Napoleons Imperial Guard was arguably the most famous military formation to tread the battlefields of Europe. La Garde Imperial was created on 18 May 1804, and from its origins as a small personal escort, the Guard grew in size and importance throughout the Napoleonic era. Eventually, it became the tactical reserve of the Grande Arme, comprising almost a third of Napoleons field forces. The men of the Imperial Guard were the lite of the First Empire, its officers and men the military aristocracy of post-Revolutionary France.Used only sparingly, the Guard acquired a reputation of invincibility. Such had become its prestige, when the attacks of the Guard were repulsed at Waterloo, they signaled not only the defeat of the French army but also the end of an era.In this magnificent study, unparalleled in depth and scope, the renowned French historian Commandant Henry Lachouque has produced a lavish and sumptuous work. It combines vivid narrative with valuable and unique uniform illustrations, including seventy-four full color plates from the Anne S.K. Brown collection, to make The Anatomy of Glory one of the most important and most sought-after books on military history ever published.

Examines the life and accomplishments of this powerful actor through a review of the roles he has played and awards he has received while delving into his personal life and the dramas he managed off-stage, including a sexual harrassment suit and an affair with Ava Gardner.

Would you not rather reasonably take responsible ownership of the truth regarding the experience of your salvation? Are you not longing to tell of this good-news in a personal and tangible manner especially with appropriateness from the depth of your first-hand encounter with the Saviour? This resource unknots the many subtleties concerning redemption and how to convincingly testify of it with convicting assuredness. In the light of Scripture, you would understand how that you are uniquely; Predestined in Eternity Elected by the Father Called by the Son Regenerated by the Spirit Justified by His blood Sanctified by His Word Adopted by His Love Preserved by Faith in His Hands Glorified by His Resurrection The security of your salvation is clarified, the guarantee of eternity is emphasized the present inheritance of redemption is enumerated, and the joy of witnessing of God’s grace to the world with holy zest is re-fired.

The Glory of the Empire is the rich and absorbing history of an extraordinary empire, at one point a rival to Rome. Rulers such as Basil the Great of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. Jean d’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from the East to the West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

A savage satire of the United States in the throes of insanity, this blisteringly funny novel tells the story of a noble ship, the Glory, and the loud, clownish, and foul Captain who steers it to the brink of disaster. When the decorated Captain of a great ship descends the gangplank for the final time, a new leader, a man with a yellow feather in his hair, vows to step forward. Though he has no experience, no knowledge of nautical navigation or maritime law, and though he has often remarked he doesn't much like boats, he solemnly swears to shake things up. Together with his band of petty thieves and confidence men known as the Upskirt Boys, the Captain thrills his passengers, writing his dreams and notions on the cafeteria wipe-away board, boasting of his exemplary anatomy, devouring cheeseburgers, and tossing overboard anyone who displeases him. Until one day a famous pirate, long feared by passengers of the Glory but revered by the Captain for how phenomenally masculine he looked without a shirt while riding a horse, appears on the horizon . . . Absurd, hilarious, and all too recognizable, The Captain and the Glory is a wicked farce of contemporary America only Dave Eggers could dream up.

An honest, funny, neurotic, and totally gross love child of Mindy Kaling and Mary Roach. Mara Altman's volatile and apprehensive relationship with her body has led her to wonder about a lot of stuff over the years. Like, who decided that women shouldn't have body hair? And how sweaty is too sweaty? Also, why is breast cleavage sexy but camel toe revolting? Isn't it all just cleavage? These questions and others like them have led to the comforting and sometimes smelly revelations that constitute Gross Anatomy, an essay collection about what it's like to operate the bags of meat we call our bodies. Divided into two sections, "The Top Half" and "The Bottom Half," with cartoons scattered throughout, Altman's book takes the reader on a wild and relatable journey from head to toe--as she attempts to strike up a peace accord with our grody bits. With a combination of personal anecdotes and fascinating research, Gross Anatomy holds up a magnifying glass to our beliefs, practices, biases, and body parts and shows us the naked truth: that there is greatness in our grossness.

Murray Rothbard was known as the state's greatest living enemy, and this is his most succinct and powerful statement on the topic, an exhibit A in how he came to wear that designation proudly. He shows how the state wrecks freedom, destroys civilization, and threatens all lives and property and social well being. This gives a succinct account of Rothbard’s view of the state. Following Franz Oppenheimer and Albert Jay Nock, Rothbard regards the state as a predatory entity. It does not produce anything but rather steals resources from those engaged in production. In applying this view to American history, Rothbard makes use of the work of John C. Calhoun How can an organization of this type sustain itself? It must engage in propaganda to induce popular support for its policies. Court intellectuals play a key role here, and Rothbard cites as an example of ideological mystification the work of the influential legal theorist Charles Black, Jr., on the way the Supreme Court has become a revered institution.