This book presents outstanding chapter contributions on the Nasca culture in a variety of artistic expressions such as architecture, geoglyphs, ceramics, music, and textiles. The approach, based on the integration of science with archaeology and anthropology, sheds new light on the Nasca civilization. In particular the multidisciplinary character of the contributions and earth observation technologies provide new information on geoglyphs, the monumental ceremonial architecture of Cahuachi, and the adaptation strategies in the Nasca desert by means of sophisticated and effective aqueduct systems. Finally, archaeological looting and vandalism are covered. This book will be of interest to students, archaeologists, historians, scholars of Andean civilizations, scientists in physical anthropology, remote sensing, geophysics, and cultural heritage management.

Ever since its scientific discovery, the great Nasca site of Cahuachi on the south coast of the Central Andes has captured the attention of archaeologists, art historians, and the general public. Until Helaine Silverman's fieldwork, however, ancient Nasca culture was seen as an archaeological construct devoid of societal context. Silverman's long-term, multistage research as published in this volume reconstructs Nasca society and contextualizes the traces of this brilliant civilization (ca. 200 B.C.-A.D. 600). Silverman shows that Cahuachi was much larger and more complex than portrayed in the current literature but that, surprisingly, it was not a densely populated city. Rather, Cahuachi was a grand ceremonial center whose population, size, density, and composition changed to accommodate a ritual and political calendar. Silverman meticulously presents and interprets an abundance of current data on the physical complexities, burials, and artifacts of this prominent site; in addition, she synthesizes the history of previous fieldwork at Cahuachi and introduces a corrected map and a new chronological chart for the Rio Grande de Nazca drainage system. On the basis of empirical field data, ethnographic analogy, and settlement pattern analysis, Silverman constructs an Andean model of Nasca culture that is crucial to understanding the development of complex society in the Central Andes. Written in a clear and concise style and generously illustrated, this first synthesis of the published data about the ancient Nasca world will appeal to all archaeologists, art historians, urban anthropologists, and historians of ancient civilizations.

A FASCINATING OVERVIEW OF WHAT THE LEADING EXPERT AND HIS COLLEAGUES CURRENTLY UNDERSTAND ABOUT THE GIANT GROUND DRAWINGS OF ANCIENT NASCA, PERU.

Ever since its scientific discovery, the great Nasca site of Cahuachi on the south coast of the Central Andes has captured the attention of archaeologists, art historians, and the general public. Until Helaine Silverman's fieldwork, however, ancient Nasca culture was seen as an archaeological construct devoid of societal context. Silverman's long-term, multistage research as published in this volume reconstructs Nasca society and contextualizes the traces of this brilliant civilization (ca. 200 B.C.-A.D. 600). Silverman shows that Cahuachi was much larger and more complex than portrayed in the current literature but that, surprisingly, it was not a densely populated city. Rather, Cahuachi was a grand ceremonial center whose population, size, density, and composition changed to accommodate a ritual and political calendar. Silverman meticulously presents and interprets an abundance of current data on the physical complexities, burials, and artifacts of this prominent site; in addition, she synthesizes the history of previous fieldwork at Cahuachi and introduces a corrected map and a new chronological chart for the Rio Grande de Nazca drainage system. On the basis of empirical field data, ethnographic analogy, and settlement pattern analysis, Silverman constructs an Andean model of Nasca culture that is crucial to understanding the development of complex society in the Central Andes. Written in a clear and concise style and generously illustrated, this first synthesis of the published data about the ancient Nasca world will appeal to all archaeologists, art historians, urban anthropologists, and historians of ancient civilizations.

This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

Irrigation and Society: The Puquios of Nasca looks at the legendary puquios of Nasca, the underground aqueduct system built by Incans which is arguably responsible for this desert region's strange abundance of water. Authors Katharina Schreiber and Josuz Lancho explore the puqios, their probable means of construction and their function in ancient society to address the larger issue of the role of large scale irrigation in the emergence of soci-political complexity.

Nasca society arose on the south coast of Peru two thousand years ago and evolved over the course of the next seven hundred years. Helaine Silverman's long-term, multistage work on the south coast of Peru has established her as one of the world's preeminent authorities on this brilliant and enigmatic civilization.a"Ancient Nasca Settlement and Society"ais the first extended treatment of the range of sites occupied by the people responsible for some of the most exquisite art, largest ground drawings, most intense hunting of human heads as trophies, and most ingenious hydraulic engineering of the pre-Columbian world. "Ancient Nasca Settlement and Society"ais based on Silverman's comprehensive survey of the Ingenio Valley, a water-rich tributary of the R o Grande de Nazca drainage; it also includes a critical synthesis of the settlement pattern data from the other river valleys of the system maps and tables, Silverman allows comparisons among the various phases of change in Nasca society. A companion CD-ROM provides a great deal of graphic material and allows users to manipulate the data in alternative scenarios. Silverman situates the various classes of Nasca material culture within the spatial, social, economic, political, and ideological realities that can be adduced from the archaeological record. A work of archaeo-logical ethnography focused on a once-living society, this convincing and highly original book illuminates the ancient Nasca people's social construction of space and cultural meaning through their manipulation of their natural setting and their creation of particular kinds of built environments."

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

Propitiating the supernatural forces that could grant bountiful crops or wipe out whole villages through natural disasters was a sacred duty in ancient Peruvian societies, as in many premodern cultures. Ritual sacrifices were considered necessary for this propitiation and for maintaining a proper reciprocal relationship between humans and the supernatural world. The essays in this book examine the archaeological evidence for ancient Peruvian sacrificial offerings of human beings, animals, and objects, as well as the cultural contexts in which the offerings occurred, from around 2500 B.C. until Inca times just before the Spanish Conquest. Major contributions come from the recent archaeological fieldwork of Steve Bourget, Anita Cook, and Alana Cordy-Collins, as well as from John Verano's laboratory work on skeletal material from recent excavations. Mary Frame, who is a weaver as well as a scholar, offers rich new interpretations of Paracas burial garments, and Donald Proulx presents a fresh view of the nature of Nasca warfare. Elizabeth Benson's essay provides a summary of sacrificial practices.