In colonial-era Egypt, a new social category of "modern men" emerged, the efendiyya. Working as bureaucrats, teachers, journalists, free professionals, and public intellectuals, the efendiyya represented the new middle class elite. They were the experts who drafted and carried out the state's modernisation policies, and the makers as well as majority consumers of modern forms of politics and national culture. As simultaneously "authentic" and "modern", they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952. Lucie Ryzova explores where these self-consciously modern men came from, and how they came to be such major figures, by examining multiple social, cultural, and institutional contexts. These contexts include the social strategies pursued by "traditional" households responding to new opportunities for social mobility; modern schools as vehicles for new forms of knowledge dissemination, which had the potential to redefine social authority; but also include new forms of youth culture, student rituals, peer networks, and urban popular culture. The most common modes of self-expression among the effendiyya were through politics and writing (either literature or autobiography). This articulated an efendi culture imbued with a sense of mission, duty, and entitlement, and defined the ways in which their social experiences played into the making of modern Egyptian culture and politics.

Salafis explicitly base their legitimacy on continuity with the Quran and the Sunna, and their distinctive practices—praying in shoes, wearing long beards and short pants, and observing gender segregation—are understood to have a similarly ancient pedigree. In this book, however, Aaron Rock-Singer draws from a range of media forms as well as traditional religious texts to demonstrate that Salafism is a creation of the twentieth century and that its signature practices emerged primarily out of Salafis’ competition with other social movements amid the intellectual and social upheavals of modernity. In the Shade of the Sunna thus takes readers beyond the surface claims of Salafism’s own proponents—and the academics who often repeat them—into the larger sociocultural and intellectual forces that have shaped Islam’s fastest growing revivalist movement.

In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years. She illustrates how these caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism.

In colonial-era Egypt, a new social category of "modern men" emerged, the efendiyya, who represented the new middle class elite. This volume explores how they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952.

A study of Palestine in the early twentieth century that takes a step back from the intricacies of the Arab-Zionist conflict, focusing instead on the country's position within the broader history of empire and anti-colonial resistance.

This is a study of a 20th-century Sufi revival in West Africa. Seesemann's work evolves around the emergence and spread of the 'Community of the Divine Flood,' established in 1929 by Ibrahim Niasse, a leader of the Tijaniyya Sufi order from Senegal.

"First published in the United Kingdom in 2011 by C. Hurst & Co."--T.p. verso.

Albania and Kosovo have long, fascinating histories of connection with the wider European world. These essays explore this history from the 15th century to the 20th, through stories of Italian pilgrims, British diplomats, Albanian village girls converting to Islam, Muslims practising secret Christianity, and Ottoman men enslaving fellow citizens.

Through an examination of Algeria's interactions with the wider world from the beginning of its war of independence to the fall of its first post-colonial regime, Mecca of Revolution provides the Third Worldist perspective on twentieth century international history. Featuring pioneering research on multiple continents, it rejuvenates the fields of diplomatic history and post-colonial studies.

The Dhufar revolution in Oman (1965-1976) was the longest running major armed struggle in the history of the Arabian Peninsula, Britain's last classic colonial war in the region, and one of the highlights of the Cold War in the Middle East.Monsoon Revolution retrieves the political, social, and cultural history of that remarkable process. Relying upon a wide range of untapped Arab and British archival and oral sources, it revises the modern history of Oman by revealing the centrality of popular movements in shaping events and outcomes. The ties that bound transnational anti-colonial networks are explored, and Dhufar is revealed to be an ideal vantage point from which to demonstrate the centrality of South-South connections in modern Arab history.