‘Captures both Barbara and her writing so miraculously’ JILLY COOPER Picked as a Book to Look Forward to in 2021 by the Guardian, The Times and the Observer A Radio 4 Book of the Week, April 2021

A tale of a woman’s romantic entanglements with two anthropologists—and the odd mating habits of humans—from the author of Jane and Prudence. Catherine Oliphant writes for women’s magazines and lives comfortably with anthropologist Tom Mallow—although she’s starting to wonder if they’ll ever get married. Then Tom drops his bombshell: He’s leaving her for a nineteen-year-old student. Though stunned by Tom’s betrayal, Catherine quickly becomes fascinated by another anthropologist, Alaric Lydgate, a reclusive eccentric recently returned from Africa. As Catherine starts to weigh her options, she must figure out who she is and what she really wants. With a lively cast of characters and a witty look at the insular world of academia, this novel from the much-loved author of Excellent Women and other modern classics is filled with poignant, playful observations about the traits that separate us from our anthropological forebears—far fewer than we may imagine.

With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.

Excellent Women is probably the most famous of Barbara Pym's novels. The acclaim a few years ago for this early comic novel, which was hailed by Lord David Cecil as one of 'the finest examples of high comedy to have appeared in England during the past seventy-five years,' helped launch the rediscovery of the author's entire work. Mildred Lathbury is a clergyman's daughter and a spinster in the England of the 1950s, one of those 'excellent women' who tend to get involved in other people's lives - such as those of her new neighbor, Rockingham, and the vicar next door. This is Barbara Pym's world at its funniest.

A solicitous guest lecturer at an English women's college uses her own psychological theories to solve a campus murder case.

INTRODUCED BY MAVIS CHEEK 'I'm a huge fan of Barbara Pym' Richard Osman 'She is the rarest of treasures; she reminds us of the heartbreaking silliness of everyday life' Anne Tyler Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that Count Ricardo Bianco will propose to her yet again this year. Belinda, meanwhile, has harboured sober feelings of devotion towards Archdeacon Hoccleve for thirty years. Then into their quiet, comfortable lives comes a famous librarian, Nathaniel Mold, and a bishop from Africa, Theodore Grote - who each takes to calling on the sisters for rather more unsettling reasons. 'Some Tame Gazelle is my personal favourite for its sparkling high comedy and its treasury of characters . . . [Pym] makes me smile, laugh out loud, consider my own foibles and fantasies, and, above all, suffer real regret when I reach the final page. Of how many authors can you honestly say that?' MAVIS CHEEK

The Diary recorded by Lady Murasaki (c. 973-c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace - the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology - her pragmatic observations always balanced by an exquisite and pensive melancholy.

Newly minted PI Emma Holmes and her partner Sam Collins are chosen for a high-profile case: retired music-hall star Verity Malone hires them to find out who poisoned her husband, a theater impresario. Verity herself has been accused of the crime. Soon Emma realizes that Verity's life intersects closely with her own. The team of female PIs circle closer to the killer, with the Brighton police hot on their tail. The clues suggest they're looking for a criminal targeting the old music-hall crew. How long will it be before that trail leads straight back to Max? Print run 3,000.

"Kennedy is not only a romantic but an anarchist." —Anita Brookner Summer, 1947. A bizarre catastrophe rocks a seaside village in Cornwall when a cliff tumbles down on the Pendizack Manor Hotel. The hotel is obliterated, and seven guests are killed in the disaster. Everyone else makes a narrow escape. As the survivors tell their stories, the events of the previous week are revealed, and a parade of sins exposed. Gluttony, Lecherousness, Sloth, Pride, Covetousness, Envy and Wrath: all are in residence at Pendizack Manor, and as the day of the disaster creeps closer, it becomes clear that who’s spared and who’s lost might not be as arbitrary as first assumed. A modern upstairs-downstairs comedy with an old-fashioned morality play tucked away inside, The Feast is sly, kaleidoscopic, and utterly ingenious, a novel that only Margaret Kennedy could have written.

A charismatic businessman casts a dark spell over others in this psychologically suspenseful novel by the Man Booker Prize–winning author of The Black Prince. Mischa Fox’s name is known throughout London, though he himself is rarely seen. Enigmatic and desired, vicious yet sympathetic, he is a model of success, wealth, and charisma. When Fox turns his entrepreneurial gaze on a small feminist magazine known as the Artemis, his intoxicating influence quickly begins to affect the lives of those involved with the paper: the fragile editor, Hunter; generous Rosa, who splits her time and affections between her brother and two other men; innocent Annette, whose journey from school to the real world ends up being more fraught than she could have foreseen; and their circle of friends and acquaintances, all of whom find themselves both drawn to and repulsed by Fox. Told with dark humor, keen wit, and intense insight into the seductive nature of power, The Flight from the Enchanter is an intricate and dazzling work of fiction from the author of The Sea, The Sea and Under the Net, “one of the most significant novelists of her generation” (The Guardian).