A Jungian psychoanalytical interpretation of the Gilgamesh Epic.

National Book Award Finalist: The most widely read and enduring interpretation of this ancient Babylonian epic. One of the oldest and most universal stories known in literature, the epic of Gilgamesh presents the grand, timeless themes of love and death, loss and reparations, within the stirring tale of a hero-king and his doomed friend. A National Book Award finalist, Herbert Mason’s retelling is at once a triumph of scholarship, a masterpiece of style, and a labor of love that grew out of the poet’s long affinity with the original. “Mr. Mason’s version is the one I would recommend to the first-time reader.” —Victor Howes, The Christian Science Monitor “Like the Tolkien cycle, this poem will be read with profit and joy for generations to come.” —William Alfred, Harvard University

It was at the instigation of C.G. Jung that Dr. Kluger undertook the interpretation of the Gilgamesh epic, the oldest known epic-myth. Rich in poetic imagery and archetypal content, it has not lost its meaning for modern man. In this book, based primarily on her seminars at the Zurich Jung Institute, Dr. Kluger deals with the psychological significance of the hero-king's fateful adventures. In her vivid yet scholarly presentation, she brings alive the implications of the fascinating episodes of this myth both on a personal and on a collective level; the changes of individual consciousness, and its reactions to unconscious (archetypal) contents, the evolving process of individuation, and the development of religion. Using modern dreams and examples from analytic practice, she shows the relevance of this ancient myth for today's world and its concerns, from sexuality and homosexuality, the role of the feminine and the still living goddess Ishtar, to the current spiritual search of contemporary mankind.

The evolution of the Gilgamesh epic" (1982) / Jeffrey H. Tigay -- From "Gilgamesh in literature and art: the second and first millennia" (1987) / Wilfred G. Lambert -- From "Gilgamesh: sex, love and the ascent of knowledge" (1987) / Benjamin Foster -- "Images of women in the Gilgamesh epic" (1990) / Rivkah Harris -- "The marginalization of the goddesses" (1992) / Tikva Frymer-Kensky -- "Mourning the death of a friend: some assyriological notes" (1993) / Tzvi Abusch -- "Liminality, altered states, and the Gilgamesh epic" (1996) / Sara Mandell -- "Origins: new light on eschatology in Gilgamesh's mortuary journey" (1996) / Raymond J. Clark -- From "a Babylonian in Batavia: Mesopotamian literature and lore in The sunlight dialogues" (1982) / Greg Morris -- "Charles Olson and the poetic uses of Mesopotamian scholarship" / John Maier -- From "'Or also a godly singer, ' Akkadian and early Greek literature" (1984) / Walter Burkert -- From "Gilgamesh and Genesis" (1987) / David Damrosch -- "Praise for death" (1990) / Donald Hall -- From "Gilgamesh in the Arabian nights" (1991) / Stephanie Dalley -- "Ovid's Blanda voluptas and the humanization of Enkidu" (1991) / William L. Moran -- From "the Yahwist's primeval myth" (1992) / Bernard F. Batto -- "Gilgamesh and Philip Roth's Gil Gamesh" (1996) / Marianthe Colakis -- From "The epic of Gilgamesh" (1982) / J. Tracy Luke and Paul W. Pruyser -- From "Gilgamesh and the Sundance Kid: the myth of male friendship" (1987) / Dorothy Hammond and Alta Jablow -- "Gilgamesh and other epics" (1990) / Albert B. Lord -- From "Reaching for abroad: departures" (1991) / Eric J. Leed -- From "Introduction" to he who saw everything (1991) / Robert Temple -- "The oral aesthetic and the bicameral mind" (1991) / Carl Lindahl -- From "Point of view in anthropological discourse: the ethnographer as Gilgamesh" (1991) / Miles Richardson -- From "The wild man: the epic of Gilgamesh" (1992) / Thomas Van Nortwick.

This book examines 13 movies that deal with the protagonist and his projected "other." The cinematic Other is interpreted as an unconscious personality, a denied part of the protagonist that appears in his life as a shadowy menace who won't go away. Devoting a chapter to each movie, the book starts with Mamoulian's Dr. Jekyll and Mr. Hyde and three cinematic pairs: two Hitchcock films, Shadow of a Doubt and Strangers on a Train; two versions of Cape Fear, J. Lee Thompson's 1962 original and Martin Scorsese's 1991 remake; and a pair of Clint Eastwood films, In the Line of Fire and Blood Work. The book then examines Something Wild, Sea of Love, Fight Club, Desperately Seeking Susan, Apocalypse Now and The Lives of Others. Overall the book aims to show how movies envision the unconscious Other we all too often project on other people.

