This collection of over three hundred prefaces of the Eucharistic Prayer is a blend of ancient and modern texts that provide opportunities for prayer and instruction. Through the seasons, these prayers provide you inviting opportunities to enrich your public worship and private devotion. Newly translated from Latin into elegant, contemporary English, these proven and time-honored prefaces to the Eucharistic Prayer will loosen your tongue and liberate your imagination.

Liturgy in the Apostolic era.

This is the first volume published in English of a series of International Handbooks of Catholic Theology under the general editorship of Cardinal Christoph Sch÷nborn, Archbishop of Vienna.The book is a comprehensive introduction to the liturgy of the Roman Rite, set within a broader consideration of Christian liturgies Eastern and Western (Byzantine, Mozarabic, Ambrosian, and Reformed). The central theme of the book is the life-creating communication between God and human beings. Part 1 deals with God's invitation to humanity to enter the divine fullness of life. This is God's descent or "katabasis." Part II is concerned with humanity's acceptance of the invitation--the human ascent to God or "anabasis." Following this extensive treatment of the general nature of Christian liturgy are four sections devoted to particular subjects: the celebration of the Eucharist, the celebration of the sacraments, the liturgy of the hours and other services of the Word, and, finally, the liturgical year.

Includes bibliographical references and index.

This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.