This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.

This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.

This illuminating history examines the life and many legends of the 16th century Queen who was executed by her husband, King Henry VIII. Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and a revealing look at her afterlife in the popular imagination. Why is her story so compelling? Why has she inspired such extreme reactions? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: neither.) But the most provocative question of all concerns Anne’s death: How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Bordo probes the complexities of one of history’s most infamous relationships. She then demonstrates how generations of polemicists, biographers, novelists, and filmmakers have imagined and re-imagined Anne: whore, martyr, cautionary tale, proto “mean girl,” feminist icon, and everything in between. In The Creation of Anne Boleyn, Bordo steps off the well-trodden paths of Tudoriana to tease out the human being behind the competing mythologies, paintings, and on-screen portrayals.

No-one who knew the late Canon Pakenham-Walsh could accuse his of being a starry-eyed dreamer. At ninety he was as active mentally and physically as many a man little more than half his age. Coming from a man so knowledgeable and widely travelled, the extraordinary experiences related in this book are all the more impressive. The author had long been a keen student of the Tudor period, but had no previous experience of the psychic or the super-normal. They came to him without invitation or desire on his part, and spread over many years, they were recorded in writing in some detail, and add up to a truly astonishing story. Canon Pakenham-Walsh's narrative not only relates his experiences of how mediumistic contact was made with the spirits of Anne Boleyn, Katherine of Aragon and Henry VIII, it is also a powerful Christian morality tale of redemption transcending death.

In 1536 a woman dies and the story begins.. Henry and Anne are bona fide soul mates, bound to each other through eternity. Still, in 1536, they are at the mercy of influences outside of their control, explosively incompatible and caught in a marriage that ends in a betrayal so shocking that Anne requires lifetimes to recover. "Threads", a reincarnation fantasy, opens with Anne's death in 1536. Her husband Henry, seemingly in defense of Anne (but more likely acting out of 'stubborn perverseness', she observes), has terrorized England and decreed murder after political murder to protect her. Ultimately, to Anne's horror, he has made the decision to have her executed as well. Anne's fury at her husband's betrayal has enough momentum to survive centuries, but in Threads she learns that she has been assigned a hard task: she must forgive him. this may prove difficult and take some. The husband in question is Henry VIII. The narrator is the stubborn, volatile Anne Boleyn, who is not at all inclined to forgive.

"Splendid" —New York Times "Mind-bending." —Wall Street Journal "Brilliantly original. The best new novel I've read this year." —Salman Rushdie A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn. The poet and the artist battle it out in Rome before a crowd that includes Galileo, a Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle. Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel. Game, set, match. “Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.” —Lauren Groff, New York Times-bestselling author of Fates and Furies "Engrossing... rich with Latin and European history." —The New Yorker "[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue

This fictional what if thriller is the first in a series by author Raven A. Nuckols that examines the life and times of Queen Anne Boleyn, her heirs and explores what might have happened had she not been executed in May 1536. Anne was the second wife of King Henry VIII of England, serving from 1533-1536 until she was beheaded on false charges of treason, adultery, and incest with her brother, as she was accused by Thomas Cromwell, the Lord Privy Seal. Prior to her tragic downfall, Anne was the main catalyst for England's break with the Roman Catholic Church during the Reformation. Henry's intense passion for her, fed by her refusals, ignited a fire that tore the country apart. This book evaluates the history of how different England might have been had factors leading up to her execution not have happened. Would Anne have continued her passion for religious reforms? Would she eventually have made enemies of Cromwell? What would have become of her friends and enemies? Would she have given Henry the longed-for male heir? What would have become of Elizabeth? All of these questions and more are answered!

“A novel that explores the darker side of human nature while making you laugh so hard iced tea almost comes out your nose.” —The Tampa Tribune One of American literature’s brightest stars and author of the Pulitzer Prize–winning A Good Scent from a Strange Mountain reimagines the underworld in an uproarious novel. Its main character, Hatcher McCord, is an evening news presenter who has found himself in Hell and is struggling to explain his bad fortune. He’s not the only one to suffer this fate—in fact, he’s surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the US presidents. The question may be not who is in Hell, but who isn’t. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). One day McCord meets Dante’s Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan’s omniscience, which he has always credited for the perfection of Hell’s torments, may be a mirage—and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler’s depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated. “I’ll never stop believing it: Robert Olen Butler is the best living American writer, period.” —Jeff Guinn, Fort Worth Star-Telegram

No monarch is more glamorous or more controversial than Elizabeth I. The stories by which successive generations have sought to extol, explain, or excoriate Elizabeth supply a rich index to the cultural history of English nationalism - whether they represent her as Anne Boleyn's suffering orphan or as the implacable nemesis of Mary, Queen of Scots, as learned stateswoman or as frustrated lover, persecuted princess or triumphant warrior queen. This book examines the many afterlives the Virgin Queen has lived in drama, poetry, fiction, painting, propaganda, and the cinema over the four centuries since her death, from the aspiringly epic to the frankly kitsch. Exploring the Elizabeths of Shakespeare and Spenser, of Sophia Lee and Sir Walter Scott, of Bette Davis and of Glenda Jackson, of Shakespeare in Love and Blackadder II, this is a lively, lavishly-illustrated investigation of England's perennial fascination with a queen who is still engaged in a posthumous progress through the collective pysche of her country.

Lady Jane Grey, is one of the most elusive and tragic characters in English history. In July 1553 the death of the childless Edward VI threw the Tudor dynasty into crisis. On Edward's instructions his cousin Jane Grey was proclaimed queen, only to be ousted 13 days later by his illegitimate half sister Mary and later beheaded. In this radical reassessment, Eric Ives rejects traditional portraits of Jane both as hapless victim of political intrigue or Protestant martyr. Instead he presents her as an accomplished young woman with a fierce personal integrity. The result is a compelling dissection by a master historian and storyteller of one of history’s most shocking injustices.