A comprehensive account of the "lost" cultures of Crete and Mycenae which antedated the Classical period by a thousand years and more. Covers the prehistory of the area from Neolithic times (6500 B.C.) to the collapse of the Mycenaean Empire c. 1200 B.C.

A comprehensive account of the "lost" cultures of Crete and Mycenae which antedated the Classical period by a thousand years and more. Covers the prehistory of the area from Neolithic times (6500 B.C.) to the collapse of the Mycenaean Empire c. 1200 B.C.

Oliver Dickinson has written a scholarly, accessible, and up-to-date introduction to the prehistoric civilizations of Greece. The Aegean Bronze Age, the long period from roughly 3000 to 1000 BC, saw the rise and fall of the Minoan and Mycenaean civilizations. The cultural history of the region emerges through a series of thematic chapters that treat settlement, economy, crafts, exchange and foreign contact (particularly with the civilizations of the Near East), and religion and burial customs. Students and teachers will welcome this book, but it will also provide the ideal companion for amateur archaeologists visiting the Aegean.

Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.

The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.

Publisher description

*Includes pictures *Examines the archaeology, history, and culture of both groups *Includes online resources and a bibliography for further reading Nearly 2,500 years after the Golden Age of Athens, people across the world today continue to be fascinated by the Ancient Greeks. But who did the Ancient Greeks look up to? The answer to that question can be found in Homer's The Odyssey, in which Odysseus makes note of "a great town there, Cnossus, where Minos reigned." It was perhaps the earliest reference to the Minoan civilization, a mysterious ancient civilization that historians and archaeologists still puzzle over, but a civilization that renowned historian Will Durant described as "the first link in the European chain." Nearly 2,000 years before Homer wrote his epic poems, the Minoan civilization was centered on the island of Crete, a location that required the Minoans to be a regional sea power. And indeed they were, stretching across the Aegean Sea from about 2700-1500 BCE with trade routes extending all the way to Egypt. The Minoans may have been the first link in the "European chain," leading to the Ancient Greeks and beyond, but questions persist over the origins of the civilization, the end of the civilization, and substantial parts of their history inbetween, including their religion and buildings. In the wake of the Minoans, a Greek culture flourished and spread its tentacles throughout the western Mediterranean region via trade and warfare. Scholars have termed this pre-Classical Greek culture the Mycenaean culture, which existed from about 2000-1200 BCE, when Greece, along with much of the eastern Mediterranean, was thrust into a centuries long dark age. However, before the Mycenaean culture collapsed, it was a vital part of the late Bronze Age Mediterranean system and stood on equal footing with some of the great powers of the region, such as the Egyptians and Hittites. Despite being ethnic Greeks and speaking a language that was the direct predecessor of classical Greek, the Mycenaeans had more in common with their neighbors from the island of Crete, who are known today as the Minoans. Due to their cultural affinities with the Minoans and the fact that they conquered Crete yet still carried on many Minoan traditions, the Mycenaeans are viewed by some scholars as the later torchbearers of a greater Aegean civilization, much the way the Romans carried on Hellenic civilization after the Greeks. Given that the Mycenaeans played such a vital role on the history in the late Bronze Age, it would be natural to assume there are countless studies and accurate chronologies on the subject, but the opposite is true. Although the Mycenaeans were literate, the corpus of written texts from the period is minimal, so modern scholars are left to use a variety of methods in order to reconstruct a proper history of Mycenaean culture. In fact, even the name "Mycenaean" can be a bit misleading since it refers only to one locale in Greece. However, since the city was the first Bronze Age site discovered, it became a reference point for archeologists and historians to use to refer to any Bronze Age discoveries in Greece. Archeology provides the base for any study of the ancient Mycenaeans; since many of their cities were replaced and built over in classical, medieval, and modern times, excavations of the Bronze Age cities can tell modern scholars how these people lived and died. Closely related to archaeology is art history, which can be the study of any material culture including pottery, sculptures, reliefs, and jewelry. The Homeric epics also provide some information about Mycenaean culture, though Homer was a poet who lived hundreds of years after the collapse of the Mycenaean culture. Classical Greek historians and geographers also wrote about the Mycenaeans, but their works should be consulted with caution as some of their statements have proved false.

Following Oliver Dickinson’s successful The Aegean Bronze Age, this textbook is a synthesis of the period between the collapse of the Bronze Age civilization in the thirteenth and twelfth centuries BC, and the rise of the Greek civilization in the eighth century BC. With chapter bibliographies, distribution maps and illustrations, Dickinson’s detailed examination of material and archaeological evidence argues that many characteristics of Ancient Greece developed in the Dark Ages. He also includes up-to-date coverage of the 'Homeric question'. This highly informative text focuses on: the reasons for the Bronze Age collapse which brought about the Dark Ages the processes that enabled Greece to emerge from the Dark Ages the degree of continuity from the Dark Ages to later times. Dickinson has provided an invaluable survey of this period that will not only be useful to specialists and undergraduates in the field, but that will also prove highly popular with the interested general reader.

Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.