Young, smart and beautiful with everything figured out - or so they thought. Born into a prosperous Greek American family, sisters Nicole and Theodora have achieved the perfect balance between the old world rich in Greek tradition and the freedom of life in America. Headstrong and independent, Nicole plunges into life head-first, too often ignoring the risks. Her talent and astute business acumen make her the perfect heir to her father's empire, but his old-world attitudes prevent him from giving the top spot to a woman. Nicole's world spins out of control when she falls for a married senator who shares her heritage and her dreams. While struggling to navigate previously uncharted moral waters, she uncovers treachery and corruption that will break both her sister's and her father's heart. The decisions she makes will affect the happiness of those closest to her and will define the woman she is to become. The young and conventional Theodora weds and quickly learns that marriage is not the paradise she envisioned. She must soon confront the growing suspicion that her husband is not the man he seems. Forced to endure the constant disdain and disapproval of her patrician mother-in-law, she resigns herself to the fact that she will always be considered an outsider. As she struggles to succeed at her marriage, she seeks the wisdom and council of her beloved Greek grandmother who has been happily married for over half a century. Ultimately she must come to terms with the reality of her own life and take responsibility for the role she has played in deceiving herself. As the dramatic plot unfolds, the two young women must confront deceit and betrayal and their own shortcomings - while they struggle to preserve the values they cherish. Set in Baltimore, Annapolis and the tiny island of Ikaria, Greece, Circle Dance provides a view into the lives of a dynamic family that has successfully achieved the American dream without abandoning the customs and traditions handed down through their Greek heritage. Artfully intertwined plots bring generations together in a dance of rejoicing and mourning, loss and healing that will keep readers enthralled until the last page.

Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space.

There is nothing wiser than the circle, Rilke says in his Stories of God. John Dunne's new book explores the wisdom of the circle. He uses the metaphor of the circle dance, a folk dance in which the women form an inner circle, holding hands and moving clockwise; the men form an outer circle, moving counterclockwise. When the music stops the person opposite you is your partner for the next dance. Dunne interprets the circle as the great circle of life and light and love that comes from God and returns to God. Dunne emphasizes the far point on the circle, farthest away from God, and uses that to discuss the difficulties of our secular age. In the individual life, the far point is a dark night of the soul. Yet Dunne sees that far point of loneliness and darkness as a point as well, marking the return to love and light. So the theme of the book is like the words of an old Bedouin to Lawrence of Arabia, "The love is from God, and of God, and towards God." The book concludes with the words of twenty-one "Circle Songs," composed by the author.

Feeling initially aimless and out of place in rural Nepal where she accompanied her anthropologist husband for a year of fieldwork, Katharine Bjork Guneratne turned to writing to make sense of her sojourn in the shadow of the Himalaya. The resulting book is both an acute portrait of a village and an intimate account of her struggles to adapt to a different way of life. Like the best cultural travel narratives, In the Circle of the Dance draws on the author's experiences to illuminate both exterior and interior worlds. Bjork's book is in many ways a primer on the realities of fieldwork, from setting up house to participating in the work of the village women to finding ways to communicate across cultural divides. It describes how this outsider achieved a gradual and provisional inclusion in the community, an inclusion represented by her participation in a traditional women's circle dance. The book also depicts the effects of modernization and tourism on a society that remained closed to the West well into this century, while offering comparative insights about wider South Asian cultures. The author's lyrical, frequently moving descriptions of everyday life guide her readers through the stages of her cultural apprenticeship. In the end, as Bjork joins the circle dance, she is a stranger to the community still, but a familiar and welcome one.

Notes are fundamental to the making of music, but it’s not just the notes that fascinate us. We love to learn about the musicians who use them to make great music and entertain us. Felix Schrodinger and Pyotr Stilovsky have compiled in this, the third volume of the series, a compendium of information that will appeal to all who love music and especially to those who seek out knowledge for its own sake.

Embracing dramatic similarities, glaring disjunctions, and striking innovations, this book explores the history and context of dance on the land we know today as the United States of America. Designed for weekly use in dance history courses, it traces dance in the USA as it broke traditional forms, crossed genres, provoked social and political change, and drove cultural exchange and collision. The authors put a particular focus on those whose voices have been silenced, unacknowledged, and/or uncredited – exploring racial prejudice and injustice, intersectional feminism, protest movements, and economic conditions, as well as demonstrating how socio-political issues and movements affect and are affected by dance. In looking at concert dance, vernacular dance, ritual dance, and the convergence of these forms, the chapters acknowledge the richness of dance in today’s USA and the strong foundations on which it stands. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas. This book is ideal for undergraduate courses that embrace culturally responsive pedagogy and seek to shift the direction of the lens from western theatrical dance towards the wealth of dance forms in the United States.

Now in its second edition, The American Indian Mind in a Linear World examines the persistence of Native peoples in retaining their own worldviews, from the pre-Columbian era into the twenty-first century. The book explores the ways in which Indian people who are close to their cultural traditions think in a circular fashion, understand by relying on visual analysis, and make decisions from an Indigenous logic. Yet, Comanches have a different reality from Mohawks, Apache ethos is not like that of the Lakotas, and Indian men and women see things differently. How and why is the Native mind different from the western world? Why have white teachers and missionaries tried to change the minds of Native students? The Indian perspective is not wrong; it is simply different and inclusive, another way of looking at the world and universe. This edition updates the discussion with a new chapter on contemporary American Indian intellectualism and further analysis of the preservation of Indigenous traditional knowledge. Approachable and engaging, this volume is a key resource for students and scholars of Native American and Indigenous studies and Indigenous history.