Many books have shown that journalists have political power, but none have offered a more wide-ranging account of how they got it. The Power of the Press is a pioneering look at the birth of political journalism. Before the American Revolution, Thomas Leonard notes, the press in the colonies was a timid enterprise, poorly protected by law and shy of government. Newspapers helped make the Revolution, but they were not fully aware of the way they could fit into a democracy. It was only in the nineteenth century that journalists learned to tell the stories and supply the pictures that made politics a national preoccupation. Leonard traces the rise of political reporting through some fascinating corridors of American history: the exposes of the Revolutionary era, the "unfeeling accuracy" of Congressional reporting, the role of the New York Times and Harper's Weekly in attacking New York City's infamous Tweed Ring, and the emergence of "muckraking" at the beginning of our century. The increasing power of the press in the political arena has been a double-edged sword, Leonard argues. He shows that while political reporting nurtured the broad interest in politics that made democracy possible, this journalism became a threat to political participation.

"The Plea starts with a terrible crime. On a moonlit night in 1889, the Iowa farmer John Elkins, and his young wife, Hattie, are brutally attacked and murdered in their bed. Eight days later, their son, eleven-year-old Wesley Elkins, is arrested and charged with the crime. The community is shocked by both the gruesome facts of the homicide and the age of the accused perpetrator, a small, quiet boy weighing just 75 pounds. The Plea tells the story of this crime and its aftermath. Despite his youth and evidence that he had been abused by his parents, Wesley is sentenced to spend the rest of his life in an adult prison. For more than a dozen years, the boy's fate is in the hands of others. His story captures the attention of a divided and transfixed public, raising questions about the criminal justice system and the rights of children. The focus of the narrative is on the legal and societal aspects of the case: Wesley's rehabilitation and remarkable transformation in prison, his plea that his case be reconsidered, the outpouring of support he received from prison wardens, politicians, newspaper editors, and educators. The story of the life of Wesley Elkins becomes an emotional and compelling story of redemption. This is a true story, based on years of meticulous research. All the scenes are based on primary sources: newspaper reports, legal documents, interviews, nonfiction works, memoirs, and personal letters. Bryan and Wolf quote from these materials throughout the book. The Plea is an accessible and fast-moving story that delivers a complete, complex, and nuanced narrative of this horrific crime, shedding light on the legal, social, and political environment of Iowa and the country in the late 1800s and early 1900s"--

In 1868, with Iowa fast outgrowing its only prison in Fort Madison, state lawmakers began thinking about building a new penitentiary. Several cities around the state vied for the prestige and economic benefits the new prison would provide. Anamosa, a rapidly growing town of 2,000 in east-central Iowa, was ultimately awarded the prize, in no small measure because of its proximity to some of the largest and finest dolomite limestone deposits in the world, coveted as the perfect building material for the massive institution. From 1873 until major construction ended in 1943, inmate workers literally built walls around themselves, slowly erecting a structure from the Iowa prairie whose imposing and magnificent architecture would continue to command respect and awe even to the present day. From Wild West bad man Polk Wells and boy-murderer Wesley Elkins to heinous mass murderer John Wayne Gacy, many have passed through Anamosa's iron gates and, with the quietly dedicated men and women who managed them, have contributed to the rich tapestry of Anamosa prison history.

In the 1980s alone, some 100 periodicals were published by and for inmates of America's prisons. Unlike their peers who passed their sentences stamping out licence plates, these convicts spent their days like reporters in any community - looking for the story. Yet their own story, the lengthy history of their unique brand of journalism, remained largely unknown. In this volume James McGrath Morris seeks to address the history of this medium, the lives of the men and women who brought it to life, and the controversies that often surround it.