An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.

Mark Byford's 'The Annunciation: A Pilgrim's Quest' explores through conversations with clerics, theologians, historians and laypersons the encounter between the angel Gabriel and the Virgin Mary, a meeting that may be a pivotal point in Christianity. Has the status and significance of the Annunciation been lost in today's world?

'In the sixth month the Angel Gabriel was sent by God to a town in Galilee called Nazareth, to a virgin engaged to a man whose name was Joseph, of the house of David. The virgin's name was Mary. And he came to her and said, "Greetings favoured one! The Lord is with you." But she was much perplexed by his words and pondered what sort of greeting this might be. The angel said to her, "Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus."' The drama, the symbolism, the poignant simplicity of the imagined scene evoked by these words, have proved irresistible to artists over the centuries. Presented here, in a chronological sequence, are over 100 of the finest representations of this encounter. All depicting the same subject, yet all wonderfully and subtly different, these images are an inexhaustible source of pleasure and inspiration, taking the viewer on a journey of meditation through the ages. The design of the book is simple and the theme is unchanging, but the outcome is rich and endlessly varied. While the message is Christian, the human drama of the Annunciation has a universal appeal: the artists, attempting to express an awe-inspiring mystery, have at the same time invested the scene with the deepest humanity. The images in this book are simultaneously expressions of religious devotion, depictions of human drama and emotion, and great works of art.

Short story-writer Ellen Gilchrist's first novel is set among the upper crust in New Orleans.

Divine Conception: The Art of the Annunciation asks the questions: How to evoke the invisible in the visible? How to convey the divine in the human?Focussing on twelve specific aspects of the Annunciation (for instance, where Mary is reading, or where Joseph is present at the event), the book explores images (paintings, illuminated manuscripts, ivories, mosaics, sculpture, wall paintings, metal work) in the context of the period when they were made. Each chapter reflects on contemporaneous treatises, sermons, patron's requirements, devotional practices, artistic conventions, theological concerns, that informed the artist and his audience.The works of art discussed relate to the Latin West from the earliest times, with a cut-off date towards the middle of the 16th century.

The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.

A moving and beautifully written story about a British poet’s conversion from staunch atheism to Catholicism in the space of nine electric months. In 2010, Sally Read was heralded as one of the bright young writers of the British poetry scene. Feminist, atheist and deeply anti-Catholic, she was writing a book about women’s reproduction and sexuality when, during her research, she spoke with a Catholic priest. That mysterious encounter led Read on a dramatic journey of spiritual quest and discovery which ended up at the Vatican itself, where she was received into the Catholic Church in December of that year. This story is one that, unsurprisingly, has the vivid flavor and beauty of poetry. Read relates her encounters with the Father, the Spirit and then the Son, exactly in the way they were given to her—timely, revelatory and compelling. These transforming events throw new light onto the experiences of her past—her father’s death, her work as a psychiatric nurse, her life as a single woman in London, as a mother and as a writer. She reveals how she developed a close intimacy with the new love that erupted into her life, Christ himself, and how she comes to embrace a doctrine she had previously rejected as bigoted and stifling. Sally Read’s story is a testimony to the powerhouse of Christianity: divine love and the life-changing encounter with Christ.

In response to actual questions many people have asked him about angels and demons, well-known author and philosophy professor Peter Kreeft separates fact from fantasy and myth from reality as he answers 100 common questions about these spiritual beings. Based on a very popular college course he teaches on this subject, this book responds to the incredible amount of interest in angelic beings and attempts to clear up some of the misinformation abounding in the numerous books today on what we know about these mysterious spirits. Drawing on the Bible, traditional Church teaching and St. Thomas Aquinas, Kreeft gives straight, clear answers to the perennial and philosophical questions asked about angels and demons throughout time. In his typical lucid, profound and sometimes humorous style, Kreeft answers such questions as ""What are angels made of?"", ""How do angels communicate with God?"", ""How do angels communicate with us?"", ""Do demons, or devils, or evil spirits really exist?"" and many more. Includes angel art.

Fiction. Translated by Michelle Gil-Montero. As a writer and critic of hemispheric influence, María Negroni has drawn from sources as diverse as Lautréamont, Pizarnik, and Ridley Scott's Alien to build a model of art as museo negro--repository of the anti-real, the anti-rational, of resistance itself. Her novel THE ANNUNCIATION, brought into English with perpetual nimbleness by the poet Michelle Gil-Montero, traces the afterlife of a member of a revolutionary cadre who flees Argentina for Rome amid the state violence of the Dirty War. Visited by spectres of the human and artistic companions of her many past lives, the narrator weighs up the costs of both art and politics, of language and violence, of exultation and extinguishment. In an era of extinctions--including the extinction of hope--THE ANNUNCIATION is a darkly radiant work, a nightship cruising the galaxy, packed with unlikely resources for the dispossessed, powered by the refusal-to-comply.

Fear grips those who doubt that their existence has meaning, and the prevailing notion that humans are situated on a dot in the middle of a dark, cold universe leaves people shivering in cosmic insignificance. Many would argue that science and technology have separated individuals from God while others would say that people have lost their faith, and some would assert that God is dead. Many simply do not know what to believe. Today’s self-help industry is a testament to the search for meaning in an age of uncertainty and faltering religious structures. The truth is that technology and science now answer many of the questions that used to be left to God. This development has confounded people’s ability to integrate what is known today with what was once thought. The disparity between past and present beliefs may be observed in the concept of the angel. There are many who claim that any lingering belief in angels is merely the residue of imaginary or wishful thinking, and there are others who hold that angels (wings, halos, and harps) literally exist. How is one to reconcile such contradictory beliefs? C. G. Jung’s theory of synchronicity (meaningful coincidence) provides a vehicle for the exploration and possible reconciliation of such questions. Rather than echoing the skeptic who says angels cannot exist or the religious enthusiast who affirms their immanence, one might reframe the entire discussion. Like the biblical concept of annunciation, in which an angel delivers a heavenly message to an earthly individual, synchronicity defines the moment at which the eternal touches the temporal.