A historian and former presidential speechwriter presents an unprecedented two-volume collection of the greatest speeches in American history.

Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.

This long-needed sourcebook assesses the unique styles and themes of notable African-American orators from the mid-19th century to the present—of 43 representative public speakers, from W.E.B. Du Bois and Ida B. Wells-Barnett, Martin Luther King Jr. and Jesse Jackson to Barbara Jordan and Thurgood Marshall. The critical analyses of the oratory of a broad segment of different types of public speakers demonstrate how they have stressed the historical search for freedom, upheld American ideals while condemning discriminatory practices against African-Americans, and have spoken in behalf of black pride. This biographical dictionary with its evaluative essays, sources for further reading, and speech chronologies is designed for broad interdisciplinary use by students, teachers, activists, and general readers in college, university, institutional, and public libraries.

An anthology comprising 150-plus selections, making accessible the orations of both well-known and lesser-known African Americans. Each speech is presented with an introduction that sets the context. Many are previously unpublished, uncollected, or long out of print. The volume is based on Philip Foner's 1972 Voice of Black America. Annotation copyrighted by Book News, Inc., Portland, OR

First systematic critique of the rhetoric of 21 presidents focusing on the nexus of oratory and politics.

Rhetoric gives our words the power to inspire. But it's not just for politicians: it's all around us, whether you're buttering up a key client or persuading your children to eat their greens. You have been using rhetoric yourself, all your life. After all, you know what a rhetorical question is, don't you? In this updated edition of his classic guide, Sam Leith traces the art of argument from ancient Greece down to its many modern mutations. He introduces verbal villains from Hitler to Donald Trump - and the three musketeers: ethos, pathos and logos. He explains how rhetoric works in speeches from Cicero to Richard Nixon, and pays tribute to the rhetorical brilliance of AC/DC's "Back In Black". Before you know it, you'll be confident in chiasmus and proud of your panegyrics - because rhetoric is useful, relevant and absolutely nothing to be afraid of.

Prologue: Quintilian and John of Salisbury in the Ciceronian tradition -- Rhetoric, emotional manipulation, and morality: the contemporary relevance of Cicero vis-a-vis Aristotle -- Political morality, conventional morality, and decorum in Cicero -- Rhetoric as a balancing of ends: Cicero and Machiavelli -- Justus Lipsius, morally acceptable deceit, and prudence in the Ciceronian tradition -- The classical orator as political representative: Cicero and the modern concept of representation -- Deliberative democracy and rhetoric: Cicero, oratory, and conversation

This work is an in-depth analysis of the full breadth of Sojourner Truth's public discourse that places it in its proper historical context and explores the use of humor and narratives as primary rhetorical strategies used by this illiterate ex-slave to create a powerful public persona. The book provides a comprehensive survey of the life of Sojourner Truth, and includes a unique and authoritative compilation of primary rhetorical documents, such as speeches, songs, and public letters. This is the only major work to date that analyzes the breadth of Sojourner Truth's public discourse. The volume includes a complete and authoritative compilation of her extant rhetoric, including several versions of the same speech, reports of her speaking appearances, public letters published by Truth in newspapers, and songs written and performed by her as part of her public lectures. Three chapters address the rhetorical dimensions of Truth's public persona. First, an historical survey contextualizes her life and speaking from slave to reformer, placing into perspective the variety of experiences that comprised her background. Second, an analysis of Truth's use of humor focuses upon how she employed the strategies of superiority and incongruity in her refutation of opponents and the establishment of her own credibility. Third, a critique of Truth's use of narratives in her discourse reveals how both her speeches and songs rely upon three fundamental stories for their persuasive impact: her slave life and religious conversion, her use of the black jeremiad to portray race differences, and her tales of woman's strength and moral conviction. The volume concludes with a consideration of Truth's status as a folk legend and how she wished to be remembered.

Presents a collection of oratory including sermons, speeches, courtroom arguments, radio broadcasts, eulogies, and commencement addresses.