This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king. .

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.

Name Unknown: The Life of a Rusian Queen offers an example of an eastern European queen as a corrective to the western European focus of medieval queenship studies. Through a chronological approach, this book looks beyond the popular biographies of royal women such as Eleanor of Aquitaine and Berengaria of Castile and gathers material from sources throughout Europe. It engages with modern queenship studies literature to create a collective biography of a Rusian queen through the various cycles of her life from the marriage of eight-year-old Verkhuslava to the death of the ruler of Minsk whose generosity is recorded, but not her name. For medievalists interested in women and queens, Name Unknown: The Life of a Rusian Queen provides an entry point to an area of Europe rarely studied in that literature. For Slavists, it presents a way of looking at medieval Rusian women that has not yet appeared in this scholarly tradition. Ultimately, this biography integrates Rus, and eastern Europe, into the medieval world and acts as an important reminder that women are essential to our history and thus to our overall understanding of the past. This book is of great use to students and scholars interested in the history of women, queenship, and medieval Europe.

Military Diasporas proposes a new research approach to analyse the role of foreign military personnel as composite and partly imagined para-ethnic groups. These groups not only buttressed a state or empire’s military might but crucially connected, policed, and administered (parts of) realms as a transcultural and transimperial class while representing the polity’s universal or at least cosmopolitan aspirations at court or on diplomatic and military missions. Case studies of foreign militaries with a focus on their diasporic elements include the Achaemenid Empire, Ptolemaic Egypt, and the Roman Empire in the ancient world. These are followed by chapters on the Sassanid and Islamic occupation of Egypt, Byzantium, the Latin Aegean (Catalan Company) to Iberian Christian noblemen serving North African Islamic rulers, Mamluks and Italian Stradiots, followed by chapters on military diasporas in Hungary, the Teutonic Order including the Sword Brethren, and the Swiss military. The volume thus covers a broad band of military diasporic experiences and highlights aspects of their role in the building of state and empire from Antiquity to the late Middle Ages and from Persia via Egypt to the Baltic. With a broad chronological and geographic range, this volume is the ideal resource for upper-level undergraduates, postgraduates, and scholars interested in the history of war and warfare from Antiquity to the sixteenth century.

This edited collection opens new ways to look at queenship in areas and countries not usually studied and reflects the increasingly interdisciplinary work and geographic range of the field. This book is a forerunner in queenship and re-invents the reputations of the women and some of the men. The contributors answers questions about the nature of queenship, reputation of queens, and gender roles in the medieval and early modern west. The essays question the viability of propaganda, gossip, and rumor that still characterizes some queens in modern histories. The wide geographic range covered by the contributors moves queenship studies beyond France and England to understudied places such as Sweden and Hungary. Even the essays on more familiar countries explores areas not usually studied, such as the role of Edward II’s stepmother, Margaret of France in Gaveston’s downfall. The chapters clearly have a common thread and the editors’ summary and description of the collection is valuable in assisting the reader. The collection is divided into two sections “Biography, Gossip, and History” and “Politics, Ambition, and Scandal.” The editors and contributors, including Zita Eva Rohr and Elena Woodacre, are scholars at the top of their field and several and engage and debate with recent scholarship. This collection will appeal internationally to literary scholars and gender studies scholars as well historians interested in the countries included in the collection.

For the first time, this volume presents a geographically and phenomenologically broad range of case studies on late medieval changes of rule, from dynastic succession to conquest by force. The focus will be on the border regions of Latin Europe, political and cultural contact zones with distinctive dynamics. By presenting examples from the Canaries to Moscow and from Sicily to Norway, late medieval Europe will be covered in all its diversity.

This book is about the Christ Pantokrator, an imposing monumental complex serving monastic, dynastic, medical and social purposes in Constantinople, founded by Emperor John II Komnenos and Empress Piroska-Eirene in 1118. Now called the Zeyrek Mosque, the second largest Byzantine religious edifice after Hagia Sophia still standing in Istanbul represents the most remarkable architectural and the most ambitious social project of the Komnenian dynasty. This volume approaches the Pantokrator from a special perspective, focusing on its co-founder, Empress Piroska-Eirene, the daughter of the Hungarian king Ladislaus I. This particular vantage point enables its authors to explore not only the architecture, the monastic and medical functions of the complex, but also Hungarian-Byzantine relations, the cultural and religious history of early medieval Hungary, imperial representation, personal faith and dynastic holiness. Piroska's wedding with John Komnenos came to be perceived as a union of East and West. The life of the Empress, a "sainted ruler," and her memory in early Árpádian Hungary and Komnenian Byzantium are discussed in the context of women and power, monastic foundations, architectural innovations, and spiritual models.

Picturing Death: 1200–1600 brings together essays considering four key centuries of imagery related to human mortality, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture.

This book will be of interest not only to students and scholars of medieval French literature but also to students and specialists of other medieval European languages, as well as to medieval historians, and those working in gender studies."--BOOK JACKET.