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Song and dance style--viewed as nonverbal communications about culture--are here related to social structure and cultural history. Patterns of performance, theme, text and movement are analyzed in large samples of films an recordings from the whole range of human culture, according to the methods explained in this volume. Cantometrics, which means song as a measure of man, finds that traditions of singing trace the main historic distributions of human culture and that specific traits of performance are communications about identifiable aspects of society. The predictable and universal relations between expressive communication and social organization, here established for the first time, open up the possibility of a scientific aesthetics, useful to planners.

Beard With Me' is the origin story of Billy Winston and Scarlet St. Claire (aka Claire McClure) and is just the beginning of their epic love story. No one is better at surviving than Scarlet St. Claire and making the best out of circumstances beyond her control is Scarlet's specialty. In an apocalyptic situation, she'd be the last person on earth, hermitting like a pro, singing along to her CD Walkman, and dancing like no one is watching. Scarlet is clever, Scarlet is careful, and Scarlet is smart . . . except when it comes to Billy Winston. No one is better at fighting than Billy Winston and raging against his circumstances--because nothing is beyond his control--is Billy's specialty. In an apocalyptic situation, he'd be the first person on earth to lead others to safety, overcome catastrophe, or die trying. Billy is fearless, Billy is disciplined, and Billy is honorable . . . except when it comes to Scarlet St. Claire.

The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.

"I love the way you write sis India Olowokande Ame'ye. Your words are sweet and honest. You do not attempt to coerce or seduce. You do not solicit a contract with misery but instead with power, purpose and love. Thank you." -S. Chatman_________________A lovingly mystical and refreshingly radical literary spellbook that charms, heals, glows, amplifies, and supports healing, self-care, body transformations, and the divine feminine within us all. Part warm and witchy, part how-to grow more ass (rootworkers) and activate breast tissues (caretakers), part learning to embody love as abundance, part natural healing of fibroids and heavy, painful moon times, part conjuring and sensual narratives, part flowers, herbal teas, and fairies, part full body orgasms and orgasmic living brilliancy, part prose and word/sound/power. Part dreamy and celestial, practical and purposeful, transformative and paradigm shifting. Part djembe and an acoustic guitar. Part ancient (Africa) and recent (Georgia/South Carolina/California). Many parts of the highest-vibrational whole of existence, the womb and its mysteries, nourishment, and total and complete darkness!!--------I am a highly feminine woman unfixed in my femininity. Bending. Weaving. Waddling. Diving. Leaping. Spreading. Spraying. Dripping with femininity. Courageously shapeshifting into a serpent, a pharoah, a Goddess of Love, a warm and transformative ocean, a fairy (with wings), passionfruit or liliquoi, Oshun's daughter, a 7 year old mathematician, a wood nymph, a deer, an altar, an elder person, a mother, a jackhammer, a herbalist, glitter and starlight. Ageless, timeless, spaceless, formless embodiments of royal movement. Sometimes it's growing my ass, thickening my fingers, or rounding out my face (heightening my youth) to get the medicine inside. Because anything stagnant dies." _______________________"She spends whole days in uncontrollable ecstasy. And no one is there but her and her higher self. Alone time feels good going inside." _____________________________In 2003, triple-Bachelor degreed, India Ame'ye resigned from her Sr. Accountant position in Corporate America in pursuit of passion, love (learning and embodying love), aliveness, and a big ol' adventure. There was also the wonder and magic of pain, grief, sadness, depression, and tiny steps into learning how to return ALL experiences back into love.... and most importantly, allowing the experiences to resonate as love in the body. "You Look Like Something Blooming" is a charming yet raw encounter with spirit, adventure, love, intimacy and sex, pleasure, nature, and so much more. Described as refreshingly radical, authentic, healing, opening, while being a bit dreamy, tender, faraway, lulling, ancient yet familiar. Occasionally quite funny alongside some brand of thrilling, womanly wildness. Chockfull of intimate and feminine arts in deeply honest ways, you are sure to transform in thought, action, pleasure, and/or adventure. There are also the more practical and serious bits as well as life is like that sometimes, where you have to hold the mirror up and say 'I am ready to stop hurting my organs!' It's steaming cauldron full of magical secrets and healthy living (blooming) tips, bit of this and whole lot of that! From skin to body sculpting tips to ways to come alive in your body and life, how one falls out of love and rises as love, the seed and harvest of her own love story. "You Look Like Something Blooming" is seriously 5 books in 1.

Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings.