With over one million books sold in her career, Joyce Rupp presents her newest undertaking: a unique collection of daily meditations that draw from Christian, Jewish, Muslim, Hindu, and other sources, offering wisdom and insight about the God who is beyond all names. Bestselling author Joyce Rupp once again proves herself a wise and gentle spiritual midwife, drawing forth 365 names of God from the world’s spiritual treasury. Fragments of Your Ancient Name—whose title comes from a poem by German mystic Rainer Maria Rilke—assembles a remarkable collection of reflections for each day of the year. This unique and profound devotional will heighten awareness of the many names by which God is known around the world. Whether drawing from the Psalms, Sufi saints, Hindu poets, Native American rituals, contemporary writers, or the Christian gospels, Rupp stirs the imagination and the heart to discover a new dimension of God. Each name is explored in a ten-line poetic meditation and is complemented by a simple sentence that serves as a reminder of the name of God throughout the day.

The recent discovery of fragments from such novels as Iolaos, Phoinikika, Sesonchosis, and Metiochos and Parthenope has dramatically increased the library catalogue of ancient novels, calling for a fresh survey of the field. In this volume Susan Stephens and John Winkler have reedited all of the identifiable novel fragments, including the epitomes of Iamblichos' Babyloniaka and Antonius Diogenes' Incredible Things Beyond Thule. Intended for scholars as well as nonspecialists, this work provides new editions of the texts, full translations whenever possible, and introductions that situate each text within the field of ancient fiction and that present relevant background material, literary parallels, and possible lines of interpretation. Collective reading of the fragments exposes the inadequacy of many currently held assumptions about the ancient novel, among these, for example, the paradigm for a linear, increasingly complex narrative development, the notion of the "ideal romantic" novel as the generic norm, and the nature of the novel's readership and cultural milieu. Once perceived as a late and insignificant development, the novel emerges as a central and revealing cultural phenomenon of the Greco-Roman world after Alexander. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Ancient Fragments is a collection of texts that provide a fascinating insight into the religious beliefs and mythology of ancient Greece and its neighbors. Originally collected in the 18th century, these texts are some of the earliest known accounts of the creation of the world, the genealogies of the gods, and the ancient rituals of worship. The book contains fragmentary accounts from a variety of writers, including Sanchoniathon, Hesiod, and Apollodorus. It is an essential read for anyone interested in the history of religion or mythology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.

Through selections of poetry, Fragments explores the feelings, observations, and experiences that connect humanity across cultures and eras. Topics range from the fanciful to the weighty, including nature, emotions, experiences, memories, and more. In the first section, selected historical poems from the following cultures appear: Ancient Israel, Ancient Greece, Ancient Rome, Italy, The Spanish World, France, The English World, China, and Japan. The second half of the book introduces many talented, emerging poets reflecting on life and experiences in contemporary society: gennepher (Wales, United Kingdom), Charles Miller (Pennsylvania, USA), Lily Wang (Shanghai, China), Sondra Byrnes (Indiana, USA), Polona Oblak (Ljubljana, Slovenia), Sandi Pray (North Carolina and Florida, USA), Yiota Karioti / Yiota Luyu Ladybird (Athens, Greece), ten_ten_ten (Midwest, USA), Roary Williams (Albuquerque, New Mexico, USA), Claudia Schoenfeld (Germany), An Mayou (Boulder, Colorado, USA), Blue Flute (New York, USA).An introductory essay ties together several of the recurring themes, showing the connections among cultures, between history and modernity.

Introduction to the Philosophy of Fragmentism and Mystical Fragmentism in Fragments.

A collection of ancient Egyptian magic spells and road maps to assist individuals through the underworld and into the afterlife.