This compelling work is the most comprehensive and sophisticated account to date of the relationship between Hans Urs von Balthasar--a Swiss theologian and Catholic priest--and the German philosopher Georg Hegel. While underscoring the depth and breadth of Balthasar's engagement with the philosopher, author Cyril O'Regan argues that Balthasar is the most concertedly anti-Hegelian theologian of the 20th century. For him, it is essential to engage Hegel because of his corrections of sclerotic forms of premodern Christian thought, but even more importantly to resist and correct his systematic thought, which represents a comprehensive misremembering of the Christian thought, practices, and forms of life. An important and original work, this book addresses a topic that puts the possibility of an authentic postmodern theology at stake.

Gnostic Return in Modernity demonstrates the possibility that Gnosticism haunts certain modern discourses. Studying Gnosticism of the first centuries of the common era and utilizing narrative analysis, the author shows how Gnosticism returns in a select b

O'Regan (religious studies, Yale U.) argues for a theological reading of Hegel which clarifies the religious or theological species Hegel thinks can be brought into rapprochement with philosophy; unites a number of different approaches to Hegel which have proven fruitful, if incomplete; and, within the bounds of a systematic approach, addresses que

René Descartes was the founding father of modern Western philosophy and a pivotal thinker in the history of this fascinating subject. Covering all the key concepts of his work, Starting with Descartes provides an accessible introduction to the ideas of this enormously significant philosopher. Thematically structured, the book leads the reader through a thorough overview of the development of Descartes' thought, resulting in a more complete understanding of the roots of his philosophical concerns. Offering coverage of the full range of Descartes' ideas, the book explores his major work The Meditations on First Philosophy and his basic methodology of philosophical questioning. Crucially, the book introduces the historical context in which Descartes wrote and the major thinkers whose work proved influential in the development of his thought, as well as those he influenced.

According to Freud's later works, we do not really feel well or free within civilization. Our discontent never disappears, and we shall never become completely reliable members of society. Alcohol already suffices, Freud tells us, to ruin the fragile architecture of sublimations. Since 'Beyond the Pleasure Principle,' sublimation seems to be nothing more than a euphemism for suppressing the drives. We sublimate because we did not get or were not allowed to have what we 'actually' wanted. Is sublimation a mere surrogate or perhaps even the name psychoanalysis found for 'theoria' in the twentieth century? With Freud as its pivot, Goebel provides an intellectual history of sublimation, which also serves as an introduction to other key ideas associated with the authors discussed, such as Schopenhauer's philosophy of music, the will to power in Nietzsche, the structure of Freudian psychoanalysis, Adorno's concept of modern art, or Lacanian ethics. In examining both its prehistory and reception, Goebel argues that sublimation can be reconsidered as the road toward an individual and social life beyond discontent.

Bourdieu and Literature is a wide-ranging, rigorous and accessible introduction to the relationship between Pierre Bourdieu's work and literary studies. It provides a comprehensive overview and critical assessment of his contributions to literary theory and his thinking about authors and literary works. One of the foremost French intellectuals of the post-war era, Bourdieu has become a standard point of reference in the fields of anthropology, linguistics, art history, cultural studies, politics, and sociology, but his longstanding interest in literature has often been overlooked. This study explores the impact of literature on Bourdieu's intellectual itinerary, and how his literary understanding intersected with his sociological theory and thinking about cultural policy. This is the first full-length study of Bourdieu's work on literature in English, and it provides an invaluable resource for students and scholars of literary studies, cultural theory and sociology.

Alain Badiou takes on the standard bearer of the “linguistic turn” in modern philosophy, and anatomizes the “anti-philosophy” of Ludwig Wittgenstein, in his Tractatus Logico-Philosophicus. Addressing the crucial moment where Wittgenstein argues that much has to be passed over in silence—showing what cannot be said, after accepting the limits of language and meaning—Badiou argues that this mystical act reduces logic to rhetoric, truth to an effect of language games, and philosophy to a series of esoteric aphorisms. in the course of his interrogation of Wittgenstein’s anti-philosophy, Badiou sets out and refines his own definitions of the universal truths that condition philosophy. Bruno Bosteels’ introduction shows that this encounter with Wittgenstein is central to Badiou’s overall project—and that a continuing dialogue with the exemplar of anti-philosophy is crucial for contemporary philosophy.

One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike. Allan Antliff is the author of Anarchist Modernism.

Publisher Description

The origin of transcendental thought is to be sought in medieval philosophy. This book provides for the first time a complete history of the doctrine of the transcendentals and shows its importance for the understanding of philosophy in the Middle Ages.