While our politicians argue, the truth is that climate change is already here. Nobody knows this better than Indigenous peoples who, having developed an intimate relationship with ecosystems over generations, have observed these changes for decades. For them, climate change is not an abstract concept or policy issue, but the reality of daily life.After two decades of working with indigenous communities, Gleb Raygorodetsky shows how these communities are actually islands of biological and cultural diversity in the ever-rising sea of development and urbanization. They are an “archipelago of hope” as we enter the Anthropocene, for here lies humankind’s best chance to remember our roots and how to take care of the Earth.We meet the Skolt Sami of Finland, the Nenets and Altai of Russia, the Sapara of Ecuador, the Karen of Myanmar, and the Tla-o-qui-aht of Canada. Intimate portraits of these men and women, youth and elders, emerge against the backdrop of their traditional practices on land and water. Though there are brutal realities—pollution, corruption, forced assimilation—Raygorodetsky's prose resonates with the positive, the adaptive, the spiritual—and hope.

Raymond Carver meets William Faulkner in this “pitch-perfect” short story collection that captures the hopes and fears of working-class Greeks during the country’s economic crisis (Los Angeles Review of Books) Ikonomou’s stories convey the plight of those worst affected by the Greek economic crisis—laid-off workers, hungry children. In the urban sprawl between Athens and Piraeus, the narratives roam restlessly through the impoverished working-class quarters located off the tourist routes. Everyone is dreaming of escape: to the mountains, to an island or a palatial estate, into a Hans Christian Andersen story world. What are they fleeing? The old woes—gossip, watchful neighbors, the oppression and indifference of the rich—now made infinitely worse. In Ikonomou’s concrete streets, the rain is always looming, the politicians’ slogans are ignored, and the police remain a violent, threatening presence offstage. Yet even at the edge of destitution, his men and women act for themselves, trying to preserve what little solidarity remains in a deeply atomized society, and in one way or another finding their own voice. There is faith here, deep faith—though little or none in those who habitually ask for it.

Recipient of a Coretta Scott King Illustrator Honor Award Recipient of a Bologna Ragazzi Non-Fiction Special Mention Honor Award A Kirkus Reviews Best Middle Grade Book of 2019 From celebrated author and illustrator Ashley Bryan comes a deeply moving picture book memoir about serving in the segregated army during World War II, and how love and the pursuit of art sustained him. In May of 1942, at the age of eighteen, Ashley Bryan was drafted to fight in World War II. For the next three years, he would face the horrors of war as a black soldier in a segregated army. He endured the terrible lies white officers told about the black soldiers to isolate them from anyone who showed kindness—including each other. He received worse treatment than even Nazi POWs. He was assigned the grimmest, most horrific tasks, like burying fallen soldiers…but was told to remove the black soldiers first because the media didn’t want them in their newsreels. And he waited and wanted so desperately to go home, watching every white soldier get safe passage back to the United States before black soldiers were even a thought. For the next forty years, Ashley would keep his time in the war a secret. But now, he tells his story. The story of the kind people who supported him. The story of the bright moments that guided him through the dark. And the story of his passion for art that would save him time and time again. Filled with never-before-seen artwork and handwritten letters and diary entries, this illuminating and moving memoir by Newbery Honor–winning illustrator Ashley Bryan is both a lesson in history and a testament to hope.

Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision. Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.

Mukasonga unsparingly resurrects the horrors of the Rwandan geocide while lyrically recording the quieter moments of daily life with her family—a moving tribute to all those who are displaced, who suffer. Mukasonga’s extraordinary, lyrical, and heartbreaking book … is indispensable reading for anyone who cares about the endurance of the human spirit and who hopes for a better world. — Lynne Sharon Schwartz, Los Angeles Review of Books Scholastique Mukasonga’s Cockroaches is a compelling chronicle of the author’s childhood in the years leading up to the 1994 Rwandan genocide. In a spare and penetrating tone, Mukasonga brings to life the scenes of her family’s forced displacement from Rwanda to neighboring Burundi. With a view made lucid through time and pain, Mukasonga erodes the distance between her present and her past, resurrecting and paying homage to her family members who were massacred in the genocide, but also, in movingly simple language, the beauty present in quiet, daily moments with her loved ones. As lyrical as it is tragic, Cockroaches is Mukasonga’s tribute to her family’s suffering and to the lingering grip of the dead on the living.