Daniel Lowery commences this work by suggesting that history is a subjective enterprise—it is controlled by those who record it. The power of the present decides what is counted as history, and how the rest of us are told about the past shapes our view of it and, concomitantly, our outlook for the future. In this sense, then, history fundamentally shapes the future. Few questions are more basic to human existence than Who am I? Where did I come from? What is my place in this world? The earliest chapters of Genesis have oriented hearers and readers for millennia in their attempts to address these concerns. And so, in several respects, Genesis shapes the future. In this study, Lowery sets out to understand more accurately ancient Near Eastern language and claims about origins, specifically claims found in Gen 1–11. He uses Gen 4:17–22 as a test case representing the Hebrew tradition explaining how the world came to be civilized. Lowery observes that this passage serves a function within the larger narrative of Gen 1–11 akin to other ancient Near Eastern traditions of civilized beginnings. Moreover, it occupies a place in the overarching “narrative of beginnings” corresponding to what we find elsewhere throughout the ancient world. Lowery focuses mainly on Mesopotamia, leaving other cultures for later study. This study aims to demonstrate that much of the language of Gen 1–11 is similar in many ways to its Mesopotamian counterparts. More explicitly, here is an exploration of the nature of the language and terms of Gen 1–11 to ascertain what truths it communicates and how it communicates them. At its core, this is a study of the genre and generic claims of protohistory as found in Gen 1–11.

Nationalistic meccas, shrines to popular culture, and sacred traditions for the world's religions from Animism to Zoroastrianism are all examined in two accessible and comprehensive volumes. Pilgrimage is a comprehensive compendium of the basic facts on Pilgrimage from ancient times to the 21st century. Illustrated with maps and photographs that enrich the reader's journey, this authoritative volume explores sites, people, activities, rites, terminology, and other matters related to pilgrimage such as economics, tourism, and disease. Encompassing all major and minor world religions, from ancient cults to modern faiths, this work covers both religious and secular pilgrimage sites. Compiled by experts who have authored numerous books on pilgrimage and are pilgrims in their own right, the entries will appeal to students, scholars, and general readers.

Help readers improve reading skills while stimulating their appreciation and increasing their understanding of great literature. Using a scaffolding approach, this guide leads readers from simple and engaging reads to more challenging texts, and simultaneously cultivates their interest and skills. An invaluable resource for middle and high school, ABE and ESL educators, as well as for readers' advisors. All readers—even those still learning to speak English—can enjoy the delights and benefits of great literature with the help of this motivational and practical book guide. Rosow takes you on a journey through the history of Western literature, beginning with ancient myths and moving to medieval tales and classics of the Renaissance, Romantic Movement, and Modernism. Along the way, she shows you how to give readers easy access to some of the best literature of all time. Scores of collections focus on such ancient and enduring stories as Gilgamesh, Beowulf, the tales of Chaucer; historical masterpieces of William Shakespeare, Jane Austen, Edgar Allan Poe, Charles Dickens; and stellar names of more recent times, such as Virginia Woolf, John Steinbeck, Ernest Hemingway, and J.R.R. Tolkien. Each carefully selected collection lists an assortment of titles, ranging in reading level and arranged progressively from simple renditions, such as picture book re-tellings, through more advanced selections and readings where audio versions and simpler formatting support the reader, and on to the most challenging reads. Author profiles and narrative, as well as detailed descriptions of each title provide further insights into the story lines and features of the books; while building a scaffold of reading experience and knowledge to help readers better understand the texts. For example, the Mark Twain collection begins with a brief biographical sketch of the author, followed by descriptions of two illustrated books about the author and two readers' theatre skits based on his work. A collection of Twain's short stories is recommended next, and then several illustrated versions of his novels, and an illustrated edition of Twain's memoir, Life on the Mississippi, which is supported by an audiotape version. Each recommended title is rated as start here, next read, support here, or challenging read; and related reads, and audio and video versions are listed when appropriate. The author also notes author and student favorites, titles with exceptional illustrations, and other features of interest. Focus is on authors and titles of the Western canon that are generally lu2768 le in library collections. Because some of the titles cited are older editions, this is a valuable collection development tool in libraries; as well as an essential resource for readers' advisors, Adult Basic Education, and English as Second Language educators, and young adult educators and librarians. Young adult and adult or Grades 9 and up.

Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.

The heroes of early narrative are the faces of an older world. In constant retellings, their stories hold the memory like members of an extended family. Gilgamesh, Odysseus, Beowulf, Gawain, Roland, Yvain, Genji--in their colorful, often exaggerated ways, they show how the people of their own time and place liked to know themselves. The heroes embody their identity and reflect their culture. Because their world was difficult and dangerous, every hero needed defensive strengths. This book analyzes seven iconic heroes and compares each champion to a walled town or castle, hardened against an outer threat. These defenses are the mortal walls of their identity--their strengths against the world, as well as their dealings within it--and are exemplified in their actions as warriors, distinct rhetoric, complex relationships with women, and devotion to the divine. By delving into some of early narrative's most renowned heroes, the book reveals the pieces of their inner selves that even they cannot keep outside the walls but must finally accept with firm humility.