The adventures of Chupacabra Charlie and his human friend in their first exciting adventure together.

A book filled with information for every adventurer.

With a foreword by Ilan Stavans This collection of essays, by fifteen scholars across diverse fields, explores forty years of writing by Giannina Braschi, one of the most revolutionary Latinx authors of her generation. Since the 1980s, Braschi’s linguistic and structural ingenuities, radical thinking, and poetic hilarity have spanned the genres of theatre, poetry, fiction, essay, musical, manifesto, political philosophy, and spoken word. Her best-known titles are El imperio de los sueños, Yo-Yo Boing!, and United States of Banana. She writes in Spanish, Spanglish, and English and embraces timely and enduring subjects: love, liberty, creativity, environment, economy, censorship, borders, immigration, debt, incarceration, colonialization, terrorism, and revolution. Her work has been widely adapted into theater, photography, film, lithography, painting, sculpture, comics, and music. The essays in this volume explore the marvelous ways that Braschi’s texts shake upside down our ideas of ourselves and enrich our understanding of how powerful narratives can wake us to our higher expectations.

Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing. The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective. This includes a discussion of how comic books are built out of shared aesthetic systems such as literature, painting, drawing, photography, and film. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds. In particular, it explores how the term "global comics" has been defined, as well the major movements and trends that will drive the field in the years to come. Each essay will help readers understand comic books as a storytelling form grown within specific communities, and will also show how these forms exist within what can be considered a world system of comics.

One-of-a-kind collection of Latinx comics that sheds light on Latinx experiences, exploring language, culture, history, and more.

The lovable trio from the acclaimed Lowriders in Space are back! Lupe Impala, Elirio Malaria, and El Chavo Octopus are living their dream at last. They're the proud owners of their very own garage. But when their beloved cat Genie goes missing, they need to do everything they can to find him. Little do they know the trail will lead them to the realm of Mictlantecuhtli, the Aztec god of the Underworld, who is keeping Genie prisoner! With cool Spanish phrases on every page, a glossary of terms, and an action-packed plot that sneaks in science as well as Aztec lore, Lowriders to the Center of the Earth is a linguistic and visual delight. ¡Que suave!

Latinx Superheroes in Mainstream Comics offers the first thorough exploration of Latino/a superheroes in mainstream comic books, TV shows, and movies--Provided by publisher.

Undocumented is the story of immigrant workers who have come to the United States without papers. Every day, these men and women join the work force and contribute positively to society. The story is told via the ancient Mixtec codex—accordion fold—format. Juan grew up in Mexico working in the fields to help provide for his family. Struggling for money, Juan crosses over into the United States and becomes an undocumented worker, living in a poor neighborhood, working hard to survive. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated—he receives less than half of the minimum wage! Risking his boss reporting him to the authorities for not having proper resident papers, Juan risks everything and stands up for himself and the rest of the community.

The Routledge Companion to Gender, Sex and Latin American Culture is the first comprehensive volume to explore the intersections between gender, sexuality, and the creation, consumption, and interpretation of popular culture in the Américas. The chapters seek to enrich our understanding of the role of pop culture in the everyday lives of its creators and consumers, primarily in the 20th and 21st centuries. They reveal how popular culture expresses the historical, social, cultural, and political commonalities that have shaped the lives of peoples that make up the Américas, and also highlight how pop culture can conform to and solidify existing social hierarchies, whilst on other occasions contest and resist the status quo. Front and center in this collection are issues of gender and sexuality, making visible the ways in which subjects who inhabit intersectional identities (sex, gender, race, class) are "othered", as well as demonstrating how these same subjects can, and do, use pop-cultural phenomena in self-affirmative and progressively transformative ways. Topics covered in this volume include TV, film, pop and performance art, hip-hop, dance, slam poetry, gender-fluid religious ritual, theater, stand-up comedy, graffiti, videogames, photography, graphic arts, sports spectacles, comic books, sci-fi and other genre novels, lotería card games, news, web, and digital media.

The truth is out there ... maybe. Charlie Rhodes has a lot going on. The recent college graduate just landed her dream job. That's right. She's a bona fide monster hunter. No, you read that right. Charlie has joined the Legacy Foundation, and her actual job is to find something new, wonderful and scientifically unique. Her first job as the junior member of the team involves a biggie. It seems Bigfoot - no, the one and only Sasquatch extraordinaire itself - may have killed a woman in Hemlock Cove, Michigan. Within hours of landing at her new job Charlie finds herself traveling to an odd little town in the middle of nowhere to discover if Bigfoot is real. Charlie hits the ground running, excitement practically overwhelming her. The dead woman worked at a local resort and was very popular with her male colleagues. That means there are plenty of human suspects, but Charlie and her team are determined to prove the culprit was animal, not human. Hemlock Cove boasts numerous mysteries, of course, and when the team checks in to a local inn called The Overlook they find a gaggle of wacky women to contend with. On top of the potential Bigfoot issue, Charlie is convinced there's something going on with the Winchester women and she's determined to get to the bottom of the secrets she's convinced they're keeping. That's on top of the fact that Charlie is keeping her own secret. She's psychic and telekinetic - and exactly the sort of person the Legacy Foundation would like to find. That means she's hiding in plain sight, and she's desperate to make sure nobody figures that out. Charlie is in for a wild ride, one that includes a magical adventure and concludes with a potentially deadly face-off. Will she survive long enough to catch a second case, or will she fall victim to a killer that could come in almost any form?