Ready to Burst follows the lives of two young men and their individual attempts to make sense of the deeply troubled society surrounding them. An informed critique of the “brain drain” prompted by the Duvalier dictatorship, Ready to Burst is, in Frankétienne’s words, a portrait of “the extreme bitterness of doom in the face of the blind machinery of power.” Widely recognized as Haiti’s most important literary figure and an outspoken challenger of political oppression, Frankétienne was a candidate for the Nobel Prize for Literature in 2009. The New York Times has called Frankétienne “the Father of Haitian Letters.”

"This novel about hunting an escapee from Stalinist gulag reads like a Siberian Heart of Darkness." —​Julian Barnes On the far eastern borders of the Soviet Union, in the sunset of Stalin’s reign, soldiers are training for a war that could end all wars, for in the atomic age man has sown the seeds of his own destruction. Among them is Pavel Gartsev, a reservist. Orphaned, scarred by the last great war and unlucky in love, he is an instant victim for the apparatchiks and ambitious careerists who thrive within the Red Army’s ranks. Assigned to a search party composed of regulars and reservists, charged with the recapture of an escaped prisoner from a nearby gulag, Gartsev finds himself one of an unlikely quintet of cynics, sadists, and heroes, embarked on a challenging manhunt through the Siberian taiga. But the fugitive, capable, cunning, and evidently at home in the depths of these vast forests, proves no easy prey. As the pursuit goes on, and the pursuers are struck by a shattering discovery, Gartsev confronts both the worst within himself and the tantalizing prospect of another, totally different life.

A deeply humane new collection by a luminary of Bengali literature A radiant collection of poetry about womanhood, intimacy, and the body politic that together evokes the arc of an ordinary life. Nabaneeta Dev Sen's rhythmic lines explore the joys and agonies of first love, childbirth, and decay with a restless, tactile imagination, both picking apart and celebrating the rituals that make us human. When she warns, "know that blood can be easily drawn by lips," her words tune to the fierce and biting depths of language, to the "treachery that lingers on tongue tips." At once compassionate and unsparing, conversational and symphonic, these poems tell of a rope shivering beneath an acrobat's nimble feet or of a twisted, blood-soaked umbilical cord -- they pluck the invisible threads that bind us together.

“Hermann Burger was an artist who went the whole hog every time, didn't conserve himself. He was a man with a big longing for happiness.” --Marcel Reich-Ranicki Appearing in English for the very first time, Brenner is a delightfully unusual novel full of dark humor tracing the childhood memories of the book's eponymous narrator, a scion of an ancient cigar dynasty. Perpetually shrouded in a thick cloud of cigar smoke, Herman Arbogast Brenner, scion of an old and famous cigar dynasty, has decided to kill himself––but not until he has written down his forty-six years of life, in a Proustian attempt to conjure the wounds, joys, and sensations of his childhood in the rolling countryside of the Aargau region of Switzerland. Estranged from his wife and two children, he decides there is no point in squirrelling away his fortune, so he buys himself a Ferrari 328 GTS, and drives around sharing cigars with his few remaining friends. In this roman à clef, writing and smoking become intertwined through the act of remembering, as Brenner, a fallible, wounded, yet lovable antihero, searches for epiphany, attempting to unearth memories just out of reach— the glimmer of a red toy car, the sound of a particular chord played on the piano, the smell of the cigars themselves. Brenner is the final work from Hermann Burger, who died by suicide in 1989. The book comes out just days before what would have been the author’s 80th birthday.

Celebrate the three-hundredth anniversary of Daniel Defoe’s Robinson Crusoe with this vibrant atlas in which an international gathering of illustrators conjure imaginary islands and castaway dreams. What is it about islands that is so alluring, and why do so many people find these self-contained worlds irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. In 1719, Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of English literature and an instant bestseller. Defoe’s tale combined the real and the imagined into a compelling creative landscape, establishing a whole literary genre and unleashing the power of islands in storytelling. To celebrate the tercentenary of the publication of Robinson Crusoe, Archipelago presents a truly international range of leading illustrators who imagine they too have washed up on their own remote island. In specially created maps, they visualize what their island looks like, what it’s called, and what can be found on its mythical shores. In a panoply of astonishingly creative responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers, and dreamers alike.