Thirty-four powerful stories that inform, entertain, and illuminate from the best emerging and award-winning African writers working today, including nine new stories that detail struggles with the legacy of colonialism, countries torn apart by civil war, and the growing AIDS epidemic. Copyright © Libri GmbH. All rights reserved.

An anthology of short stories by African writers from a dozen countries. The subjects range from war and politics to problems with domestics and African humor. Some stories were written in English, others are translations from Arabic, French and Portuguese. All were written in the latter part of the 20th century.

Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu.

This book focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history.

The Anchor Book of Modern African Stories showcases the most innovative writing to arise from the continent. From internationally recognized authors such as Nigeria’s Ben Okri, to newcomer Leila Aboulela from Sudan, together the contributors offer compelling testimonies of life in the midst of historic upheaval. Rich, dense, and topical, this collection is an indispensable guide to the emerging canon of contemporary African fiction. Contributors: Tayeb Salih, Henri Lopès, Luis Bernardo Honwana, Njabulo S. Ndebele, Olympe Bhely-Quenum, Sindiwe Magona, Charles Mungoshi, William (Bloke) Modisane, William Saidi, Abdulrazak Gurnah, Tololwa Marti Mollel, Nnadzie F. Inyama, Sembne Ousmane, Mohammed Berrada, Ali Deb, Mohamed Moulessehoul, I.N.C. Aniebo, Dambudzo Marechera, Ken Lipenga, Ibrahim Abdel Megid, Ndeley Mokoso, Ken Saro-Wiwa, Alifa Rifaat, Leila Aboulela, Milly Jafta, Ben Okri, Funso Aiyejina, Farida Karodia, Salwa Bakr, Gaele Sobott-Mogwe, Makuchi, Hama Tuma, Ossie O. Enekwe, Adewale Maja-Pearce.

This new edition of a business textbook bestseller has been completely updated. In particular, the book presents a fuller discussion of global business today. Also, issues of terrorism and state security as they affect culture and business are discussed substantially. The structure and content of the book remain the same, with thorough updating of the plentiful region and country descriptions, demographic data, graphs and maps. This book differs from textbooks on International Management because it zeroes in on culture as the crucial dimension and educates students about the cultures around the world so they will be better prepared to work successfully for a multinational corporation or in a global context.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

Publisher Description

The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied author) and the community. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. The reader will also have the rare pleasure of discovering Janice Kulik Keefer's “Fox,” her version of what she calls in her commentary “displaced autobiography’” or “creative non-fiction.” Lastly, an extensive bibliography on the postcolonial short story opens up further possibilities for research.

Blazing the Path. Fifty Years of Things Fall Apart is a collection of new perspectives on Chinua Achebe's Things Fall Apart, a novel that was first published in 1958 and which has since become a classic of world literature. Aside from opening up the novel to new interpretive strategies of well established literary critics, and clarifying some past ones, this collection of essays repositions Things Fall Apart as a literary piece with interdisciplinary and multidimensional appeal. The volume fulfills the objective of using the novel to interrogate the colonial and pre-colonial African past with Nigeria's post-modern present, and projects the country into a future that looks to literature for a deeper understanding of where Nigeria is as a citizen of an emerging global village.