Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years. The Anthology of Australian Prose Poetryincludes numerous distinguished prose poets--Jordie Albiston, joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many moremdash;and documents prose poetry's growing appeal over recent decades, from the poetic margins to the mainstream. This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.

Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years. The Anthology of Australian Prose Poetryin cludes numerous distinguished prose poets; Jordie Albiston, Joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many more; and documents prose poetry’s growing appeal over recent decades, from the poetic margins to the mainstream. This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.

An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

In a political system that renders them largely voiceless, Australia's Aboriginal people have used the written word as a powerful tool for over two hundred years. Anthology of Australian Aboriginal Literature presents a rich panorama of Aboriginal culture, history, and life through the writings of some of the great Australian Aboriginal authors. From Bennelong's 1796 letter to contemporary writing, Anita Heiss and Peter Minter have selected works that represent the range and depth of Aboriginal writing in English. Journalism, petitions, and political letters from both the nineteenth and twentieth centuries are brought together with major works of poetry, prose, and drama from the mid-twentieth century onward. These works voice not only the ongoing suffering of dispossession but the resilience of Australia's Aboriginal people, their hope and joy. Presenting some of the best, most distinctive writing produced in Australia, this groundbreaking anthology will captivate anyone interested in Aboriginal writing and culture.

A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.

This is the first of a new series, offering a poetic snapshot of the year that was, 1 July 2020-30 June 2021--featuring 100 poets and 100 poems across an astonishing range of poetic voice, approaches and themes.

Nonfiction. Literary Criticism. Poetics.BOXING INSIDE THE BOX is a creative/critical work proposing "women's prose poetry" as a form distinct from that widely touted as "definitive" in journals, anthologies and critical texts. Iglesias believes that the shape of prose poems--a simple box--serves as a powerful metaphor for gender roles that constrain and contain women. Unlike most of their male counterparts who produce disembodied, ironic and surrealist prose poems, women write from within this genre-defiant box works that are at once lyrical and embattled, sensual and menacing.

'A wonderful book - an invigorating revelation ... An essential collection of prose poems from across the globe, by old masters and new, reveals the form's astonishing range' Kate Kellaway, Observer 'A superb anthology . . . it is hard to know how it could possibly be bettered' Daily Telegraph This is the prose poem: a 'genre with an oxymoron for a name', one of literature's great open secrets, and the home for over 150 years of extraordinary work by many of the world's most beloved writers. This uniquely wide-ranging anthology gathers essential pieces of writing from every stage of the form's evolution, beginning with the great flowering of recent years before moving in reverse order through the international experiments of the 20th century and concluding with the prose poem's beginnings in 19th-century France. Edited with an introduction by Jeremy Noel-Tod

Celebrating an increasingly interesting form that concentrates short prose pieces with the techniques of poetry brought to bear, this is the first anthology of its kind in the UK and features well known proponents of the prose poetry form such as George Szirtes and Pascale Petit, as well as emerging voices.

This very lively collection contains a wide sweep of poems, many of them prize-winning, taking readers on a remarkable journey. Some look to the past, others to the future, but all are of their time: the reverberating now. The tone is contemporary and bold, while the poet's sensibility tends to favour an eclectic inclusiveness. Uniformly, this wide-ranging and poetically engaging collection demands to be enjoyed. "As striking and triumphant in current poetry as a Gauguin in a gallery of Flemish still life." - Robert Harris, generally on Jenkins' work, in Overland. "There's a whole-heartedness about how he embraces the world he sees: aware of its faults, but never stinting..." - Sharon Olinka (USA) Thylazine website. "The wit, language play and urbane imagery we are used to from Jenkins, as well as emotional repth and an infectious delight in language..." - Mike Ladd, reviewing Dark River in Australian Book Review. "Innovative, intellectually sprightly, and artistically refreshing." - Heather Cam, reviewing A Break in the Weather in Sydney Morning Herald. John Jenkins is the author of nine collections; he also writes non-fiction, short stories, radio plays and sometimes for live performance. Born in Melbourne in 1949, John lived in Sydney in the 1970s, and has worked extensively as a journalist, both at home and overseas and now writes full time. John won the 2003 Arts Rush/Shoalhaven Poetry Prize; the 2004 James Joyce Suspended Sentence Award; and 2013 Melbourne Poets Union International Poetry Prize. He has presented master classes in Dublin and Singapore. John lives near Victoria's Yarra Valley, on the semi-rural fringes of Melbourne. He enjoys walking, good wine and hopes for a better world.