Poetic and political, Strayed Homes invites architects, interior designers, and urbanists to think again about common concepts in architecture – 'private', 'public' and 'home'. Whereas most writing about the public/private focusses on urban space, this book focusses on the domestic – exploring those overlooked, everyday places where private and intimate activities take place in public. With four chapters set in four small, liminal spaces: the launderette, the greasy spoon, the fire escape, and the sleeper train - the book is part architectural history, part cultural history. It follows a series of allusions and impressions, to explore how films, adverts, books and anecdotes shape experiences of everyday architecture. Making a case for the poetic interpretation of space, the book can be used as a sourcebook for architects, designers, and theorists alike – prompting the reader to rethink the emotional state of leaving home, intimacy in public, and lonely dreaming.

Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection.

A groundbreaking history of architecture told through the relationship between buildings and energy The story of architecture is the story of humanity. The buildings we live in, from the humblest pre-historic huts to today's skyscrapers, reveal our priorities and ambitions, our family structures and power structures. And to an extent that hasn't been explored until now, architecture has been shaped in every era by our access to energy, from fire to farming to fossil fuels. In this ground-breaking history of world architecture, Barnabas Calder takes us on a dazzling tour of some of the most astonishing buildings of the past fifteen thousand years, from Uruk, via Ancient Rome and Victorian Liverpool, to China's booming megacities. He reveals how every building - from the Parthenon to the Great Mosque of Damascus to a typical Georgian house - was influenced by the energy available to its architects, and why this matters. Today architecture consumes so much energy that 40% of the world's greenhouse gas emissions come from the construction and running of buildings. If we are to avoid catastrophic climate change then now, more than ever, we need beautiful but also intelligent buildings, and to retrofit - not demolish - those that remain. Both a celebration of human ingenuity and a passionate call for greater sustainability, this is a history of architecture for our times.

Completed in 2000, 9/10 Stock Orchard Street has resisted categorization and this has continued to challenge critics and observers. With contributions from well-known writers in the field, this book responds to the debate, reflecting positively and negatively on what the buildings represent and how they have performed, ten years on. Supported by a wealth of technical drawings and photographic material, the contributions discuss theory, practice, education, material culture, narrative, sustainability and construction, presenting conclusions relevant and insightful for today's readers, both professional and academic.

Thomas Hardy's architectural career is not considered a success. Seen usually as a mere prelude to his literary output, it is most often summed up by reference to the 'shockingly' suburban home he built himself at Max Gate. But in this new work, Professor Kester Rattenbury argues the opposite: that far from being incidental, Hardy's architectural thinking is integral to a full understanding of his life's work. This is the first time Hardy's life and legacy have been studied by a fellow architectural writer and critic. Reconstructed from the wealth of little-known drawings, photographs, experimental illustrations and modest built work he produced or oversaw, and an architecturally-biased re-reading of his novels, this book sets out a startling new vision of Thomas Hardy's work, and how it has shaped England in fact and fiction. The Wessex Project exposes the architectural thinking and invention underlying Hardy's novels. It shows how his famous imaginary realm Wessex can be seen as a forerunner of the experimental architectural projects of our own times - in which architects weave together design, description, polemic, and images of both real and imagined spaces, to form highly developed and challenging unbuilt projects, published in books designed to change the way we see the world. The book makes a compelling case for listing Hardy among the greatest of all conceptual architects, as well as recognising him as one of the most influential and active conservationists and architectural critics of all time. This radical new perspective gives Hardy's many readers a chance, at last, to see Wessex as the author himself constructed it: through architectural eyes.

This book is about appreciation; it is an attempt to explain what architecture essentially is, rather than merely what it looks like. Architecture an Inspiration is addressed to those who enjoy buildings, cities and landscapes, and would like to have a deeper appreciation and a basis for their likes and dislikes. A full appreciation demands careful observation, and in these pages there are many explorations of this sort. The book is divided into two parts: the first is about the nature of architecture, describing what is necessary. The chapter headings define the basic requirements that, to varying degrees, must always be met, such as facilitating activity, moderating climate, relating to context, respecting materials and structure, as well as conveying meaning and delight. The second part is about the nature of designing and focuses on what the designer brings to the task to arrive at a human and poetic synthesis. These different ways of thinking are elusive and not necessarily conscious; they include the use of reason and intuition, the value of experience and precedent, the role of metaphor and the search for harmony. For students this is difficult, because there is no ‘right’ way of designing. So much of what is written about the architecture of today is negative that it seemed opportune to take a positive approach and point to work that is good – now and in the past – and reiterate some timeless qualities. Architecture an Inspiration does not set out to be comprehensive; Ivor Smith chooses examples that he finds particularly inspiring from the work of a few selected architects. The book will appeal to those both interested in and studying architecture.

BRUTAL NORTH is the first photographic exploration of modernist and Brutalist architecture across the North of England. During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed. 'Captures the most aspirational and enlightened architecture of the north's postwar years.' Guardian Please note this is a fixed-format ebook with some colour pages and may not be well-suited for older e-readers.

A daily guided journal and sketchbook for architects, The Every Day Architect combines the best daily practices to help you grow as an architect and designer. The journal is formatted to help you improve yourself by dedicating a few minutes each day to a journaling and sketching practice.