Submitted a little late for spring term, Kroeber's report remains the only complete analysis and seriation of the beautiful painted pottery of the important site, with over 400 photographs and drawings. It remained unfinished when he died in 1960; colleagues have edited and completed it, adding some color photographs, a background preface, and a survey of research since 1926. The report now also provides a glimpse into the methods and mentality of early American archaeology. Annotation copyrighted by Book News, Inc., Portland, OR

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

A FASCINATING OVERVIEW OF WHAT THE LEADING EXPERT AND HIS COLLEAGUES CURRENTLY UNDERSTAND ABOUT THE GIANT GROUND DRAWINGS OF ANCIENT NASCA, PERU.

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

An account of the history of research on the Nazca Lines, and of Maria Reiche, who has devoted forty-five years to their study.

This heavily-illustrated book covers recent developments in archaeometry and offers a multidisciplinary approach to reconstructing complex cultural histories. It also presents a detailed history of human development in South America’s Nasca region.