Providing fast-action science fiction novels, Startling Stories was established beginning in January 1939 as a sister publication to Thrilling Wonder Stories. Publishing 99 issues in all, and combining Fantastic Story Magazine and Thrilling Wonder Stories with its ninety-seventh issue, it finally suspended publication in Fall 1955, one of the last of the pulps to fold. Leon L. Gammell, an avid reader and collector of that period, views that era's stories with both nostalgia and objectivity; his incisive critiques will provide interested readers with numerous guideposts to a wealth of exciting fantasy and SF reading.

Ross Rocklynne (1913-1988) was the pen name used by Ross Louis Rocklin, an American science fiction author active in the Golden Age of Science Fiction. Born in 1913 in Ohio, Rocklynne was a regular contributor to the science fiction pulps. He was a professional guest at the first World Science Fiction Convention in 1939. Despite his numerous appearances and solid writing, Rocklynne never quite achieved the fame of his contemporaries Robert A. Heinlein, L. Sprague DeCamp, and Isaac Asimov. His most well known story is probably "The Men and the Mirror," first published in 1938. Rocklynne partially retired from writing in the late 1950s, but made a notable return in the 1970s when his novelette "Ching Witch " was included in Harlan Ellison's original anthology, Again, Dangerous Visions (1972). "Ching Witch " was later nominated for a Nebula award. This volume contains an annotated bibliography of Ross Rocklynne's work. It features an introduction by Arthur Jean Cox, plus an index.

An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998

This is the first of three volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.

"Suppose the war took a sudden turn for the worse from the scientific point of view? Suppose some bright scientist on the enemy side found a truly terrible weapon?" This was John Russell Fearn's main premise for Aftermath, written two years before the end of the second World War.

In this new retrospective collection spanning almost forty years, Pilgrim Award- and Collector's Award-winning fantasy novelist, critic, and bibliographer Robert Reginald contributes forty-five essays on writers of fantastic literature, including such major and minor figures as: Piers Anthony, Edwin Lester Arnold, Margaret Atwood, John Kendrick Bangs, Leslie Barringer, John Bellairs, Arthur Byron Cover, Lindsey Davis, Alexander de Comeau, Daphne du Maurier, R. Lionel Fanthorpe, H. Rider Haggard, Charlotte Haldane, Edward Heron-Allen, Eleanor M. Ingram, Vernon Knowles, Katherine Kurtz, Andrew Lang, Fritz Leiber, Bruce McAllister, Ward Moore, Robert Nathan, Sir Henry Newbolt, William F. Nolan, John Norman, Keith Roberts, Michael Reaves, Brian Stableford, and George Zebrowski. Also included is a comprehensive bibliography and history of the publications of Starmont House, Inc., and FAX Collector's Editions, a selection of reviews and obituaries, a bibliography, and detailed index. This unique literary collection will prove of interest both to students and researchers alike. This second edition features fifteen new pieces, including the author's earliest published critique (1968), and a number of original autobiographical reflections on his life and career penned shortly after his heart attack in 2003.

Known as the "World Wrecker" for his galaxy-smashing space operas, Edmond Hamilton wrote intelligent, exciting, and readable science fiction for over 40 years. This first major bibliography of his work covers his enormous output and numerous reprint editions. All students of Hamilton--and all major libraries--will want a copy of this bibliographical labor of love.

An annotated list of reference works in the fields of science fiction, fantasy, and horror fiction.