This guide covers all the stylistic periods of Viking Age art, breaking down each style to its basic components in an easy to understand and straightforward manner. Through illustrations, timelines, maps and short descriptions of the historical contexts, you'll quickly acquire a good grasp of the anatomy of Viking Age art.

Updated to reflect recent archaeological discoveries and overflowing with color illustrations, this book is the definitive introduction to the art of the Viking Age. The Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this book introduces readers to the intricate objects and beautiful art styles that developed during the Viking Age. Beginning with an introduction to the geographical and historical background of Viking culture, author James Graham-Campbell chronicles the six main styles of Viking art, examining how they emerged and interacted with one another, as well as how the religious shift from paganism to Christianity impacted Viking art and its legacy. More than 200 high-quality illustrations depict everything from delicate metalwork, elaborate wood carvings, ornate weapons, and fine jewelry to grand ships, the Gotland picture stones, and archaeological traces left by the Vikings around the Western world. Now revised and updated with recent archaeological discoveries, Viking Art is a perfect guide—including a timeline and maps—for all those interested in the arts of this vibrant and fascinating culture.

This compilation features more than 175 dynamic, royalty-free motifs in a wide range of styles. Derived from the metalwork, woodwork, textiles, carvings, and ceramics of the Viking homelands of Norway, Denmark, and Sweden, they include sinuously intertwined patterns, mythological animals, dragon-slaying heroes on horseback, and many other striking images.

Artists, illustrators, designers, and craftspeople in search of exceptionally bold and inventive motifs will find them in this versatile treasury brimming with 125 royalty-free designs. Taken from authentic Celtic and Old Norse sources, they include an amazing array of birds, human figures, and mythological creatures, all ingeniously woven into an intricate network of spirals and interlacings. Meticulously adapted from artwork that graced ancient rune stones and religious symbols, furniture, manuscripts, bronze mirrors, sword hilts, cooking utensils, and other artifacts, the illustrations depict a crucifix; decorative creatures that adorned the pages of the Lindisfarne Gospels; interwoven designs from stone crosses of Ireland, Scotland, and Cornwall; and many other designs and motifs. Convenient and inexpensive, this collection offers inspiration and a wealth of immediately usable dramatic ornamentation rich in character and distinctive in content.

This book explores households, social organization, and rituals in Viking Age Scandinavia through a study of dwellings and their doorways.

Andrew Loomis (1892-1959) is revered amongst artists - including comics superstar Alex Ross - for his mastery of drawing. His first book, Fun With a Pencil, published in 1939 is a wonderfully crafted and engaging introduction to drawing, cartooning, and capturing the essence of a subject all while having fun. With delightful step-by-step instruction from Professor Blook, Loomis s charming alter ego on the page. Andrew Loomis was born in 1892. After studying art he moved to Chicago, eventually opening his own studio, working in editorial and advertising for most of the top clients at the time including Kellogg s, Coca Cola, Lucky Strike and more. He also became renowned as an art teacher and his instructional books on realist illustration and art are acclaimed classics in the field. He died in 1959.

While the art and craftsmanship of the Anglo-Saxons is much admired, the background to this superb work is little understood. Kevin Leahy, a trained craftsman and archaeologist, looks at how the artifacts were made--at the materials, the tools, and techniques that were used. His survey ranges from casting a brooch to making a sword, from pottery and weaving to woodworking and building.

An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, not only from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, are not only sourced from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. All of the graphics presented in this catalog have a common denominator. All of them can be traced back to the Early Middle Ages (V-VI c.) Until the end of XII c. a fully functional entity, recognized as a property of the Middle Ages proper. During that time, a wide variety of ethnicities, culture, spread across Western Europe. Therefore, each designs represent a different cultural identity. The catalog is intended for artists re-enactors and researches alike, people who are genuinely interested in old cultures, designers, digital artists, tattooists and people inspired by the Early Middle Ages. Slavic or Viking outfits, jewelry, furniture and leatherwork. This album would be of interest to historians or art historians, art students and anybody involved in the recognition of unfamiliar beauty and ancient aesthetics. This is an area of study that has long been neglected and unappreciated.

The chest was found in Mastrmyr on the the island of Gotland, Sweden in 1936. More than 200 objects were found in and around it. Most are tools that were used by blacksmiths and carpenters, many of them amazingly modern in appearance.