Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.

Stanley Lombardo's deft abridgment of his 2005 translation of the Aeneid preserves the arc and weight of Virgil's epic by presenting major books in their entirety and abridged books in extended passages seamlessly fitted together with narrative bridges. W. R. Johnson's Introduction, a shortened version of his masterly Introduction to that translation, will be welcomed by both beginning and seasoned students of the Aeneid, and by students of Roman history, classical mythology, and Western civilization.

A complete treatment of Aeneid XI, with a thorough introduction to key characters, context, and metre, and a detailed line-by-line commentary which will aid readers' understanding of Virgil's language and syntax. Indispensable for students and instructors reading this important book, which includes the funeral of Pallas and the death of Camilla.

These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.

A powerful and poignant translation of Vergil's epic poem, newly equipped with introduction and notes "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."--A. M. Juster, Athenaeum Review This is a substantial revision of Sarah Ruden's celebrated 2008 translation of Vergil's Aeneid, which was acclaimed by Garry Wills as "the first translation since Dryden's that can be read as a great English poem in itself." Ruden's line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil's poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil's masterpiece.

This book is part of a series of individual volumes covering Books 1-6 of Vergil's Aeneid. Each book will include an introduction, notes, bibliography, commentary and glossary, and be edited by an expert in the field. These individual volumes will form a combined Vol 1-6 book as well.

This book explores Virgil's poetic and mythical transformation of Roman imperialist ideology. The Romans saw an analogy between the ordered workings of the natural universe and the proper functioning of their own expanding empire; between orbis and urbs. In combining this cosmic imperialism with the military and panegyrical themes proper to epic, Virgil draws on a number of traditions: the notion that the ideal poet is a cosmologer; the use of allegory to extract natural-philosophical truths from mythology and poetry (especially Homer); the poetic use of hyperbole and the 'universal expression'. Virgil's imagination is dominated by the cosmological poem of Lucretius; the Aeneid, like the De Rerum Natura, is a poem about the universe and how man should live in it, but Virgil's constant inversion of Lucretian values makes of him an anti-Lucretius. Recent criticism has tended to stress the pessimistic and private sides of the Aeneid; but any easy conclusion that the poet was at heart anti-Augustan is precluded by the depth and detail with which he develops the imperialist themes discussed in this book.

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