Joseph Butler's The Analogy of Religion (1736) is an important work in terms of its historical influence and its contemporary relevance. In it, Butler defends Christian belief against many well-known objections: for instance, that the evidence for Christianity is weak; that it is impossible to believe in miracles; that if God existed he would have revealed himself clearly to everyone. The problems Butler discusses are current in contemporary philosophy of religion, but his answers are often ignored, or given short shrift. Butler argues that by examining this world we have reason to believe its Creator is both benevolent and just; that virtue will be rewarded and vice punished. Even if we have doubts, we would be well advised to take Christianity seriously, given what is at stake. The work includes seminal discussions of life after death, personal identity, and the structure of our ethical thought. In addition to extensive notes, David McNaughton's edition includes a detailed synopsis, a selection from the correspondence between Butler and Samuel Clarke, and an oveview of philosophical influences on Butler's thought.

If God is transcendent, how can human beings speak meaningfully about him? The answer lies in analogy, which recognizes both similarity and dissimilarity between God and our God-talk. In his erudite study, Archie Spencer argues for a christological account of analogy as the answer to the problem of God's speakability.

A fundamental question for theology is the question how we are to understand the claims that we make about God. The only language we can understand is the language we use to talk about human beings and their environment. How can we use that language to talk about God while respecting the infinite difference between God and humanity? The traditional answer has been to appeal to the concept of analogy. However, that appeal has been interpreted in widely different ways. This book aims to clarify the question and this answer by an analysis of the concept. It begins with an exploration of the way the concept was evolved by Aristotle out of Greek mathematics as a technique for comparing "things that were remote"; followed by a critical examination of three very different classical accounts of the way religious language works: those of Thomas Aquinas, Immanuel Kant and Karl Barth. The book finally investigates the way in which analogy could be applied to answer the question initially posed - how is it possible to use human language to talk about God. This is a question of fundamental significance for the whole of religion and theology, concerning as it does our whole understanding of what we mean when we talk about God.

Does all knowledge of God come through Christ alone, or can human beings discover truths about God philosophically? The Analogy of Being assembles essays by expert Catholic, Protestant, and Orthodox theologians to examine the relationship between divine revelation in the person of Jesus Christ and the philosophical capacities of natural reason. These essays were inspired by the lively, decades-long debate between Karl Barth and Erich Przywara, which was first sparked in 1932 when Barth wrote that the use of natural theology in Roman Catholic thinking was the invention of the Antichrist. The contributors to The Analogy of Being analyze and reflect on both sides of Barth and Przywara s spirited discourse, offering diverse responses to a controversy reaching to the very core of Christian faith and theology. It would be difficult to match the range and quality of commentators on this historic exchange between a Catholic philosopher and a renowned Reformed theologian on a subject of enduring significance, given the centrality of analogy to any issue in philosophical theology. Moreover, the contributions exhibit how the issues have come to span ecclesial boundaries as their import has progressively evolved. A splendid collection! David Burrell, C.S.C. Uganda Martyrs University A profound testimony to the enduring significance of the analogia entis debate between Erich Przywara and Karl Barth. Hans Boersma Regent College In a fresh ecumenical context, this extraordinary volume rekindles the mid-twentieth-century encounter between ressourcement thinkers and metaphysical theology. The voices of Przywara, Barth, Balthasar, and others speak anew through leading theologians of our own day in these masterfully orchestrated essays. Matthew Levering University of Dayton

Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.

Biblical stories are metaphorical. They may have been accepted as factual hundreds of years ago, but today they cannot be taken literally. Some students in religious schools even recoil from the "fairy tales" of religion, believing them to be mockeries of their intelligence. David Tacey argues that biblical language should not be read as history, and it was never intended as literal description. At best it is metaphorical, but he does not deny these stories have spiritual meaning. Religion as Metaphor argues that despite what tradition tells us, if we "believe" religious language, we miss religion's spiritual meaning. Tacey argues that religious language was not designed to be historical reporting, but rather to resonate in the soul and direct us toward transcendent realities. Its impact was intended to be closer to poetry than theology. The book uses specific examples to make its case: Jesus, the Virgin Birth, the Kingdom of God, the Apocalypse, Satan, and the Resurrection. Tacey shows that, with the aid of contemporary thought and depth psychology, we can re-read religious stories as metaphors of the spirit and the interior life. Moving beyond literal thinking will save religion from itself.

The following dissertation concerning the Trinity, as the reader ought to be informed, has been written in order to guard against the sophistries of those who disdain to begin with faith, and are deceived by a crude and perverse love of reason. Now one class of such men endeavor to transfer to things incorporeal and spiritual the ideas they have formed, whether through experience of the bodily senses, or by natural human wit and diligent quickness, or by the aid of art, from things corporeal; so as to seek to measure and conceive of the former by the latter. Aeterna Press