Reprint of the original, first published in 1836.

Reprint of the original, first published in 1836.

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Across lines of race, gender, religion, and class, abolitionists understood their reform effort in the same basic terms -- as part of a continuous struggle between the forces of power and the forces of liberty in which vigilant citizens battled tyranny and corruption, defending the independence and virtue upon which their fragile experiment in republican government depended. Focusing on that republican frame of reference, this book sheds new light on the historical imagination of the abolitionists, their views of politics and the marketplace, the relation between religion and reform, and the cultural critique embedded in abolitionism. The author convincingly argues that the reformers conceived of their work in more precise terms than historians have generally recognized; their concern lay specifically with the problem of slavery in a republic: "Abolitionists did not see themselves as antebellum reformers; theirs was a post-Revolutionary movement." - Back cover.

"This guide lists the numerous examples of government documents, manuscripts, books, photographs, recordings and films in the collections of the Library of Congress which examine African-American life. Works by and about African-Americans on the topics of slavery, music, art, literature, the military, sports, civil rights and other pertinent subjects are discussed"--

Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach and consolidate a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the distinctive practices of British antislavery and evangelical reform movements, the AASS utilized innovative business strategies to market its productions and developed a centralized distribution system to circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emerging middle-class identity. She contends that, although the AASS's dominance waned after 1840 as the organization splintered, it nevertheless created one of the first national mass markets. Goddu maps this extensive media culture, focusing in particular on the material produced by AASS in the decade of the 1830s. She considers how the dissemination of its texts, objects, and tactics was facilitated by the quasi-corporate and centralized character of the organization during this period and demonstrates how its institutional presence remained important to the progress of the larger movement. Exploring antislavery's vast archive and explicating its messages, she emphasizes both the discursive and material aspects of antislavery's appeal, providing a richly textured history of the movement through its artifacts and the modes of circulation it put into place. Featuring more than seventy-five illustrations, Selling Antislavery offers a thorough case study of the role of reform movements in the rise of mass media and argues for abolition's central importance to the shaping of antebellum middle-class culture.

Compiled by Mentor A. Howe and Roscoe E. Lewis.

Includes its Report, 1896-19 .