The Dark Child is a vivid and graceful memoir of Camara Laye's youth in the village of Kouroussa, French Guinea, a place steeped in mystery. Laye marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

This novel imagines the journey of a real but, until now, long-forgotten African boy who left Elmina in the Gold Coast in 1829 on a British ship, for the hope to travel to Holland. His ship was wrecked on rocks in January 1830 on the Isles of Scilly, Cornwall. With a strong narrative drive, the story evokes the hard life on board a sailing ship. It relates the boys meeting with members of the crew and his growing awareness of their world and its differences to his. The African boy Kwame, who is unnamed and buried on St. Martins, is a feisty, clever, and ambitious young man whose relationships with the crew expose the violence, bigotry, and hypocrisy of the world they came from. This book explores the worlds of Europe and Africa. Its characters are vividly drawn, and the story evokes a changing world at a time when slavery was being defeated.

Among the many myths created about Africa, the claim that homosexuality and gender diversity are absent or incidental is one of the oldest and most enduring. Historians, anthropologists, and many contemporary Africans alike have denied or overlooked African same-sex patterns or claimed that such patterns were introduced by Europeans or Arabs. In fact, same-sex love and nonbinary genders were and are widespread in Africa. Boy-Wives and Female Husbands documents the presence of this diversity in some fifty societies in every region of the continent south of the Sahara. Essays by scholars from a variety of disciplines explore institutionalized marriages between women, same-sex relations between men and boys in colonial work settings, mixed gender roles in east and west Africa, and the emergence of LGBTQ activism in South Africa, which became the first nation in the world to constitutionally ban discrimination based on sexual orientation. Also included are oral histories, folklore, and translations of early ethnographic reports by German and French observers. Boy-Wives and Female Husbands was the first serious study of same-sex sexuality and gender diversity in Africa, and this edition includes a new foreword by Marc Epprecht that underscores the significance of the book for a new generation of African scholars, as well as reflections on the book's genesis by the late Stephen O. Murray. This book is freely available in an open access edition thanks to the generous support of the Murray Hong Family Trust. Access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1714.

Onkere: An African Boy’s Story of Struggle, Resilience, and Determination discusses how a young French-speaking African boy from a low-income family named Onkere came to fall in love with the English language and American culture as a whole and how regardless of the incredible setbacks thrown at him to prevent him from realizing his objective, he never gave up on his dream. The book further explores the trouble he went through from Africa to get a scholarship and go to France to pursue his studies. Once in France, as an international student, he overcame special requirements to be allowed to be part of an exchange program to go to America and improve his knowledge of the English language. Once in America, he had to overcome cultural misunderstandings to survive. In the midst of all these twists and turns, the main character ends up holding a doctorate in the field of English and American studies, getting married, having children, becoming an important personality not only for his country but also for the entire world, and working at the United Nations.

An abandoned Ethiopian boy fights for more than mere survival: acceptance, education, and a life beyond poverty and war.

A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

In December 1941 the Japanese invaded Burma. For the British, the longest land campaign of the Second World War had begun. 100,000 African soldiers were taken from Britain’s colonies to fight the Japanese in the Burmese jungles. They performed heroically in one of the most brutal theatres of war, yet their contribution has been largely ignored. Isaac Fadoyebo was one of those ‘Burma Boys’. At the age of sixteen he ran away from his Nigerian village to join the British Army. Sent to Burma, he was attacked and left for dead in the jungle by the Japanese. Sheltered by courageous local rice farmers, Isaac spent nine months in hiding before his eventual rescue. He returned to Nigeria a hero, but his story was soon forgotten. Barnaby Phillips travelled to Nigeria and Burma in search of Isaac, the family who saved his life, and the legacy of an Empire. Another Man’s War is Isaac’s story.

DigiCat Publishing presents to you this special edition of "Samboe; or, The African Boy" by Mary Ann Hedge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A Black writer describes his childhood in South Africa under apartheid and recounts how Arthur Ashe and Stan Smith helped him leave for America on a tennis scholarship