The Adventures of Rama are incidents derived from the Ramayana, the ancient Hindu tale that was transmitted orally for centuries, captured intomagnificent painted texts by the Mughal ateliers who translated them into Persian. These incidents have been retold here and lavishly illustrated using original paintings from a 16th-century Mughal manuscript in Persian, ordered by Emperor Akbar for the commander-in-chief of the imperial army, Abd-ar-Rahim. Only 23 illustrations from the total 130 paintings are included in this book. The enthralling stories that string the epic together capture the imagination of young readers and adults alike. To rid the world of the evil ten-headed Ravana, the Hindu god Vishnu appears on Earth as a heroic prince, Rama. The devotion of his brother Lakshman, his marriage to the beautiful Sita, and encounters with demons, giants, sages, and holy men, form favorite episodes, familiar to any Hindu child. These stories conclude with Rama’s efforts to rescue the kidnapped Sita, aided by Hanuman, leader of an army of monkeys. First published in 1983 by the Freer Gallery of Art, this edition by Mapin is newly designed, enriched with details from the illustrations in the book.

Exiled from his homeland, Prince Rama must brave through an odyssey in search of his wife, Princess Sita. She's been captured by a demon that Rama must overcome before taking his place as the rightful ruler. A dramatic tale of love, abduction and battle will play out in a world thronged by heroes, deities and demons. The timeless Ramayana has thrilled readers and listeners since the fourth century B.C.

[in English] Ramayana - Rama and Sita Story

Anthropologist and journalist Blank gives a new perspective to the 3,000-year-old Hindu classic, retelling the ancient tale while following the course of Rama's journey through present-day India and Sri Lanka.

Ramayana is the story of Rama, the prince of Ayodhya. Poet Valmiki describes Rama as a dutiful son, loving brother, devoted husband, fierce warrior and wise statesman, of pleasant manners and speech. Rama is above all an upholder of Dharma so it is no wonder that he is hailed as an avatar or incarnation of Lord Vishnu.

Valmiki's Ramayana is the story of Rama's exile and return to Ayodhya, of a triumphant king who will always do right by his subjects. In Volga's retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey towards self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: husbands, sons, and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it -- Surpanakha, Renuka, Urmila and Ahalya -- steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India's most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused to follow him back after a second trial, is often forgotten. However she is remembered, revered or written about, Sita continues to exert a powerful influence on the collective Indian psyche. In Search of Sita presents essays, conversations and commentaries that explore different aspects of her life. It revisits mythology, reopening the debate on her birth, her days in exile, her abduction, the test by fire, the birth of her sons and, finally, her return to the earth—offering fresh interpretations of this enigmatic figure and her indelible impact on our everyday lives.

The Ramayana is an epic poem by the Hindu sage Valmiki, written in ancient Sanskrit sometime after 300 BC. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries. Children are often encouraged to emulate the virtues of the two main characters -- Rama and Sita. The Ramayana is frequently performed as theater or dance, and two Indian festivals -- Dussehra and Divali -- celebrate events in the story. This version of The Ramayana is told from the perspective of Sita, the queen. After she, her husband Rama and his brother are exiled from their kingdom, Sita is captured by the proud and arrogant king Ravana and imprisoned in a garden across the ocean. Ravana never stops trying to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually Rama comes to her rescue with the help of the monkey Hanuman and his army. But Rama feels he can't trust Sita again. He forces Sita to undergo an ordeal by fire to prove herself to be true and pure. She is shocked and in grief and anger does so. She emerges unscathed and they return home to their kingdom as king and queen. However, suspicion haunts their relationship, and Sita once more finds herself in the forest, but this time she is pregnant. She has twins and continues to live in the forest with them. The story is exciting and dramatic, with many turns of plot. Magic animals, snakes, divine gods, demons, sorcerers and a vast cast of characters all play a part in the fierce battles fought to win Sita back. And in the process the story explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price of war.

I have been working on Circassian Mythology of Narts for a long time. As a result of these studies, which started about fifteen years ago, some questions arose in my mind about the Circassian Mythology of Narts. One of them is how many themes in the Circassian Mythology of Narts are universal and have not been noticed until today. However, it is very clear that many themes in the Circassian Mythology of Narts are universal. At least most of them are certainly not regional. Undoubtedly, the themes related to Nart Wezırmes are at the forefront of such universal ones. I am amazed that it has not been noticed until today that the narratives of the character Rama in the Indian epic Ramayana and the hero named Nart Wezırmes in the Circassian Mythology of Narts are actually texts based on the same story. In the same way, the thematic similarities between Nart Wezırmes and Egyptian Osiris have not been noticed until now, which intrigues me. I dealt with this subject in my book, titled The Ancient Secret of Circassian and Egyptian Mythologies, From Narts to Neters.