Experience a Sacred Way of LifeFor more than thirty years Dr. J. E. Williams has risked his health and personal safety to journey among shamans in Peru, the place he calls the mystical and spiritual center of our times. In its rain forests, mountains, and environmentally attuned indigenous population, Peru's mystical landscape fosters inner discovery.The Andean Codex guides the reader step by step through journeys to Andean sacred places like Machu Picchu, Cuzco, and Moray, and in the process uncovers the esoteric meaning of these ruins. Williams recounts his initiation with Peruvian shamans, including shamanic ceremonies he performed at Machu Picchu and his experiences using the mind-expanding, heart-opening ayahuasca and the sacred coca plant. Throughout these encounters, Williams weaves in practical advice that brings the wisdom of Andean shamans to life. His unforgettable account of their prayers, practices, and ceremonies offers a rare opportunity to see the world through the eyes of a shaman and experience the Andean sacred way.

"A work of hybrid ethnography and spiritual anthropology about the teachings of Ayni, the Q'ero way of knowledge and being. It is not a record of events and things. Rather, it forms a personal narrative, an allegory of seeking and discovery that documents the events that lead to the journey and high-altitude initiation on Ausangate with the traditional Q'ero shaman and wisdom keeper, Sebastian Pauccar Flores, in 2008."--Pref.

Yanantin and Masintin in the Andean World is an eloquently written autoethnography in which researcher Hillary S. Webb seeks to understand the indigenous Andean concept of yanantin or "complementary opposites." One of the most well-known and defining characteristics of indigenous Andean thought, yanantin is an adherence to a philosophical model based on the belief that the polarities of existence (such as male/ female, dark/light, inner/outer) are interdependent and essential parts of a harmonious whole. Webb embarks on a personal journey of understanding the yanantin worldview of complementary duality through participant observation and reflection on her individual experience. Her investigation is a thoughtful, careful, and rich analysis of the variety of ways in which cultures make meaning of the world around them, and how deeply attached we become to our own culturally imposed meaning-making strategies.

In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.

The Andean Cosmovision is a way of perceiving and interacting with reality that has its roots in the traditional, indigenous culture of the high Andes. It is fundamentally different than the Western worldview. This Cosmovision is not a set of concepts or beliefs. It cannot be described or encompassed by words. It can, however, be experienced and it can be explored. This is a guidebook for exploring the Andean Cosmovision. The Cosmovision provides a path for discovering profound aspects of ourselves and the Cosmos. It is a path with a heart. It nourishes a more loving and mutually supportive relationship between ourselves and nature and the Cosmos. In addition to being personally significant, this relationship may be exactly what our species needs to start heading toward a future of greater beauty and greater health for the planet. For this path you don't need a guru. You need the Pachamama (the great being who is the mother earth); you need the Apus (the great beings who are the majestic mountain peaks); you need the stars, the wind, the trees, the rivers, the sun. This book will open the door to new territory and give you a map and some advice. It will then be up to you to determine whether what you find touches you deeply.

Conceived as a contribution to the continuous construction of the identity of the Codex Mendoza, the present volume is organized around three axes: material analysis, textual and stylistic interpretation, and reception and circulation studies. The works of Barker-Benfield and MOLAB further our objective of understanding the manuscript's materiality. The re-binding and conservation process registered by Barker-Benfield has allowed us to do away with speculation regarding the method of production used to create the manuscript and its previous bindings. This, in turn, has allowed heretofore accepted connections, such as the authorship of Francisco Gualpuyogualcal, to be reexamined. Similarly, the analysis undertaken by the MOLAB team and headed by Davide Domenici has settled the debate on the nature of the pigments used in the production of the manuscript. This has added additional layers of nuance to previously held interpretative hypotheses on the meaning of specific pigments and the strictness of their application in the tlacuilolli. While color holds meaning for the tlacuilo, color is not inexorably linked to its materiality. These observations have the potential to inspire a new generation of interpretative studies, based on ever more accurate data regarding the material nature of the Codex Mendoza. Interpretative studies of the manuscript in this volume represent a line of inquiry that, by considering the manuscript from the complex perspectives of the work of art, literature, and bibliography, complement previous anthropological and historical readings of the Codex Mendoza. My essays as well as those by Diana Magaloni and Daniela Bleichmar reconsider the number and style of the artists who produced the manuscript in order to understand both the process by which it was created as well as the place it occupies in the artistic context of the early viceroyalty. Far from entering a binary relation between subjugator and subjugated, the decisions made by these artists and intellectuals manifest the forms of thinking and seeing time and space in the Mesoamerican world. I demonstrate that the pictures in the Codex Mendoza were painted in a workshop in which one, two, or more individuals collaborated on each page to create a single composition; as such, the creation of these pictures took on an air of rituality and functioned as "an instrument to recreate, reactualize, and make coherent the historical becoming linked to territory with cosmic patterns" (Magaloni, this volume). This last observation complements and reinforces Joanne Harwood's proposed reading of the third section of the manuscript. For Harwood, notwithstanding the originality of the visual solutions used to compose this section of the manuscript, the Codex Mendoza's pre-Columbian model resonates with a Mesoamerican religious genre: the teoamoxtli.

