeated and often rejected by frontier builders. Moving into the twentieth century, James Borchert tracks the transformation of the alley from an urban home for Washington's blacks in the first half of the century to its new status in the gentrified neighborhoods of the last decade, while Barbara Rubin's discussion of the evolution of the commercial strip counterpoints the goals of city planners and more spontaneous forms of urban expression. The illustrations that accompany each article present the artifacts of America's material past. Photographs of individual buildings, historic maps of the nation's agricultural expanse, and descriptions of the household furnishings of the Victorian middle class, the urban immigrant population, and the rural farmer's homestead complete the volume, rooting vernacular architecture to the American people, their lives, and their everyday creations.

Selected articles originally presented at the Vernacular Architecture Forum conference in Duluth, Minnesota (2002) and Newport Rhode Island (2001).