The vast collections of Egyptian objects on display in Western museums attract millions of visitors every year, and they reinforce a cultural fascination for this ancient civilisation that has been a feature of European intellectual history since Roman times. This book tells the story of how these objects came to be here. The book presents the first in-depth analysis of this market during its golden age in Egypt in the late 19th and early 20th Century. It is primarily based on the archival material of the Danish Egyptologist H. O. Lange (1863-1943) who, during two prolonged stays in Egypt (1899/1900 and 1929/1930), bought objects on behalf of Danish museums. The travel diaries, and the accompanying photographs, are complemented by a wide range of other sources, including contemporary travel guides and various travel memoirs, which together paint an extraordinarily detailed picture of the extensive antiquities trade. The book looks at the laws governing trade and export, both in theory and practice, and the changes over time. The practicalities of the trade are described: its seasons, the networks of supply, the various methods available for acquiring antiquities, and the subsequent routes of transmission of objects, as well as the different types of dealers operating in Egypt. The geographical distribution of dealers is mapped, and the role of the Egyptian state as a dealer is investigated, both through official sale rooms, and as a seller and exporter of more or less complete tomb-chapels. The final part of the book contains a list, with short biographies, of over 250 dealers active in Egypt from the 1880s until the abolishment of the trade in 1983. Most of them are described here in detail for the first time. The book will be of interest to archaeologists, Egyptologists, papyrologists, museum curators, and historians of science, and is a useful starting point for anyone wishing to understand how the great Western collections of Egyptian antiquities were formed.

"The vast collections of Egyptian objects on display in Western museums attract millions of visitors every year, and they reinforce a cultural fascination for this ancient civilisation that has been a feature of European intellectual history since Roman times. This book tells the story of how these objects came to be here. ... The book presents the first in-depth analysis of this market during its 'golden age' in Egypt in the late 19th and early 20th Century. It is primarily based on the archival material of the Danish Egyptologist H. O. Lange (1863-1943) who, during two prolonged stays in Egypt (1899/1900 and 1929/1930), bought objects on behalf of Danish museums. The travel diaries, and the accompanying photographs, are complemented by a wide range of other sources, including contemporary travel guides and various travel memoirs, which together paint an extraordinarily detailed picture of the extensive antiquities trade.

A History of World Egyptology is a ground-breaking reference work that traces the study of ancient Egypt over the past 150 years. Global in purview, it enlarges our understanding of how and why people have looked, and continue to look, into humankind's distant past through the lens of the enduring allure of ancient Egypt. Written by an international team of scholars, the volume investigates how territories around the world have engaged with, and have been inspired by, ancient Egypt and its study, and how that engagement has evolved over time. Chapters present a specific territory from different perspectives, including institutional and national, while examining a range of transnational links as well. The volume thus touches on multiple strands of scholarship, embracing not only Egyptology, but also social history, the history of science and reception studies. It will appeal to amateurs and professionals with an interest in the histories of Egypt, archaeology and science.

Jan Herman Insinger was a well-known character in the history of Egyptology, mainly because his name has been linked forever with a famous demotic wisdom papyrus now in Leiden. Although he is mentioned by many of his contemporaries, biographical notes on Insinger rarely surpass a few lines and can be quite inaccurate. However, a lot of information can be gathered from the Archives of the National Museum of Antiquities in Leiden and other sources, both published and unpublished ones. These documents enable us to sketch a brief biography of this fascinating figure. Former studies by the present.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world. The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

Ens Primum Cognitum in Thomas Aquinas and the Tradition presents a reading of Thomas Aquinas’ claim that “being” is the first object of the human intellect. Blending the insights of both the early Thomistic tradition (c.1380—1637AD) and the Leonine Thomistic revival (1879—present), Brian Kemple examines how this claim of Aquinas has been traditionally understood, and what is lacking in that understanding. While the recent tradition has emphasized the primacy of the real (so-called ens reale) in human recognition of the primum cognitum, Kemple argues that this misinterprets Aquinas, thereby closing off Thomistic philosophy to the broader perspective needed to face the philosophical challenges of today, and proposes an alternative interpretation with dramatic epistemological and metaphysical consequences.

Antiquities have been pawns in empire-building and global rivalries; power struggles; assertions of national and cultural identities; and cross-cultural exchanges, cooperation, abuses, and misunderstandings—all with the underlying element of financial gain. Indeed, “who owns antiquity?” is a contentious question in many of today’s international conflicts. About Antiquities offers an interdisciplinary study of the relationship between archaeology and empire-building around the turn of the twentieth century. Starting at Istanbul and focusing on antiquities from the Ottoman territories, Zeynep Çelik examines the popular discourse surrounding claims to the past in London, Paris, Berlin, and New York. She compares and contrasts the experiences of two museums—Istanbul’s Imperial Museum and the Metropolitan Museum of Art—that aspired to emulate European collections and gain the prestige and power of owning the material fragments of ancient history. Going beyond institutions, Çelik also unravels the complicated interactions among individuals—Westerners, Ottoman decision makers and officials, and local laborers—and their competing stakes in antiquities from such legendary sites as Ephesus, Pergamon, and Babylon. Recovering perspectives that have been lost in histories of archaeology, particularly those of the excavation laborers whose voices have never been heard, About Antiquities provides important historical context for current controversies surrounding nation-building and the ownership of the past.

Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history - to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space. By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today. Praise for Mobile Museums 'This book advances a paradigm shift in studies of museums and collections. A distinguished group of contributors reveal that collections are not dead assemblages. The nineteenth and twentieth centuries were marked by vigorous international traffic in ethnography and natural history specimens that tell us much about colonialism, travel and the history of knowledge – and have implications for the remobilisation of museums in the future.’ – Nicholas Thomas, University of Cambridge 'The first major work to examine the implications and consequences of the migration of materials from one scientific or cultural milieu to another, it highlights the need for a more nuanced understanding of collections and offers insights into their potential for future re-mobilisation.' – Arthur MacGregor

Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the development of some of the USA’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, Alice Stevenson presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. She also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today, and argues for a stronger ethical commitment to its stewardship. Praise for Scattered Finds 'Scattered Finds is a remarkable achievement. In charting how British excavations in Egypt dispersed artefacts around the globe, at an unprecedented scale, Alice Stevenson shows us how ancient objects created knowledge about the past while firmly anchored in the present. No one who reads this timely book will be able to look at an Egyptian antiquity in the same way again.' Professor Christina Riggs, UEA

This book explores how since colonial times South Africa has created its own vernacular classicism, both in creative media and everyday life.