The main purpose of this book is to evaluate the "state of the art" of the research on ancient maritime communities along the South American Pacific coastline. Using multidisciplinary approaches, this volume spans the earliest occupation in South America to the early years of the Spanish occupation.

Andean Ontologies is a fascinating interdisciplinary investigation of how ancient Andean people understood their world and the nature of being. Exploring pre-Hispanic ideas of time, space, and the human body, these essays highlight a range of beliefs across the region’s different cultures, emphasizing the relational aspects of identity in Andean worldviews. Studies included here show that Andeans physically interacted with their pasts through recurring ceremonies in their ritual calendar and that Andean bodies were believed to be changeable entities with the ability to interact with nonhuman and spiritual worlds. A survey of rock art describes Andeans’ changing relationships with places and things over time. Archaeological and ethnographic evidence reveals head hair was believed to be a conduit for the flow of spiritual power, and bioarchaeological remains offer evidence of Andean perceptions of age and wellness. This volume breaks new ground by bringing together an array of renowned specialists including anthropologists, bioarchaeologists, historians, linguists, ethnohistorians, and art historians to evaluate ancient Amerindian ideologies through different interpretive lenses. Many are local researchers from South American countries such as Ecuador, Peru, Bolivia, Chile, and Argentina, and this volume makes their work available to North American readers for the first time. Their essays are highly contextualized according to the territories and time periods studied. Instead of taking an external, outside-in approach, they prioritize internal and localized views that incorporate insights from today’s indigenous societies. This cutting-edge collection demonstrates the value of a multifaceted, holistic, inside-out approach to studying the pre-Columbian world. Contributors: Catherine J. Allen | Richard Lunniss | Matthew Sayre | Nicco La Mattina | Luis Muro | Luis Jaime Castillo | Elsa Tomasto | Giles Spence-Morrow | Edward Swenson | Mary Glowacki | Andres Laguens | Bruce Mannheim | Juan Villanueva | Andrés Troncoso

Indigenous Graphic Communication Systems challenges the adequacy of Western academic views on what writing is and explores how they can be expanded by analyzing the sophisticated graphic communication systems found in Central Mesoamerica and Andean South America. By examining case studies from across the Americas, the authors pursue an enhanced understanding of Native American graphic communication systems and how the study of graphic expression can provide insight into ancient cultures and societies, expressed in indigenous words. Focusing on examples from Central Mexico and the Andes, the authors explore the overlap among writing, graphic expression, and orality in indigenous societies, inviting reevaluation of the Western notion that writing exists only to record language (the spoken chain of speech) as well as accepted beliefs of Western alphabetized societies about the accuracy, durability, and unambiguous nature of their own alphabetized texts. The volume also addresses the rapidly growing field of semasiography and relocates it more productively as one of several underlying operating principles in graphic communication systems. Indigenous Graphic Communication Systems reports new results and insights into the meaning of the rich and varied content of indigenous American graphic expression and culture as well as into the societies and cultures that produce them. It will be of great interest to Mesoamericanists, students, and scholars of anthropology, archaeology, art history, ancient writing systems, and comparative world history. The research for and publication of this book have been supported in part by the National Science Centre of Poland (decision no. NCN-KR-0011/122/13) and the Houston Museum of Natural Science. Contributors: Angélica Baena Ramírez, Christiane Clados, Danièle Dehouve, Stanisław Iwaniszewski, Michel R. Oudijk, Katarzyna Szoblik, Loïc Vauzelle, Gordon Whittaker, Janusz Z. Wołoszyn, David Charles Wright-Carr

Regulation of Functional Foods and Nutraceuticals: A Global Perspective offers a comprehensive resource for information on regulatory aspects of the growing and economically important functional food industry. Regulatory systems and definitions of key terms-food, supplement, drug, etc-vary from country to country. A thorough understanding of laws and regulation within and among key countries with regard to functional foods, herbal extracts or drugs, and nutritional supplements is critical to the direction of food companies that are developing products for these markets. International experts with legal and/or scientific expertise address relevant topics from quality issues, to organic foods to labeling. Innovative product development within the framework of existing regulations will be addressed in individual chapters. Overview chapters will discuss global principles, inter-country trading issues, and present a comparison of the laws and regulations within different countries graphically. A "must-have" handbook for research professionals, management, and marketing strategists in the worldwide functional foods/nutritional supplements business. Food technicians and engineers responsible for manufacturing quality in this industry should add it to their library to ensure that they have a thorough knowledge of the applicable legal requirements. The book will also serve as an indispensable shelf reference for lawyers in the food industry and government health professionals with regulatory responsibilities.