The classic postapocalyptic thriller with “all the reality of a vividly realized nightmare” (The Times, London). Triffids are odd, interesting little plants that grow in everyone’s garden. Triffids are no more than mere curiosities—until an event occurs that alters human life forever. What seems to be a spectacular meteor shower turns into a bizarre, green inferno that blinds everyone and renders humankind helpless. What follows is even stranger: spores from the inferno cause the triffids to suddenly take on a life of their own. They become large, crawling vegetation, with the ability to uproot and roam about the country, attacking humans and inflicting pain and agony. William Masen somehow managed to escape being blinded in the inferno, and now after leaving the hospital, he is one of the few survivors who can see. And he may be the only one who can save his species from chaos and eventual extinction . . . With more than a million copies sold, The Day of the Triffids is a landmark of speculative fiction, and “an outstanding and entertaining novel” (Library Journal). “A thoroughly English apocalypse, it rivals H. G. Wells in conveying how the everyday invaded by the alien would feel. No wonder Stephen King admires Wyndham so much.” —Ramsey Campbell, author of The Overnight “One of my all-time favorite novels. It’s absolutely convincing, full of little telling details, and that sweet, warm sensation of horror and mystery.” —Joe R. Lansdale, author of Edge of Dark Water

The Apocalypse of John is perhaps the most alluring and dangerous text in any scripture. This study looks at English responses to it in political pamphlets and scholarly exegesis, in poetry and preaching and visual art. Those who set out to find enduring meaning in the book failed. Yet in the post-Christian re-writings of Revelation by Shelley and Blake, John's own dynamic of unveiling comes to life, subverting the structures of power and reading built on the visions of Patmos.

In the wake of a devastating disease, everyone sixteen and older is either dead or a decomposing, brainless creature with a ravenous appetite for flesh. Teens have barricaded themselves in buildings throughout London and venture outside only when they need to scavenge for food. The group of kids living a Waitrose supermarket is beginning to run out of options. When a mysterious traveler arrives and offers them safe haven at Buckingham Palace, they begin a harrowing journey across London. But their fight is far from over???the threat from within the palace is as real as the one outside it. Full of unexpected twists and quick-thinking heroes, The Enemy is a fast-paced, white-knuckle tale of survival in the face of unimaginable horror.

An analysis of the nature of apocalyptic and millennial beliefs that reveals concerns prominent in England in the early seventeenth century had not abated after 1660.

"A work that is as disturbing as it is empathetic, as beautiful as it is riveting." —Eimear McBride, New Statesman In the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers. In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear. Written in what the author describes as "a shadow tongue"—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster's world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

Acclaimed historian Gerald Horne troubles America's settler colonialism's "creation myth" August 2019 saw numerous commemorations of the year 1619, when what was said to be the first arrival of enslaved Africans occurred in North America. Yet in the 1520s, the Spanish, from their imperial perch in Santo Domingo, had already brought enslaved Africans to what was to become South Carolina. The enslaved people here quickly defected to local Indigenous populations, and compelled their captors to flee. Deploying such illuminating research, The Dawning of the Apocalypse is a riveting revision of the “creation myth” of settler colonialism and how the United States was formed. Here, Gerald Horne argues forcefully that, in order to understand the arrival of colonists from the British Isles in the early seventeenth century, one must first understand the “long sixteenth century”– from 1492 until the arrival of settlers in Virginia in 1607. During this prolonged century, Horne contends, “whiteness” morphed into “white supremacy,” and allowed England to co-opt not only religious minorities but also various nationalities throughout Europe, thus forging a muscular bloc that was needed to confront rambunctious Indigenes and Africans. In retelling the bloodthirsty story of the invasion of the Americas, Horne recounts how the fierce resistance by Africans and their Indigenous allies weakened Spain and enabled London to dispatch settlers to Virginia in 1607. These settlers laid the groundwork for the British Empire and its revolting spawn that became the United States of America.

From the internationally best-selling author of Fatherland and the Cicero Trilogy--a chilling and dark new thriller unlike anything Robert Harris has done before. 1468. A young priest, Christopher Fairfax, arrives in a remote Exmoor village to conduct the funeral of his predecessor. The land around is strewn with ancient artefacts--coins, fragments of glass, human bones--which the old parson used to collect. Did his obsession with the past lead to his death? Fairfax becomes determined to discover the truth. Over the course of the next six days, everything he believes--about himself, his faith, and the history of his world--will be tested to destruction.

This groundbreaking study reveals the distinctive impact of apocalyptic ideas about time, evil and power on church and society in the Latin West, c.400–c.1050. Drawing on evidence from late antiquity, the Frankish kingdoms, Anglo-Saxon England, Spain and Byzantium and sociological models, James Palmer shows that apocalyptic thought was a more powerful part of mainstream political ideologies and religious reform than many historians believe. Moving beyond the standard 'Terrors of the Year 1000', The Apocalypse in the Early Middle Ages opens up broader perspectives on heresy, the Antichrist and Last World Emperor legends, chronography, and the relationship between eschatology and apocalypticism. In the process, it offers reassessments of the worlds of Augustine, Gregory of Tours, Bede, Charlemagne and the Ottonians, providing a wide-ranging and up-to-date survey of medieval apocalyptic thought. This is the first full-length English-language treatment of a fundamental and controversial part of medieval religion and society.

The story tells of how London becomes a swampland after an unspecified natural disaster delivers England over to the mercy of nature. Divided into two parts, "The Relapse into Barbarism" recounts the fall of civilisation while the second longer section entitled "Wild England" follows Felix Aquila, the male protagonist, as he builds a canoe and explores more of the world around him.

Using Owen’s sermons from this period, this book studies how his apocalyptic interpretation of contemporary events led to him making public calls for radical societal change. It combines his theological lineage with the historical context in which he preaches, and so represents part of a new historical turn in Owen Studies.