An immensely popular genre, crime fiction has only in recent years been engaged significantly by African American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress. Some African American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed's "anti-detective" novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkins's Hagar's Daughter (published in 1901), to Hime's hardboiled "Harlem Detective" series, to Carter's patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience. Instructors considering this book for use in a course may request an examination copy here.

"A volume in The American Literatures Initiative"--P. [4] of cover.

The best mystery and crime fiction ever produced by African-American writers. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

One of Buzzfeed’s Most Anticipated Books of 2021. “This trailblazing work of fiction is notable for its depiction of Harlem’s African American society and culture in the 1930s” –Bookpage

Shared racial and cultural experiences and the collective memory of those experiences play important roles in determining the responses of African Americans to issues of crime and violence. By examining American history through the prism of African American experience, this volume provides a framework for understanding contemporary issues regarding crime and justice, including the much-discussed gap between how blacks and whites perceive the fairness of the criminal justice system. Following a thesis offered by W.E.B. Du Bois with regard to African American responses to oppression, the authors argue that responses by African Americans to issues of crime and justice have taken three main forms--resistance, accommodation, and self-determination. These responses are related to efforts by African Americans to carve out social and psychological space for themselves and to find their place in America.

A dazzling collection of crime and mystery stories by Black authors. Bringing together today's brightest talent from the field—from Walter Mosley, “one of America's best mystery writers” (The New York Times), to the late Hugh Holton, whose “gift for retaining suspense is golden” (Chicago Sun-Times)—it is the first anthology of African-American mystery writers. Shades of Black is not only a tribute to the art of storytelling, it's a fascinating foray into the rich and widely varied Black experience. Includes stories by: Frankie Y. Bailey • Jacqueline Turner Banks • Chris Benson • Eleanor Taylor Bland and Anthony Bland • Patricia E. Canterbury • Christopher Chambers • Tracy Clark • Evelyn Coleman • Grace F. Edwards • Robert Greer • Terris MacMahan Grimes • Gar Anthony Haywood • Hugh Holton • Geri Spencer Hunter • Dicey Scroggins Jackson • Glenville Lovell • Lee E. Meadows • Penny Mickelbury • Walter Mosley • Percy Spurlark Parker • Gary Phillips • Charles Shipps

A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.

This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.

Modern Sport and the African American Experience is a collection of essays from some of America's most brilliant and vibrant sport sociologists and race scholars. This text highlights more of the experiences of African Americans in modern sport than any of its kind. Among its diverse topics, this book examines predictions about African American sports performance and participation in the 21st century, discusses the role of sport in African American culture, and gives a candid look at the experiences of African American athletes attending America's predominantly white colleges and universities. It also discusses the experiences of African American women in these environments, a largely ignored topic. A book of this type would not be complete without also examining racism, discrimination, and the conflict black athletes and coaches encounter with the white establishment. This volume is a representation of Dr. Gary Sailes' well-known, much-respected scholarship and work as a consultant in American commercial sports.

An insight into a popular yet complex genre that has developed over the nineteenth and twentieth centuries. The volume explores the contemporary anxieties to which crime fiction responds, along with society's changing conceptions of crime and criminality. The book covers texts, contexts and criticism in an accessible and user-friendly format.